Spoken Language Vocab Flashcards

1
Q

GASP/MAFF

A

genre, audience, subject, purpose/mode, audience, field, function.

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2
Q

Speaker identity

A

identification of a person from the sound of their voice, use of lexis, grammatical structures. Age, gender, class, ethnicity, and occupation…

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3
Q

Situational factors

A

relationship with the audience, status of the participants, setting, topic, purpose, comfort, spontaneous vs crafted.

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4
Q

Paralinguistic features

A

body language, gestures, facial expressions, tone and pitch of voice.

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5
Q

Overlapping

A

when a speaker’s speech overlaps anothers.

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6
Q

Micro pause

A

a pause in speech less than a second.

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7
Q

Rising intonation

A

describes how the voice rises at the end of a sentence.

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8
Q

Emphatic stress

A

the placing of emphasis on a particular word of a sentence.

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9
Q

Adjacency pairs

A

composed of two utterances by two speakers, one after the other.

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10
Q

Turn taking

A

during an interaction, speakers take it in turns to speak - this is a politeness feature.

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11
Q

Backchannel support

A

one participant is speaking and another participant interjects responses to the speaker.

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12
Q

Fillers

A

words, sounds, or phrases we use to “fill in” the space when we don’t know what to say.

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13
Q

Tag questions

A

a question converted from a statement by an appended interrogative formula, e.g. it’s nice out, isn’t it?

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14
Q

Topic markers

A

how to identify the main topic of a conversation.

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15
Q

Topic shifters

A

when the topic shifts to something else during a conversation.

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16
Q

Topic loops

A

when the conversations loops back to a previous topic.

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17
Q

Idiolect

A

the speech habits specific to a particular person.

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18
Q

Sociolect

A

the dialect of a particular social class.

19
Q

Accent

A

a distinctive way of pronouncing a language, especially one associated with a particular country, area, or social class.

20
Q

Dialect

A

a regional variety of language.

21
Q

Interrupted constructions

A

false starts e.g. “You shouldn’t - you shouldn’t have done that”.

22
Q

Disjointed constructions

A

two phrases which don’t seem to go together.

23
Q

Incomplete constructions

A

grammatical elements are missing e.g. “You get sorted?”.

24
Q

Non-standard grammar

A

using double negatives or informality e.g. “We was half an hour late”.

25
Q

Maxim of quality

A

Truth: Do not say which you believe to be false, or cannot prove to be true.

26
Q

Maxim of quantity

A

Information: Make your contribution as informative as is necessary.

27
Q

Maxim of manner

A

Clarity: Avoid ambiguity. Speak clearly.

28
Q

Maxim of relevance

A

Relevance: Be relevant. Do not return to topics previously discussed.

29
Q

Positive politeness

A

makes the hearer feel good about themselves, interests, or possessions.

30
Q

Negative politeness

A

strategies involve showing respect for someone’s autonomy and minimising imposition.

31
Q

Humour

A

the quality of being amusing or comic, especially as expressed in literature or speech.

32
Q

Satire

A

the use of humour, irony, exaggeration, or ridicule to expose and criticise people’s stupidity or vices, particularly in the context of contemporary politics and other topical issues.

33
Q

Hedging

A

a writer may not be sure of the claims that are being made in their subject area, or perhaps the ideas are good but the evidence is not very strong.

34
Q

Positive Face

A

the need for self-image to be accepted, appreciated and approved of by others.

35
Q

Negative Face

A

is the need to be independent, to have freedom of action, and not to be imposed on by others.

36
Q

Face Threatening Act

A

is an act (linguistic or non-linguistic) that threatens someone’s positive or negative face.

37
Q

Off Record

A

to express something general or different than the speaker’s true meaning and relies on the hearer’s interpretation to have the speaker’s purpose conveyed.

38
Q

Divergence

A

a situation in which two things become different. Making our language different to the person’s we are talking to.

39
Q

Convergence

A

making our language more like the person’s we are talking to.

40
Q

Upward Convergence

A

when a person with a strong regional accent tones their accent down and moves it closer to RP or Standard English.

41
Q

Downward Convergence

A

when an RP speaker tones down his accent in the company of working class speakers.

42
Q

Mutual Convergence

A

when both speakers move closer to each other (e.g. by modifying their accents/formality).

43
Q

Standard English

A

the form of English widely recognised and accepted as ‘correct’.

44
Q

Received Pronunciation

A

the accent traditionally regarded as the standard and most prestigious form of spoken British English.