Ta Moko Flashcards
What did Ta Moko do to the skin?
scare and make it bumpy
Where do men traditionally get Ta Moko?
On their whole face
Where do Women traditionally get Ta Moko?
On their chins and lips
What types of people get Ta Moko?
High born people and leaders who are looked up to
Awheto
Dried and fired vegetable catapillars used to make pigment which is then mixed with shark oils
Ipu Ngarahu
Container used to hold the pigment for Ta Moko
Uhi
Chisels used for Ta Moko
Metal Tools
Used after encounters with Europeans to create more intricate carvings and fine lines
What has changed with regard to tribal territories since 1840?
They have become more static
Mataora and Niwareka
- Example of a Myth template
- Niwareka was from the underworld, her and Mataora fell in love but he hurt her so she ran back to the underworld
- So Mataora dressed up with paintings to win her back but they all got wrecked from the rain
- Learnt Ta Moko from people of underworld to make it permanent and win back Niwareka
- “Mataora replied ‘look on my moko; if it had been painted it might wash off, but as it is a moko cut in the flesh by you it is permanent and cannot be washed out, I will adopt in the future the ways of this world and it works.”
- Today- “Your beautiful inked face tattooed by the chisel of Mataora”
Mihi Kotukutukutu
- Te whanau-a-Apanui, Ngati Porou
- Had her photo taken, but she was too tapu to be tattooed by the Tohunga moko as they feared getting her blood on them
Tomkia Te Mutu
- Ngai Te Rangi, Ngai Tuwhiwhia
- known for the high quality of his moko
- Painted by Lindauer
Joel Polack (1840)
-“Many chiefs whose counterances have never been seen by teh distant tribe, are known simply by the distinguishing mark which has been peculiarly engraved on their counterances. We had several opportunities of testing this fact, from having taken some likeliness of teh chiefs residing at teh north, and showing them to some families resident at distances upwards of 400 miles, they were immediately distinguished and named, through no connexion existed between those persons, or had they even at any period seen each other.’
Te Peehi Kupe
- 1820s goes to England
- Draws his own Ta Moko and those of his immediate whanau ‘freehand and sight unseen’
- “European man write with pen his name. Te Peehi’s name is here [on face]”
Memory
- very important for tracing whakapapa
- 3000+ names, pen and paper couldn’t even write this out in a sensible readable manner