Symbolic Interactionism Flashcards

1
Q

Symbolic Interactionism Definition

A

Through socialization, inds learn the symbols that are necessary for interaction within their culture
- There needs to be a shared understanding of these various symbols to make it possible for people to interact/ communicate

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2
Q

What are Symbols

A

words (language), gestures, facial expressions, body language

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3
Q

What was The Chicago School

A
  • A group of thinkers at the University of Chicago
  • The Department of Sociology was established in 1892: from that point it grew massively and was extremely dominant of American sociology until the 1930s
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4
Q

What did Thomas Theorize in the 20/30s?

A

Definition of the situation = people respond to the subjective meaning a situation has for them, rather than the objective features of the situation
- There is an objective reality (what actually exists) and a subjective reality (what we think exists)

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5
Q

What did Cooley Theorize?

A

The Looking-Glass Self

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6
Q

What are the 3 stages of the looking-glass self

A

Stage 1: We imagine how we appear to others
Stage 2: We imagine what their judgement of that appearance must be
Stage 3: We develop a positive/ negative sense of self as a result of our imagining the judgements of others

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7
Q

What was Mead’s ideas like?

A

Ideas were similar to Cooley: but had a much more substantial impact on Symbolic Interactionism

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8
Q

When did the Chicago school lose its dominance?

A

1930s

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9
Q

Why did the Chicago School lose their position of dominance?

A
  1. Growth of quantitative sociology (Chicago focused on qualitative methods like field research and interviews)
  2. Growth of structural functionalism (became the dominant sociological theory by 1950)
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10
Q

Major theorists at Chicago school in the 50s

A

Blumer
Goffman

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11
Q

Who is Blumer?

A

1950s: principal figure of the Chicago School
- Had been a student of Mead
- Coined “Symbolic Interactionism”
–> To describe the work Mead had done
- Tried to keep Mead’s work alive

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12
Q

Who is Goffman?

A
  • The last main figure of the Chicago School
  • Work was extremely influential
  • Took Symbolic Interactionism in a different direction from Mead’s work
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13
Q

How is Symbolic Interactionism still used today

A

The work of Mead and Goffman influences micro level studies to this day

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14
Q

Mead Early Life

A

Born 1863
Painfully shy: never outgrew it

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15
Q

Mead Education and Employment

A
  • Undergrad in philosophy
  • Started graduate studies at Harvard in the Department of Philosophy
  • Never finished PhD
  • Took job as lecturer at U of Michigan (philosophy & psych)
  • Took job as prof at U of Chicago and stayed there most of career (depart. of Philosophy)
  • ONLY NON-SOCIOLOGIST AT CHICAGO SCHOOL
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16
Q

Mead Scholarly Career

A
  • Struggled to write due to perfectionism (never satisfied)
  • Wrote articles, never published book
  • Known for amazing teaching
  • Never looked at the students while teaching
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17
Q

Mead Later Life and Death

A
  • 1928 could retire, kept teaching
  • Died 1931 of heart failure
  • Publication of Mind, Self and Society (1934)
    –> students published their notes under Mead’s name that were taken in social psych course
18
Q

Mead’s Theoretical Ideas

A
  • The Self (Central to his work)
  • The Self and Role-Taking
  • Development of the Self
  • Two kinds of “others”
  • The “I” and the “Me”
19
Q

The Self (Early Symbolic Interactionism/Mead)

A

Ability to take oneself as both a subject and an object
- To see ourself from our own point of view (subject) and from the point of view of others (object)
- Human infant: does not have a self, self arises through social activity and social relationships

20
Q

The Self and Role-Taking

A

The general mechanism for the development of the self: the human ability to take the role of the other
- Through social experience, human beings eventually acquire the ability to put themselves in the place of others
- People then able to examine themselves from other povs

21
Q

Stages of the Development of the Self

A
  • Preparatory Stage
  • Play Stage
  • Game Stage
22
Q

The Preparatory Stage (Dev. of Self)

A
  • Very young children simply imitate without understanding
  • As children age, they become better at understanding and using symbols to interact with others
  • Once children have learned these symbols, they have the basis for meaningful interaction with others
23
Q

The Play Stage (Dev. of Self)

A
  • Children start to develop the ability to take the role of particular others towards themselves (This occurs through play)
  • Children frequently play at being someone else
    –> In doing so, take role of others and begin to develop the ability to see themselves as others do
    –> Still a limited self: children can only take the roles of a few distinct others
24
Q

The Game Stage (Dev. of Self)

A
  • Person develops a true self
  • Children develop the ability to take the role of many others
  • Eg. Children often play the game of hide-and-seek
    –> Child who is seeking has role, children who are hiding have a specific role too
    –> Children who are seeking have to put themselves into others shoes to figure out where others are hiding
  • By taking the role of everyone involved in game, children develop a complete picture of what is expected of them
25
The Two Kinds of "others"
The significant other - In sociology, refers to a parent, teacher, friend, or spouse - All of those types of people can be important in terms of the preparatory stage as they are significant in young children’s lives The generalized other - The view of an entire community or social group - The ability to see things through the generalized other is essential to the self - Children learn to develop the generalized other during the game stage
26
The "I" and the "Me"
I = individual, subjective part of the self Me = social, objective part of the self - All social experience involves interaction between “I” and “Me” - The “I” initiates action and the “Me” takes the role of the generalized other --> The “I” is regulated/ controlled by the “Me”
27
Goffman Early Life
- Canadian/American sociologist - Born 1922 - Older sister is Frances Bay
28
Goffman Education
- Sociology undergrad at UofT - Went to U of Chicago for graduate studies
29
Goffman Scholarly Career
- Pursued academic career in the United States - Worked as a professor at the U of California Berkeley and at the U of Pennsylvania - Publication: Presentation of Self in Everyday Life (1959) - Publication: Stigma (1963)
30
Goffman Later Life and Death
- Continued to write and publish into 1960-1970s - Became ill early 1980s - Died 1982, age 60 - Daughter (Alice) became sociologist
31
Dramaturgical Theory Definition
sees social life as a series of dramatic performances that are similar to performances on a theatre stage - In everyday life people give performances - In these performances people present a certain view of themself
32
Theoretical Ideas about Dramaturgy
- The Role - The Stage - Impression Management - The Self
33
The Role
Role = the conduct expected of a person occupying a given position - This conduct is determined by a society’s norms and values - Society provides the script which the social actor follows to carry out the role Role Performance = the social actors actual conduct when playing a role - Social actor may stick to the script and simply do what the role requires - Social actor may sometimes display glimpses of their real self in their performance Role Distance = the effort of a social actor to separate themself from a role - Social actor may not fully embrace a given role (for many reasons) - Therefore may give a performance that steps outside the expected conduct of the role
34
The Stage (6)
Front Stage = area where the social actor performs a role for an audience The setting = the physical scene where the social actor gives a performance for an audience The Personal Front = the props and the behaviour that the audience associates with actor in that setting Appearance = those items that reveal the social actor’s status to the audience Manner = tells audience what sort of role the social actor will play (signified by props but further identified through the behaviour) Back Stage = adjacent to the front stage, but cut off from it; area where the social actor can step out of the role and not be seen by the audience
35
Impression Management
an attempt by inds to influence views that others have of them - Behaviour that goes on in front stage and back stage draw attention to this concept - In Front Stage: people attempt to generate a favourable impression when interacting with strangers and acquaintances - In Back Stage: people do not attempt to generate a favourable impression, they are interacting with people who know them
36
The Self (Dramaturgy/Goffman)
Presentation of self in everyday life: involves interaction between social actor and audience - Social actor gives performance that presents a favourable self - Audience interprets performance and may or may not accept the self that is presented
37
What makes the presentation of the self successful? (Dramaturgy)
1. The social actor takes measures to help ensure a smooth performance (eg. prepares in advance, tries to select a receptive audience, tries to avoid making mistakes) 2. The audience sometimes has a stake in a successful performance, may assist social actor (eg. displaying great interest in performance, not noticing mistakes)
38
Key Criticisms of Dramaturgy
1. Goffman offered a problematic view of people: depicted people in a cynical way - Saw people as conniving and selfish, and were simply manipulating each other through impression management 2. Goffman gave insufficient attention to structure - Emphasized agency (personal will and intent) in social interaction; ignored structure (how class, status, and power affect social interaction)
39
Stigma
a mark or sign of disgrace - Goffman was interested in the gap that exists between what a person “ought” to be (virtual social identity) vs what a person is (actual social identity) - We are constantly given messages about what we ought to be (what is normal) --> That may not be who we actually are - Anyone who has a gap between their virtual social identity and what they actually are experiences stigma (bcuz they are not “normal”)
40
Discredited Stigma
known to the audience members, or assumed to be known to the audience members - someone who is a convicted criminal, someone who is completely blind - Someone with discredited stigma: dramaturgical interaction focuses on dealing with fact that their actual social identity is known to audience members
41
Discreditable Stigma
unknown to the audience members, or not perceivable to the audience members - a homosexual in the closet, a person who has a partial hearing loss - Someone with discreditable stigma: dramaturgical interaction focuses on dealing with information so that their actual social identity remains unknown to the audience members
42
Application of Stigma
Highly relatable theory: due to everyone experiencing stigma - Eg. religion, “race,” sexual orientation, disability - Can be (un)known to audience members