"Tell It Slant" Flashcards

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1
Q

Developing Character

A
  • gives details about characters to help the readers to learn more about who the character is or isn’t.
  • sight, sound, and feel gives us a sense of essence
  • write effectively with description
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2
Q

Dialogue

A
  • moves actions forward
  • avoid excessive use of adverbs
  • cue the reader on the degree of certainty or uncertainty
  • accuracy is key
  • search for voice
  • avoid information dumping
  • make sure to contain tone
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3
Q

Image and Metaphor

A
  • an IMAGE is a picture of an event while a METAPHOR is a symbol we associate with the event
  • any literary element creating a sense of impression in the mind
  • the use of comparison; at the basic level-an association
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4
Q

Pact With the Reader: Creating Trust

A
  • author must gain the reader’s attention
  • author pledges to be honest and reader forms a sense of trust
  • author reveals mistakes so the reader thinks they are in good hands
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5
Q

Permutations of Truth

A
  • fact vs. fiction: debate goes both ways
    1. Memory and Imagination
  • imagination affects memory
    2. Emotional truth vs. factual truth
  • there is a line, some facts can be emotional truths, some can’t
    3. The Whole Truth
  • almost impossible to tell the whole truth
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6
Q

Pitfalls to Avoid

A

Therapist couch: weighed down by emotion or self-pity
Revenge prose: intends to get back at someone (1 dimensional)
Perspective: defines the differences between literary works
Emotion: should only write a story when ready to give all characters attention

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7
Q

Point of View

A
  • the vantage point from which a story is told which is expressed pronouns.
  • one of the many ways an author can use the structure of her story-telling to create meaning in the story
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8
Q

Scene vs. Exposition

A

Scene: the building blocks of creative nonfiction that uses details and sensory to information to recreate experience.
Exposition: summarizes the author’s thoughts or experiences for the reader with little or no sensory detail.

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9
Q

Specificity and Detail

A
  • scene forces us to use specificity and detail, elements that get lost in a quick wash of exposition
  • when writing a scene mimic the event, to recreate it for the reader
  • William Strunk Jr.: “specific, concrete, definite”
  • create fresh image, experiences not lectures, and enter the story and find meaning for oursleves
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10
Q

The I and the Eye

A

*The inner I: the framed information the author displays
*The personal eye: includes all details; everything that happened
Sign of the real: you think what you’re reading is reality but it is framed by the author
-good essay will reflect the unique sensibility of the writer

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11
Q

Cueing the Reader

A

-use tag lines to alert reader of possible “fiction”
-Cue more subtly by describing a different aspect of the scene rather than the whole thing
FULL DISCLOSURE: to alert the reader that what they are reading may not necessarily be true

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