Staging, Style & Synopsis Flashcards

1
Q

Who wrote Woza Albert!?

A
  • Percy Mtwa
  • Mbongeni Ngema
  • Barney Simon
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2
Q

What was the creation process used to create Woza Albert!?

A
  • workshop theatre
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3
Q

When and where was the play first performed?

A
  • Market Theatre Johannesburg
  • 1981
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4
Q

What is the style of Woza Albert!?

A
  • protest theatre and poor theatre
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5
Q

What does the succession of small scenes of black life during apartheid show?

A
  • the absurdity of racial oppression
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6
Q

What does the succession of small scenes of black life during apartheid also illuminate?

A
  • the logic of a plot in which South Africans seek the return of a saviour, Morena
  • who fulfills the biblical prophecy that Jesus Christ will return
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7
Q

What does the title of the play refer to?

A
  • the deceased leader of the ANC and Nobel Peace Prize winner, Albert Luthuli
  • and symbolizing biblical prophecies that the dead will rise to join Jesus Christ when he is resurrected
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8
Q

What does Morena do at the conclusion of the play?

A
  • raises Luthuli from the dead as Jesus miraculously raised Lazarus in the New Testament
  • summons other prominent past leaders
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9
Q

Who else does Morena summon from the dead?

A
  • Robert Sobukwe
  • Lilian Ngoyi
  • Steven Biko
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10
Q

Why does Morena raise these prominent past leaders from the dead?

A
  • to rise and make South Africa a “heaven on earth” for black people
  • by addressing the atrocities of apartheid
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11
Q

How is the play deliberately presented?

A
  • using only basic resources
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12
Q

What is the style of the play?

A
  • improvisatory, rough and ready style
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13
Q

What do we rely on to bring the scenes to life?

A
  • the skill of the actors
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14
Q

What is there that is cause for more informal staging techniques?

A
  • an immediacy
  • that using more formal staging techniques might now allow
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15
Q

What is the relationship between the actors and the audience like?

A
  • it is direct and it is given major importance
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16
Q

What is the style of theatre of Woza Albert! called?

A
  • poor theatre
17
Q

Who wrote about the style of poor theatre?

A
  • theatre practitioner Jerzy Grotowski
18
Q

How is the stage set?

A
  • sparsely set
  • with 2 tea chests
  • and a suspended wooden plank with nails that hold the ragged clothes that the actors use for character transformations
19
Q

What do the actors wear for use in scenes in which they portray white characters?

A
  • pink clown noses held with elastic bands around their necks
20
Q

What do brief chronological scenes throughout the play reveal?

A
  • a thematic unity
21
Q

How is a thematic unity revealed?

A
  • as the two characters demonstrate the types of relationships and encounters that exist within South African society
22
Q

What do the successive scenes of transforming characters from inmates to train-hoppers demonstrate?

A
  • South Africans’ reduced quality of life
  • and their desires for freedom and personhood
23
Q

What are the contrasts between the prison inmates and train-hoppers?

A
  • though they are the same people
  • the inmates debate the merits of protest strategies versus religious perseverance
  • the train-hoppers debate religion and the possibilities of Morena returning
24
Q

What do the interviews of international figures and local South Africans aim to do?

A
  • these interviews mock modern media and television strategies of sensationalizing events for the sake of ratings
  • while the locals reinforce the hopes and desires of an oppressed body of people
25
Q

With whom are conversations dramatised to reconstruct daily interactions that one would encounter in Johannesburg?

A
  • a young meat-vendor, who sells rotten meat
  • an old woman, who searches garbage cans for food
  • a barber, who works in an open-air market with only a chair and old clippers
  • a fragile, toothless old man, who shares a historical narrative in order to emphasise that Morena will be slaughtered if he chooses to come to SA
26
Q

What is the effect of the foreboding seriousness of the old man’s prophecy and why?

A
  • has a limited effect
  • as the next set of scenes comically portrays the national and international, media-frenzied, Hollywood-style anticipation of Morena’s arrival on a jumbo jet
27
Q

What is demonstrated in the most elaborate action of the play?

A
  • the exact nature of day-to-day oppression by a system that has no regard for human needs, freedoms or one’s family
28
Q

How is Morena crucified?

A
  • by being bombed from a helicopter while walking on the water to Cape Town
29
Q

What does Morena do when he rises on the third day?

A
  • he resurrects South Africa’s past heroes,
  • and shows that the human spirit of South Africans will survive
30
Q

What does the ritual repetition of a freedom song in the final scene signify?

A
  • celebration