Test 1 Flashcards

1
Q

Johann Wolfgang von Goethe
Occupation
Examples
Influence

A

Poet considered founder of German Romantic poetry
Text to Gretchen am Spinrade (Schubert)

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2
Q

Niccolo Paganini
Occupation
Personality
Influence

A

Virtuoso violinist
Flamboyant public lifestyle. Very long hair, tight black clothes at all time
INTENTIONALLY SPREAD RUMORS THAT HE HAD MADE A PACT WITH THE DEVIL SO HE COULD PLAY AS HE DID
Developed many virtuoso techniques for violin
Personified idea of Romantic virtuoso

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3
Q

Romantic era
Most notable ideals

A

Emotions and feelings govern behavior rather than reason like classical era
Heroic conception (Napoleon Bonaparte)
Peasant as hero
Interest in simple, rural life, nature, pastoral settings
Fascinations with occult, “spirit world”, supernatural, seances, etc
Importance of piano
Age of virtuoso
Emphasis on individuality
Independence of musicians and composers

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4
Q

What governed behavior in romantic era

A

Emotions and feelings

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5
Q

What were people in the romantic era especially interested in (nonmedical)

A

Rural life, nature, PASTORAL SETTINGS, simple life, “peasant as a hero”
Occult, “spirit world”, supernatural, seances, etc

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6
Q

Musical interests of Romantic

A

Importance of piano, virtuoso, independence of musicians and composers, individualism/uniqueness

Extended harmonic structures 9ths, 11ths, 13ths
Expansion of sonata allegro form
Mixing with non-musical influences (poetry, fiction, philosophy, politics)

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7
Q

Ludwig van Beethoven contributions

A

Great disruptive force in history of western music
Transitional figure from classical to romantic
Model for all romantic composers
Changed status/role of artists
Reinterpreted sonata allegro form

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8
Q

How did Beethoven lead romantic generation

A

Elevate status of symphony as genre
Expanded orchestra
Expanded expressive capabilities of serious music in general

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9
Q

Beethoven style periods

A

Early (imitative
Middle (heroic)
Late

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10
Q

One of great disruptive forces in history of music

A

Beethoven

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11
Q

Style single handily affected musical transition from classical to romantic

A

Beethoven

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12
Q

First style period of Beethoven

A

Early, imitative

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13
Q

Second style period of Beethoven

A

Middle (heroic)

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14
Q

Third style period of abeethoven

A

Late

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15
Q

Early (imitative) traits of Beethoven

A

More wei
Individuality through (aggressive) dissonant harmonies
Powerful rhythmic drive

Focus on Developing mastery of classical style

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16
Q

Middle (heroic) traits of Beethoven

A

Most popular period
Corresponds with learning he will go completely deaf
Heroic conceptions, music often portrays overcoming big obstacles

Full development of mature style
Form, extremes of expression

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17
Q

Example of midle period of Beethoven

A

Symphony 3 Eroica

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18
Q

Late period Beethoven traits

A

More reclusive and eccentric

Intimate tone, subtle, unique

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19
Q

Specific styilistic compositional traits in heroic Beethoven

A

Extreme dynamic contrast and articulation

Effective use of hemiola and metric displacement

Unusual harmonic key areas
bVI

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20
Q

Who wrote Symphony No 3 in E flat major (eroica)?

A

Ludwig van Beethoven

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21
Q

Who wrote 1. Allegro con Brio?

A

Ludwig van Beethoven

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22
Q

What movement of Beethoven Symphony 3 in E flat major (eroica)?

A

Allegro con brio

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23
Q

Symphony No 3 in E flat major (BLANK) movement and descriptors

A

EROICA
Allegro con brio
Strong. Synphony

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24
Q

What genre is Allegro con brio?

A

Symphony

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25
Q

Who wrote String Quartet in A minor?

A

Ludwig van Beethoven

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26
Q

Who wrote 3. Molto adagio?

A

Ludwig van Beethoven

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27
Q

Who wrote 4. Alla Marcia piu allegro?

A

Ludwig van Beethoven

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28
Q

Who wrote 5. Allegro appassionato?

A

Ludwig van Beethoven

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29
Q

What movements of Beethoven String Quartet in A minor?

A
  1. Molto adagio
  2. Alla Marcia piu allegro
  3. Allegro appassionato
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30
Q

String Quartet in A minor movement 3 descriptors

A

Molto Adagio
Soft sweet slow chordal rounding

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31
Q

String Quartet in A minor movement 4 descriptors

A

Alla marcia- pui allegrodotted 8th, 16th, sad violin solo with trills and chord punches in back

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32
Q

String Quartet in A major movement 5 descriptors

A

Allegro appassionato
Very strong, passionate. ONE and 2 and 3
Quicker

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33
Q

What genre is String Quartet in A major?

A

String quartet

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34
Q

Who wrote Piano Sonata in C minor (Pathetique)?

A

Ludwig van Beethoven

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35
Q

Who wrote Grave Allegro di motto e com brio?

A

Ludwig van Beethoven

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36
Q

What movement of Beethoven’s Piano Sonata in C minor (Pathetique)?

A
  1. Grave Allegro di motto e com brio
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37
Q

Piano Sonata in C minor movement (BLANK) and descriptors

A

Pathetique
1. Grave Allegro di motto e com brio
ONE piano- some GRAVE moments. Moves

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38
Q

What genre is Grave Allegro di motto e com brio?

39
Q

Who wrote Gretchen am Spinrade D. 118?

A

Franz Schubert

40
Q

Gretchen am Spinnrade D 188 descriptors

A

Dramatic opera female with rollingbpiano

41
Q

What genre is Gretchen am Spinnrade D188?

42
Q

Who wrote Dichterliebe?

A

Robert Schumann

43
Q

Who wrote I’m wunderschonen monat Mai?

A

Robert Schumann

44
Q

Who wrote Ich grolle nicht?

A

Robert Schumann

45
Q

What movement of Schumann’s Dichterliebe?

A

Im wunderschonen monat mai
Ich grolle nicht

46
Q

Im wunderschonen monat mai descriptors

A

Make dramatic opera slow with SPARSW SIMPLE piano

47
Q

Ich grolle nicht descriptors

A

Quicker male solo with denser piano that’s seems to subdivide and highlight important notes of the melody

48
Q

What genre is Dichterliebe?

A

Liederkreis (song cycle)

49
Q

Who wrote Piano Trio in G minor?

A

Clara Schumann

50
Q

Who wrote 3. Andante?

A

Clara Schumann

51
Q

What movement of Schumann’s Piano Trio in G minor?

52
Q

Piano Trio in G minor movement and descriptors

A
  1. Andante
    Slow sad piano amd violins that I kinda don’t li, e and cello gets bouncy and dramatic. A little pirate like
53
Q

What genre is Piano Trio in G minor?

A

Piano trio

54
Q

Who wrote Symphonie fantastique?

A

Hector Berlioz

55
Q

Who wrote Dance of the Witches Sabbath?

A

Hector Berlioz

56
Q

What movement of Berlioz’s Symphonie Fantastique?

A
  1. Dance of the Witches Sabbath
57
Q

Symphonie Fantastique movement and descriptors

A
  1. Dance of the Witches Sabbath
    WITCHY, sparse, dark, minor, crude church bells
    Woodwinds
    Crispy crunchy
58
Q

What genre is Symphonie Fantastique?

A

Program Symphony

59
Q

The lied

A

German romantic poem set to music
OR
German romantic art song

60
Q

Forms of Lieder

A

Strophic
Through composed
Modified strophic

61
Q

Strophic

A

Text in verses use same repeated music for each verse
Church hymn

62
Q

Through composed

A

New music all the way through lyrics

63
Q

Modified strophic

A

Some elements of strophic and some of through composed

64
Q

How did role of composer change

A

Wrote to move audiences
Wrote for own reasons and intentions, individuality

65
Q

Franz Schubert notable things

A

Succeeded Schuman
Established German lied (art song) as major genre
One of most prolific and talented composers of all time

66
Q

Robert Schumann contributions

A

Major composer of romantic era
-especially for piano
Succeeded Schubert as leading composer of lieder (song cycles)
Also known for (critical) writings on his own and others music. -mostly promoting -especially Chopin Mendelssohn Brahms

67
Q

Song cylce

A

A set of lieder that go together.

68
Q

Clara Schumann contributions

A

First woman regarded as piano soloist
Composer of lieder piano music
Taught piano at Hoch Conservatory of Frankfurt
With Brahms, edited Robert’s unpublished works after his death

69
Q

Hector Berlioz
Contributions

A

Leader in programmatic symphonic music in romantic era

wrote a treatise about Instrumentation and orchestration

Important music critic and writer about music

70
Q

Program music

A

Instrumental with extra musical connotations

71
Q

Functional tonality

A

Every harmony in given key has a function

72
Q

Orchestration

A

Instrumental selection in large group instrumental works (Beethoven expanded orchestra, Berlioz contributed

73
Q

Idee fixe

A

Melody in symphonie fanatstique that presents “the beloved”

74
Q

False recqpitialatikn
Example

A

Recap in wrong key
Beethoven symphony 3

75
Q

Absolute music

A

Instrumental music with no extra musical connotations

76
Q

Thematic transformatikn
Example

A

Musical phrase is changed through the drama of the work

Beethoven symphony 3 movement 1

77
Q

Idiomatic

A

Writing that exploits idiosyncrasies (unique things) of specific instruments

78
Q

Virtuoso

A

An individual recognized for unique talents and techniques on a given insturment

79
Q

Example of early beethoven

A

Piano sonata 13

80
Q

Beethoven latenperiod example

A

String quarter

81
Q

Where did European music capital move to

A

Vienna to Paris

82
Q

What is history

A

Study/retelling of past

83
Q

Why is history important

A

Learn from and avoid future mistakes. Grow off the progress and mistakes of others

84
Q

How does study of history influence th work and study of musicians and teachers.

A

Appreciation of lineage and past of music. Cultural heritate.
Influence the listening, playing, and programming of music.
Performance practice- getting as close to the composers intent as possible. Takes the performance and elevates it.

85
Q

Potential pitfalls knherant in music history

A

History is mostly stories. The stories can be edited and changed however they want and we wouldn’t notice. People say whatever they want
Ommissions, exaggerations, modification

86
Q

Why important to know truth in history

A

How are we supposed to learn from these people (especially from their mistakes) if we don’t actually know what happened? Don’t want to give credit to the wrong person.
BIAS

87
Q

How protect ourselves from pitfalls of music hisotry

A

Investigate a variety of sources and compare story
Look for reputable sourceso

88
Q

Description of some of predominant philosophies of Romantic era and describe how they influenced the music from the era

A

Individualism: stopped working for people but composing what they wanted. Finding their individual styles to make themselves stand out.
Occult, ghosts, spirits, seances (Berlioz Dance of Witches Sabbath)
Emotions/feelings: The Schummans. Everyone told them 9 years was too much difference, but they were in love. Their music was very dramatic and romantic. Dissonances, extreme contrast, dynamics, rhythmic

89
Q

Who lied? Why was lied different from what had been written earlier

A

Schubert, Schumann
More/better piano. More range because if metal frames, peddles

90
Q

How did lieder represent romantic era philosophies

A

Poetry- inclusion/fusion of non-musical ideas
Poetry is very dramatic. Overlky emotional. Melodramatic. Pulling at heartstrings

91
Q

What key is the Beethoven sonata in

92
Q

What key is the Beethoven symphony in

93
Q

What key is the Beethoven string quartet in

94
Q

What key is the piano trio in