Spring Final Flashcards

(45 cards)

1
Q

The chief purpose of the stained-glass programs in all Gothic cathedrals was to….

A

tell the stories of the Bible.

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2
Q

In a gothic church, the ____________ was traditionally built against an exterior wall to provide support for more windows and brace it against strong winds.

A

flying buttress

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3
Q

The figure of Saint Theodore found on the jamb of Chartres’ south transept portal stands in a _____________________.

A

contrapposto position

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4
Q

The Gothic church at _____________ features the highest ratio of glass to stone.

A

Sainte-Chapelle

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5
Q

_____________________ is credited with painting the fresco known as the Allegory of Good Government.

A

Ambrogio Lorenzetti

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6
Q

By the twelfth century, _________ was the center of textile production in the Western world and played a central role in European trade markets.

A

Florence

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7
Q

According to an old story, one day Cimabue discovered a talented shepherd boy by the name of ______________________ and tutored him in the art of painting. The pupil soon surpassed the teacher.

A

Giotto di Bondone

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8
Q

_________________ is credited with painting the Masetà (Virgin and Child), which once hung in the council chamber of Siena’s Palazzo Pubblico.

A

Simone Martini

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9
Q

____________________ produced the winning design for the dome of Florence Cathedral.

A

Filippo Brunelleschi

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10
Q

Brunelleschi’s investigation of optics in Arab science also contributed to his understanding, particularly Alhazen’s Perspectiva, which integrated the classical works of:

A

 Euclid
 Ptolemy
 Galen

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11
Q

In Masaccio’s The Tribute Money, the Apostle Peter appears three times:

A

 Christ tells St. Peter to Catch a fish
 St. Peter catching a fish in the Sea of Galilee
 St. Peter paying the tax collector

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12
Q

Humanists in Lorenzo’s court would have recognized Venus, in Botticelli’s Primavera as an allegorical figure representing…..

A

the highest moral qualities.

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13
Q

Leonardo de Vinci’s __________________ is located on the north wall of the refectory of the Dominican monastery of Santa Maria delle Grazie.

A

The Last Supper

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14
Q

After being elected pope, Julius II commissioned architect ___________________ to renovate the Vatican Palace and to serve as chief architect to replace Saint Peter’s Basilica with a new church.

A

Donato Barmante

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15
Q

The characteristics that contributed to the making of the Tempietto are:

A

 It’s classical reference
 It’s incorporation of original classical Roman columns into its architectural scheme
 The mathematical orderliness of its parts

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16
Q

Throughout the ceiling of the Sistine Chapel, Michelangelo includes the della Rovene heraldic symbols of ___ and ______ to symbolize the patronage of Pope Julius II.

A

oak; acorn

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17
Q

_______ and _____ are the central figures in Raphael’s School of Athens.

A

Aristotle; Plato

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18
Q

Many scholars consider ____________ the Master of Flémalle and, therefore, the creator of the Mérode Altarpiece.

A

Robert Campin

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19
Q

__________________ created the Garden of Earthly Delights.

A

Hieronymus Bosch

20
Q

The Isenheim Altarpiece was created by _________________.

A

Matthias Grünewald

21
Q

_____________ created The Large Turf, a watercolor depicting the minutest details of nature.

A

Albrecht Dürer

22
Q

_______________________ painted a portrait of England’s King Henry VIII dressed in the clothes he wore when he married Anne of Cleves.

A

Hans Holbein the Younger

23
Q

The Mérode Altarpiece is a three-part work, or ________.

24
Q

The altarpiece’s ________ are depicted in the left panel of the Mérode Altarpiece.

25
The reflection____________, the artist, can be seen in the mirror at the back of the room depicted in the double portrait of Giovanni Arnolfini and Giovanna Cenami.
Jan van Eyck
26
The term _____________ was assigned to those who painted draperies over the “offensive” areas of the nude figures in Michelangelo’s Last Judgment.
braghettoni
27
________ painted the Resurrection, which includes distinct mannerist qualities and is decorous to the extent that draperies carefully conceal all inappropriate nudity.
El Greco
28
Michelangelo Merisi (Caravaggio) painted ________________________ for the Contarelli Chapel in the Church of San Luigi dei Francesi in Rome.
The Calling of Saint Matthew
29
Artemisia Gentileschi painted five separate versions of the biblical story of _______ and ___________ and was admitted to the Florentine Academy of Design.
Judith; Holofernes
30
The View of Haarlem from the Dunes of Overveen is considered a “_________” painting.
landscape
31
Jan Steen was particularly successful with genre scenes, including ________________.
The Dancing Couple
32
________________ painted The Arrival and Reception of Marie de’ Medici at Marseilles.
Peter Paul Rubens
33
_______________ painted Arcadian Shepherds.
Nicolas Poussin
34
_________________ served as a model for one of the figures featured in Theodore Gericault’s The Raft of the “Medusa”.
Eugene Delacroix
35
Claude Monet painted Impression: Sunrise, which played a significant role on “_____________________".
giving Impressionism its name
36
_____________ “preferred to paint the crowd” and created Luncheon of the Boating Party.
August Renoir
37
_____________ depended on a pointillist style to paint a Sunday on La Grand Jatte, which depicts a crowd of Parisians enjoying an island in the Seine River.
Georges Seurat
38
Vincent van Gogh utilized a technique known as ________ to create Night Café.
impasto
39
_____________ painted Les Demoiselles d’ Avignon, which became notorious “as an assault on the idea of painting as it had always been understood.
Pablo Picasso
40
Cubism was born out of collaboration between ________________ and ________________.
Pablo Picasso; Georges Braque
41
First Position
heels touching, feet forming a straight line
42
Second Position
heels wide apart, feet forming a straight line
43
Third Position
one foot in front of the other with heel against the instep
44
Fourth Position
feet apart, one in front of the other, heels in line
45
Fifth Position
one foot in front of the other with the heel against the joint of the big toe