Style Flashcards

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1
Q

Theories of style

A
  1. Attention paid to speech
  2. Audience design
  3. Speaker design
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2
Q

Attention paid to speech - careful articulation in NYC

A

+ easy to replicate (sociolinguistic interview)

  • artificial
  • reduces variation to a liner scale
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3
Q

Speech accommodation theory (2. Audience design)

A

Giles & Powesland (1975)

Convergence and Divergence

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4
Q

Coupland (1984) travel agents

A

Voicing of intervocalic /t/ reflected that of clients

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5
Q

Bell (1984) newsreaders on New Zealand radio

A

Style shifted according to the station they were on and therefore the audience who were listening

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6
Q

Evaluate audience design

A

+ more flexible
+ tailored to specific context
- only one dimension
- doesn’t account for full creativity

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7
Q

Attention to speech and audience design don’t reflect how dynamic speakers are

A

Eckert (2000)

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8
Q

Speaker design

A

Don’t fit predefined categories that align with features

The features combine in an infinite number of ways

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9
Q

Podesva (2008) Heath - caring doctor vs diva

A

More frequent -t/-d deletion in relaxed setting
More intonation on declaratives when working as doctor
Frequent falsetto when relaxed

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10
Q

Eckert (2000) Connie

A

Jock who uses the raising (ay) burnout feature

Wanted to be independent/rebellious

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11
Q

Ochs (1992) direct/indirect indexing

A
  • few features directly index social categories
  • index stances, acts
  • index different meanings dependant on context
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12
Q

Advantages of indexicality explanation

A
  • less deterministic

- relates class to other social identities

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13
Q

Bell - extent of style-shifting

A

The closer the header the more influence they have - addressee vs eavesdropper
Intraspeaker variation greater than interspeaker

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14
Q

Foxy Boston (Richard & McNair - Knox, 1994)

A

More -s agreement of verb be agreement when speaking to African American

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15
Q

Robert Vana (1998) Spanish/Catalan speakers

A

Childhood networks have more impact than those at any other point of life

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