Staging, Style & Synopsis Flashcards

1
Q

Who wrote Woza Albert!?

A
  • Percy Mtwa
  • Mbongeni Ngema
  • Barney Simon
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2
Q

What was the creation process used to create Woza Albert!?

A
  • workshop theatre
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3
Q

When and where was the play first performed?

A
  • Market Theatre Johannesburg
  • 1981
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4
Q

What is the style of Woza Albert!?

A
  • protest theatre and poor theatre
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5
Q

What does the succession of small scenes of black life during apartheid show?

A
  • the absurdity of racial oppression
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6
Q

What does the succession of small scenes of black life during apartheid also illuminate?

A
  • the logic of a plot in which South Africans seek the return of a saviour, Morena
  • who fulfills the biblical prophecy that Jesus Christ will return
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7
Q

What does the title of the play refer to?

A
  • the deceased leader of the ANC and Nobel Peace Prize winner, Albert Luthuli
  • and symbolizing biblical prophecies that the dead will rise to join Jesus Christ when he is resurrected
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8
Q

What does Morena do at the conclusion of the play?

A
  • raises Luthuli from the dead as Jesus miraculously raised Lazarus in the New Testament
  • summons other prominent past leaders
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9
Q

Who else does Morena summon from the dead?

A
  • Robert Sobukwe
  • Lilian Ngoyi
  • Steven Biko
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10
Q

Why does Morena raise these prominent past leaders from the dead?

A
  • to rise and make South Africa a “heaven on earth” for black people
  • by addressing the atrocities of apartheid
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11
Q

How is the play deliberately presented?

A
  • using only basic resources
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12
Q

What is the style of the play?

A
  • improvisatory, rough and ready style
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13
Q

What do we rely on to bring the scenes to life?

A
  • the skill of the actors
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14
Q

What is there that is cause for more informal staging techniques?

A
  • an immediacy
  • that using more formal staging techniques might now allow
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15
Q

What is the relationship between the actors and the audience like?

A
  • it is direct and it is given major importance
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16
Q

What is the style of theatre of Woza Albert! called?

A
  • poor theatre
17
Q

Who wrote about the style of poor theatre?

A
  • theatre practitioner Jerzy Grotowski
18
Q

How is the stage set?

A
  • sparsely set
  • with 2 tea chests
  • and a suspended wooden plank with nails that hold the ragged clothes that the actors use for character transformations
19
Q

What do the actors wear for use in scenes in which they portray white characters?

A
  • pink clown noses held with elastic bands around their necks
20
Q

What do brief chronological scenes throughout the play reveal?

A
  • a thematic unity
21
Q

How is a thematic unity revealed?

A
  • as the two characters demonstrate the types of relationships and encounters that exist within South African society
22
Q

What do the successive scenes of transforming characters from inmates to train-hoppers demonstrate?

A
  • South Africans’ reduced quality of life
  • and their desires for freedom and personhood
23
Q

What are the contrasts between the prison inmates and train-hoppers?

A
  • though they are the same people
  • the inmates debate the merits of protest strategies versus religious perseverance
  • the train-hoppers debate religion and the possibilities of Morena returning
24
Q

What do the interviews of international figures and local South Africans aim to do?

A
  • these interviews mock modern media and television strategies of sensationalizing events for the sake of ratings
  • while the locals reinforce the hopes and desires of an oppressed body of people
25
With whom are conversations dramatised to reconstruct daily interactions that one would encounter in Johannesburg?
- a young meat-vendor, who sells rotten meat - an old woman, who searches garbage cans for food - a barber, who works in an open-air market with only a chair and old clippers - a fragile, toothless old man, who shares a historical narrative in order to emphasise that Morena will be slaughtered if he chooses to come to SA
26
What is the effect of the foreboding seriousness of the old man's prophecy and why?
- has a limited effect - as the next set of scenes comically portrays the national and international, media-frenzied, Hollywood-style anticipation of Morena's arrival on a jumbo jet
27
What is demonstrated in the most elaborate action of the play?
- the exact nature of day-to-day oppression by a system that has no regard for human needs, freedoms or one's family
28
How is Morena crucified?
- by being bombed from a helicopter while walking on the water to Cape Town
29
What does Morena do when he rises on the third day?
- he resurrects South Africa's past heroes, - and shows that the human spirit of South Africans will survive
30
What does the ritual repetition of a freedom song in the final scene signify?
- celebration