terminology Flashcards

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1
Q

gigue:

A

lively dance from the baroque dance suit

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2
Q

concertino:

A

short concerto

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3
Q

ripieno:

A

the instruments accompanying the concertino

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4
Q

continuo:

A

a bass line in many baroque orchestral, choral and chamber works

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5
Q

figured bass:

A

symbolic information below a bass note to inform harmony

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6
Q

imitation:

A

polyphonic musical texture in which a melodic idea is freely or strictly echoed by successive voices
call and response

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7
Q

sequence:

A

melodic and harmonic pattern which is repeated at successively higher or lower pitch levels

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8
Q

pedal notes:

A

held through changing harmonies

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9
Q

conjunct:

A

a melody that moves in distinct steps or intervals, smoothly, and in a connected way
stepwise

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10
Q

ornaments:

A

embellishment of a melody

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11
Q

syllabic:

A

each syllable is matched to note

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12
Q

melismatic:

A

when a single syllable has various notes

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13
Q

trill:

A

rapid alternation between a note

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14
Q

appoggiatura:

A

ornamental note that displaces

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15
Q

colla voice:

A

follow the voice

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16
Q

sf (sforzando):

A

played with stress and accent

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17
Q

crossed note heads:

A

notes with rhythmic value but no pitch

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18
Q

guitar with overdrive:

A

when you push guitar pass it’s amp

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19
Q

tremolando:

A

rapid repeated note

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20
Q

hi-hat:

A

two cymbals together on a drum kit

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21
Q

ostinato:

A

short melodic message repeated throughout piece

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22
Q

syncopation:

A

displacement of rhythm and accent

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23
Q

rall:

A

slowing of tempo

24
Q

maestoso:

A

majestic

25
Q

polyphonic/contrapuntal:

A

2 or more melodies of similar importance

26
Q

homophonic:

A

multiple voices move in a chordal texture highlighting harmony

27
Q

melody dominated homophony:

A

one voice, often the highest, plays a distinct melody, and the accompanying voices work together to articulate an underlying harmony

28
Q

unison:

A

all parts playing same line at same time

29
Q

monophonic:

A

a single, unaccompanied line

30
Q

antiphonal:

A

texture 2 or more parts play alternate parts

31
Q

heterophonic:

A

playing different version of the same melody/ idea at the same time

32
Q

contrapuntal:

A

involves counterpoint, in which more than one musical line plays at the same time
the lines are independent but related harmonically

33
Q

stretto:

A

concluding passage performed in a quicker tempo

34
Q

concerto grosso:

A

a baroque orchestral composition featuring a small group of solo instruments contrasting with the full orchestra

35
Q

acciaccatura:

A

a grace note melodically adjacent to principle note and played simultaneously

36
Q

mordent:

A

a note played with single raid alternation with note above or below

37
Q

broken chord:

A

a chord in which all notes appear in succession

38
Q

codetta:

A

brief conclusion with a cadence at the end

39
Q

dissonance:

A

discordant sounds or a lack of harmony in music

40
Q

grace note:

A

brief note (main note/ principal note) that functions as ornamentation for the note that follows it

41
Q

what are the voices in order from high to low?

A

bass
baritone
tenor
countertenor
alto
mezzo-soprano
soprano

42
Q

vibrato:

A

musical effect where a note changes pitch subtly and quickly

43
Q

glissando:

A

a way of gliding or flowing from one note to the next

43
Q

triad:

A

three notes stacked in consecutive thirds

44
Q

arpeggio:

A

notes of a chord played in succession rather than together
the term broken chord is sometimes used

45
Q

disjunct:

A

opposite of conjunct = not stepwise

46
Q

drone:

A

extended sustaining or repeating note

47
Q

fanfare:

A

flourish for bass instruments for ceremonial or celebratory effect

48
Q

ground bass:

A

repeating phrase in the bass
in some baroque pieces

49
Q

atonal:

A

absence of tonality or key

50
Q

modal:

A

tonality based on modes (precursors of modern scales - of several types each with a different series of tones and semitones)

51
Q

articulation:

A

the degree to which a note is separated from the note that follows it (legato and staccato)

52
Q

double stopping:

A

where two notes or more are played together and being stopped simultaneously

53
Q

solo concerto:

A

work for a soloist and orchestra in three movements

54
Q

concerto grosso:

A

baroque
usually two soloists and orchestra

55
Q

flanger:

A

an effect that creates clanging which involves mixing together two identical signals, one of them delayed by a small, gradually changing amount