"Tell It Slant" Flashcards
Developing Character
- gives details about characters to help the readers to learn more about who the character is or isn’t.
- sight, sound, and feel gives us a sense of essence
- write effectively with description
Dialogue
- moves actions forward
- avoid excessive use of adverbs
- cue the reader on the degree of certainty or uncertainty
- accuracy is key
- search for voice
- avoid information dumping
- make sure to contain tone
Image and Metaphor
- an IMAGE is a picture of an event while a METAPHOR is a symbol we associate with the event
- any literary element creating a sense of impression in the mind
- the use of comparison; at the basic level-an association
Pact With the Reader: Creating Trust
- author must gain the reader’s attention
- author pledges to be honest and reader forms a sense of trust
- author reveals mistakes so the reader thinks they are in good hands
Permutations of Truth
- fact vs. fiction: debate goes both ways
1. Memory and Imagination - imagination affects memory
2. Emotional truth vs. factual truth - there is a line, some facts can be emotional truths, some can’t
3. The Whole Truth - almost impossible to tell the whole truth
Pitfalls to Avoid
Therapist couch: weighed down by emotion or self-pity
Revenge prose: intends to get back at someone (1 dimensional)
Perspective: defines the differences between literary works
Emotion: should only write a story when ready to give all characters attention
Point of View
- the vantage point from which a story is told which is expressed pronouns.
- one of the many ways an author can use the structure of her story-telling to create meaning in the story
Scene vs. Exposition
Scene: the building blocks of creative nonfiction that uses details and sensory to information to recreate experience.
Exposition: summarizes the author’s thoughts or experiences for the reader with little or no sensory detail.
Specificity and Detail
- scene forces us to use specificity and detail, elements that get lost in a quick wash of exposition
- when writing a scene mimic the event, to recreate it for the reader
- William Strunk Jr.: “specific, concrete, definite”
- create fresh image, experiences not lectures, and enter the story and find meaning for oursleves
The I and the Eye
*The inner I: the framed information the author displays
*The personal eye: includes all details; everything that happened
Sign of the real: you think what you’re reading is reality but it is framed by the author
-good essay will reflect the unique sensibility of the writer
Cueing the Reader
-use tag lines to alert reader of possible “fiction”
-Cue more subtly by describing a different aspect of the scene rather than the whole thing
FULL DISCLOSURE: to alert the reader that what they are reading may not necessarily be true