SYMBOLIC INTERACTIONISM Flashcards

1
Q

Concerned with understanding?

A

The meanings and interpretations of participants

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2
Q

GEORGE HERBERT MEAD

A

1863-1931

University of Chicago

Moved away from positivism

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3
Q

ss

Human mind has the ability to deal with ………. ?

A

MEANING

Meanings are learned through dealing with other people

Transforms the biological human organism into a social being

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4
Q

PRAGMATISM is contrast to?

A

Positivism

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5
Q

PRAGMATISM 1

A

‘Reality’ does not exist ‘out there’ it actively created as we act towards the world. Knowledge is indeterminate.

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6
Q

PRAGMATISM 2

A

People base their knowledge (truth/reality) on the world on what is USEFUL and what WORKS (dismiss things that don’t work)

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7
Q

PRAGMATISM 3

A

People DEFINE the social and physical ‘objects’ they encounter according to their use for them

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8
Q

PRAGMATISM 4

A

Our understanding of actors should be based on what they actually do (practical interactions)

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9
Q

THE SELF emerges in?

A

Social activity (eg education from our family, school, social groups we belong) and relationships

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10
Q

Humans can see themselves as?

A

OBJECTS (this is what distinguishes us from other animals) We can see ourselves how others would view us

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11
Q

THE FORMATION OF THE SELF (4 things as children)

A

1) IMITATION

2) ROLE PLAY (we ability to swap roles, begin to perceive
ourselves from other points of view)
(also, human LANGUAGE allows for more complex
forms of role play than other animals)

3) GAMES

4) THE GENERALISED OTHER (attitudes of social group or
society)

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12
Q

TWO ASPECTS OF THE SELF is embodiment of?

A

Structure vs Agency

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13
Q

What are they?

A

The ‘subjective’ I
- Creative and imaginative, creates change rather than
simply reflecting society

The ‘objective’ me
- Judgemental and controlling. Represents the views of the
generalised other/ how others see us

LINKS TO COOLEY’S ‘LOOKING GLASS SELF’

  • We imagine how we appear to others
  • We imagine the judgment of that appearance
  • We develop our self ( identity ) through the judgments of others.
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14
Q

INDIVIDUALS AND SOCIETY

A
  • Do not exist separately from one another
  • Only to be understood through INTERACTION
  • Society depends on functioning of ‘I’ and ‘me’
    (how ‘me’ conforms to society)
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15
Q

Why does Mead reject strict social determinism?

A

Social Determinism = accepting ALL aspects of the ‘me’ and fully conforming to society through the meanings OTHERS give us
( eg Marx, economic determinism = economics shapes everything in society )

  • HOWEVER because we also have the ‘subjective’ I, we
    have the ability to go against social norms
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16
Q

HERBERT BLUMER (1900-87)

A
  • Highlighted the social implications of Mead’s social
    philosophy
  • Coined the term SYMBOLIC INTERACTIONISM
17
Q

Why was it a strong critique of positivism?

A
  • It moved from social STRUCTURE to social INTERACTION
  • Concerned with the MEANINGS and INTERPRETATIONS
    and these were DIFFERENT for different people
  • There are not ‘facts’ out there independent of social
    actors, as people interpret social reality differently
18
Q

Symbolic significance?

A
  • Humans act towards things on the basis of the MEANING
    they have for them.

eg certain things gain SYMBOLIC SIGNIFICANCE ‘mother’
can change meaning due to the social setting
AND
can change over TIME as life continues

19
Q

ETHNOGRAPHY - Brewer 2008

Goffman agrees with this

A

Study of people in NATURALLY OCCURRING settings by means of methods which capture SOCIAL MEANINGS and ORDINARY activities

Basically…
Participating/ immersing yourself in another world to understand it from within/ their point of view

20
Q

Example of ethnography? Stoller?

A

SONGHAY SORCERY
- Knew their were some scientific (positivist) explanations
for this ‘magic’
- Became a sorcerer’s apprentice
- Got paralysed by a sorceress
- Had to use their methods to heal himself
- He was more than just observing now
- Troubles his FOUNDATIONALIST ONTOLOGY and
REJECTS POSITIVISM. He could NOT translate methods
of the natural science to social science, it would NOT
work

21
Q

ERVING GOFFMAN (1922-82)

A

Didn’t self define as a symbolic interactionist but links closely

22
Q

How does THE PRESENTATION OF SELF IN EVERYDAY LIFE link to symbolic interactionism?

A

DRAMATURGICAL APPROACH - life as a series of dramatic performances
= the ‘subjective’ I

IMPRESSION MANAGEMENT - techniques used to present an image that is accepted by others
= the ‘objective’ me

23
Q

A THEATRICAL ANALOGY?

A

Both created in INTERACTION with others

FRONT STAGE
Where the performance is given. Individuals conform to the social role that is accepted

BACK STAGE
Preparation for performances. Can conceal aspects of ourselves that are not part of our on stage performances

24
Q

How does ASYLUMS (1961) (Goffman’s most cited and controversial work) show the power of the interactionist approach?

A
  • Based on 12 months ETHNOGRAPHIC fieldwork
  • Aim was to learn about the social world of hospital
    inmates (perspective of the patients)
25
Q

What are TOTAL INSTITUTIONS?

A
  • Closed environment in which the time and space of
    inmates can be controlled

(the experience of inmates in any total institution (prison,
mental hospital, boarding school) will be VERY SIMILAR)

26
Q

THE MORTIFICATION OF SELF

A
  • Lose clothes and rights
  • Limited privacy
  • Loss of identity & sense of self importance
27
Q

ADAPTION STRATEGIES

A

1) SITUATIONAL WITHDRAWAL
2) INTRANSIGENT LINE (rebelling)
3) COLONISATION (life inside is better than outside)
4) CONVERSION (accepted doctor’s definition of insanity)

IRONY = all attempts to preserve identity

28
Q

How did Goffman readily reject the psychiatrist/ positivist approach?

A

He radically changed the way patients were dealt with

  • Very critical of medical and SCIENTIFIC claims of
    ‘psychopaths’
  • He saw psychotic behaviour as not abiding by rules that
    govern ‘EVERYDAY BEHAVIOUR’
    (by breaking these rules your sanity is doubted)
29
Q

How did he see ‘insanity’?

A

He saw insanity as a BEHAVIOURAL issue not a SCIENTIFIC/ MEDICAL issue.

It was down to not conforming to societal norms

30
Q

DRAMATURGICAL DILEMMAS IN SHYNESS (Scott 2005)

A
  • Symbolic interactionism RELOCATES shyness in its social
    context (away from psychological study, rejection of
    positivist approach)
  • Shyness is SOCIALLY NEGOTIATED and emerges from
    everyday interaction
31
Q

How does this link to Goffman’s front/ back stage divide?

A

Shy ‘subjective’ ‘I’ (BACKTAGE)
PRIVATE feelings of inhibition
Recoil from ‘front stage’ encounters
Barrier to interaction

BACKSTAGE REHEARSALS ARE CONDUCTED TO IMPROVE FRONT STAGE PERFORMANCE

Shy ‘objective’ me
Reflects on image from audience’s perspective, generalised other switches to the ‘competent other’ who is confident

32
Q

FURTHER READING

‘The role of products as a social stimuli: a symbolic interactionist perspective’ was written by whom?

A

SOLOMON (1983)

33
Q

How are products a guide to social roles performance?

A

It looks at…

  • HOW products are used by consumers in everyday social
    life
  • and how the consumers relies on SOCIAL MEANINGS
    inherent in products

as a GUIDE TO SOCIAL ROLES PERFORMANCE

34
Q

Products serve as a ______ to social behaviour?

A

STIMULUS

  • Using symbolic interactionism stresses the importance of
    product symbolism in defining role performances