Spirited Away Flashcards

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1
Q

Rubric

A
  • Upheaval between traditional Shinto Japanese society and corrupt Western capitalist influences
  • Characters aspire for and are motivated by greed and wealth such as Chihiro’s parents, Yubaba and the bathhouse workers
  • Activates change in audience’s attitudes and perspective regarding capitalism and consumerism
  • Represents shifting values and attitudes as Japanese society moved away from traditionalism and towards modernisation and Westernisation
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2
Q

Characterisation of Chihiro

A
  • Link between modernisation and traditionalism

- Recognises corruptive nature of greed and consumerism

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3
Q

Characterisation of Haku

A
  • Allusion to Japanese mythology of Mizuchi (water dragon)

- Allegory for loss of identity due to corruptive influences of capitalism and consumerism

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4
Q

Characterisation of Yubaba

A
  • Allegory for bourgeoisie class as wealthy and exploitative
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5
Q

Characterisation of Parents

A
  • Allegory for greed, overconsumption and failing capitalism in 1980s
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6
Q

Context

A
  • Hayao Miyazaki (2001)
  • Japan’s new capitalist economy and modernisation pushed away traditional values and instead brought new greed and consumerism
  • Japan’s Lost Decade due to the 1992 economic collapse and recession after overconsumption in the 1980s
  • Amusement park and bathhouse are examples of Meiji architecture
  • Shintoism has water purification rituals called Misogi (for pollution) which inspired the setting of the bathhouse
  • Shinto belief that possessing someone’s name gives you control
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7
Q

Purpose

A
  • Showcase corrupted nature of modern Japanese society

- Convey Japan’s past in noble light

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8
Q

Form

A
  • Animated film
  • Based on Japanese culture, traditions and the changing society
  • Shintoist and traditionalist messages conveyed
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9
Q

Audience

A
  • Understand impact of modernisation on Japanese society
  • Comprehend how Japanese society has changed due to modern Western influences
  • Gain understanding for importance of Japanese traditionalism and Shintoism
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10
Q

Capitalism, Overconsumption and Greed

Car is …

A
  • Car is imported as steering wheel is on left meaning the car is imported as Japanese drive on the left
  • “got credit cards and cash”
  • Parents overeat grotesquely and turn into pigs, food takes up most of frame
  • Car symbolises consumerism
  • Credit cards and cash are metaphor for reliance on capitalism and consumerism during 1980s
  • Pigs symbolise capitalism and overconsumption
  • Grotesque imagery and food taking up the frame is an allegory for overconsumption and greed
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11
Q

Capitalism, Overconsumption and Greed

Kamaji’s shadow …

A

Kamaji’s shadow sprawls across the frame as Chiriho enters dark boiler room with pistons and jagged gears, furnace resembles pig and must be constantly fed by enslaved soot sprites

  • Wide shot and metaphor for imposing nature of capitalism and hierarchy
  • Contrast against bright bathhouse services
  • Pig is allegory for capitalism
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12
Q

Loss of Identity

Chihiro loses …

A
  • Chihiro loses the kanji in her name that means ‘to search’ and is left with Sen which means 1000
  • Metaphor for capitalism stealing identity, depersonalising individuals and reducing them to a mere number
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13
Q

Loss of Identity

“If you completely …”

A

“If you completely forget it you’ll never find your way home”

  • Allusion to Shinto belief that names are linked to ancestor worship
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14
Q

Shift from Traditionalism

“Some people …”

A

“Some people think little spirits live there” with abandoned shrines and torii gate leaning on tree taking up most of the frame

  • Symbolism of fading spiritualism in modern Japan
  • Diminishing tone
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15
Q

Shift from Traditionalism

Workers …

A

Workers and Haku dress traditionally but Chihiro is originally dressed in modern clothing, and Yubaba’s house and clothes are western

  • Symbolism
  • Contrast
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16
Q

Capitalism, Overconsumption and Greed

Unproportionate …

A
  • Unproportionate size and appearance of Yubaba
  • Yubaba’s luxurious and decorated quarters that overlook the bathouse but are dark and dull despite colours
  • Metaphor for overbearing nature of capitalism and consumerism
  • Allegory for capitalist hierarchy and social structure as she represents bourgeois ruling class
  • Ironic imagery as her quarters are colourful but lifeless and dull
17
Q

Iwabuchi’s quotes

A
  • “dismantling of the human and spirit relationships that intensified with the westernisation of Japan”
  • “faceless economic superpower that was psychologically and culturally dominated by the west”