Spring Final Flashcards

1
Q

The chief purpose of the stained-glass programs in all Gothic cathedrals was to….

A

tell the stories of the Bible.

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2
Q

In a gothic church, the ____________ was traditionally built against an exterior wall to provide support for more windows and brace it against strong winds.

A

flying buttress

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3
Q

The figure of Saint Theodore found on the jamb of Chartres’ south transept portal stands in a _____________________.

A

contrapposto position

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4
Q

The Gothic church at _____________ features the highest ratio of glass to stone.

A

Sainte-Chapelle

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5
Q

_____________________ is credited with painting the fresco known as the Allegory of Good Government.

A

Ambrogio Lorenzetti

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6
Q

By the twelfth century, _________ was the center of textile production in the Western world and played a central role in European trade markets.

A

Florence

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7
Q

According to an old story, one day Cimabue discovered a talented shepherd boy by the name of ______________________ and tutored him in the art of painting. The pupil soon surpassed the teacher.

A

Giotto di Bondone

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8
Q

_________________ is credited with painting the Masetà (Virgin and Child), which once hung in the council chamber of Siena’s Palazzo Pubblico.

A

Simone Martini

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9
Q

____________________ produced the winning design for the dome of Florence Cathedral.

A

Filippo Brunelleschi

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10
Q

Brunelleschi’s investigation of optics in Arab science also contributed to his understanding, particularly Alhazen’s Perspectiva, which integrated the classical works of:

A

 Euclid
 Ptolemy
 Galen

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11
Q

In Masaccio’s The Tribute Money, the Apostle Peter appears three times:

A

 Christ tells St. Peter to Catch a fish
 St. Peter catching a fish in the Sea of Galilee
 St. Peter paying the tax collector

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12
Q

Humanists in Lorenzo’s court would have recognized Venus, in Botticelli’s Primavera as an allegorical figure representing…..

A

the highest moral qualities.

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13
Q

Leonardo de Vinci’s __________________ is located on the north wall of the refectory of the Dominican monastery of Santa Maria delle Grazie.

A

The Last Supper

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14
Q

After being elected pope, Julius II commissioned architect ___________________ to renovate the Vatican Palace and to serve as chief architect to replace Saint Peter’s Basilica with a new church.

A

Donato Barmante

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15
Q

The characteristics that contributed to the making of the Tempietto are:

A

 It’s classical reference
 It’s incorporation of original classical Roman columns into its architectural scheme
 The mathematical orderliness of its parts

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16
Q

Throughout the ceiling of the Sistine Chapel, Michelangelo includes the della Rovene heraldic symbols of ___ and ______ to symbolize the patronage of Pope Julius II.

A

oak; acorn

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17
Q

_______ and _____ are the central figures in Raphael’s School of Athens.

A

Aristotle; Plato

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18
Q

Many scholars consider ____________ the Master of Flémalle and, therefore, the creator of the Mérode Altarpiece.

A

Robert Campin

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19
Q

__________________ created the Garden of Earthly Delights.

A

Hieronymus Bosch

20
Q

The Isenheim Altarpiece was created by _________________.

A

Matthias Grünewald

21
Q

_____________ created The Large Turf, a watercolor depicting the minutest details of nature.

A

Albrecht Dürer

22
Q

_______________________ painted a portrait of England’s King Henry VIII dressed in the clothes he wore when he married Anne of Cleves.

A

Hans Holbein the Younger

23
Q

The Mérode Altarpiece is a three-part work, or ________.

A

triptych

24
Q

The altarpiece’s ________ are depicted in the left panel of the Mérode Altarpiece.

A

patrons

25
Q

The reflection____________, the artist, can be seen in the mirror at the back of the room depicted in the double portrait of Giovanni Arnolfini and Giovanna Cenami.

A

Jan van Eyck

26
Q

The term _____________ was assigned to those who painted draperies over the “offensive” areas of the nude figures in Michelangelo’s Last Judgment.

A

braghettoni

27
Q

________ painted the Resurrection, which includes distinct mannerist qualities and is decorous to the extent that draperies carefully conceal all inappropriate nudity.

A

El Greco

28
Q

Michelangelo Merisi (Caravaggio) painted ________________________ for the Contarelli Chapel in the Church of San Luigi dei Francesi in Rome.

A

The Calling of Saint Matthew

29
Q

Artemisia Gentileschi painted five separate versions of the biblical story of _______ and ___________ and was admitted to the Florentine Academy of Design.

A

Judith; Holofernes

30
Q

The View of Haarlem from the Dunes of Overveen is considered a “_________” painting.

A

landscape

31
Q

Jan Steen was particularly successful with genre scenes, including ________________.

A

The Dancing Couple

32
Q

________________ painted The Arrival and Reception of Marie de’ Medici at Marseilles.

A

Peter Paul Rubens

33
Q

_______________ painted Arcadian Shepherds.

A

Nicolas Poussin

34
Q

_________________ served as a model for one of the figures featured in Theodore Gericault’s The Raft of the “Medusa”.

A

Eugene Delacroix

35
Q

Claude Monet painted Impression: Sunrise, which played a significant role on “_____________________”.

A

giving Impressionism its name

36
Q

_____________ “preferred to paint the crowd” and created Luncheon of the Boating Party.

A

August Renoir

37
Q

_____________ depended on a pointillist style to paint a Sunday on La Grand Jatte, which depicts a crowd of Parisians enjoying an island in the Seine River.

A

Georges Seurat

38
Q

Vincent van Gogh utilized a technique known as ________ to create Night Café.

A

impasto

39
Q

_____________ painted Les Demoiselles d’ Avignon, which became notorious “as an assault on the idea of painting as it had always been understood.

A

Pablo Picasso

40
Q

Cubism was born out of collaboration between ________________ and ________________.

A

Pablo Picasso; Georges Braque

41
Q

First Position

A

heels touching, feet forming a straight line

42
Q

Second Position

A

heels wide apart, feet forming a straight line

43
Q

Third Position

A

one foot in front of the other with heel against the instep

44
Q

Fourth Position

A

feet apart, one in front of the other, heels in line

45
Q

Fifth Position

A

one foot in front of the other with the heel against the joint of the big toe