spectatorship and reception theory Flashcards

1
Q

what is spectatorship?

A
  • how films address spectators e.g. through shots, editing, music, narrative + genre
  • the filmmakers choices (e.g. lighting, costume and props) can influence our understanding of individual scenes
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2
Q

what are technical codes?

A
  • visual techniques to create meaning, mood and atmosphere
  1. camera angles + shots - positioning of the camera can create a specific mood or emotion
  2. lighting - creates atmosphere
  3. sound - emotion + meaning
  4. editing - tension or excitement
  5. special effects - fantastic or other wordly elements
  6. colour grading - create mood and tone
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3
Q

what are symbolic codes?

A
  • culturally or socially associated with specific meanings or concepts
  1. colours - associated with emotions / concepts
  2. objects - symbolise a particular idea/concept
  3. costume - symbolise personality or status
  4. setting - symbolise concepts/ideas
  5. sound - symbolises emotions
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4
Q

example of symbolic code in film

A

captain americas costume is red, white and blue: aka colours of the USA flag - symbolises how he represents US values (freedom, power, patriotism)

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5
Q

what is an active spectator?

A
  • engages, interprets and responds to media and is able to challenge encoded ideas
  • spectators meaning and response to a film is more individual and influenced by personal experiences, values and social contexts
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6
Q

what is a passive spectator?

A
  • accepts messages encoded in media without challenge
  • dosen’t engage with media - do not question media and accepts the message
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7
Q

what does reception theory believe

A
  • people are not passive
  • the viewer is able to interpret meanings of the text based on their individual cultural background and life experiences
  • the meaning of a text is not just within the text itself, but is created by the relationship between the text and the reader
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8
Q

reception theory readings

A

dominant/preferred - fully shares the text’s code and accepts the preferred reading

negotiated - partly shares the text’s code, but sometimes resists and modifies it to reflect their own experiences and interests

oppositional - understands preferred reading, but does not share the text’s code and instead rejects it

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9
Q

what is encoding?

A
  • process by which the filmmaker uses various cinematic techniques such as camera angles, lighting, sound, editing and acting to convey meaning and tell a story.
  • involves making deliberate choices about how to frame a shot, use music or sound to create atmosphere, and how to edit shots together to create a narrative
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10
Q

what is decoding

A
  • process by which the audience interprets and makes meaning of the encoded message in the film
  • involves the viewers previous knowledge of film language
  • influences interpretations of film
  • film can be decoded in different ways depending on the audience
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11
Q

factors that affect our readings of films

A
  • life experience
  • mood at time of viewing
  • age
  • culture
  • beliefs
  • gender
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12
Q

why might an audience member take the preferred position?

A
  • clear messages in film
  • audience member is same age/culture
  • film relevant to modern society
  • easy to follow narrative
  • themes are relevant to audience
  • likes the chosen genre
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13
Q

why might an audience member take a negotiated reading?

A
  • likes the chosen genre
  • is same age and understands some of the messages
  • narrative is complex, which stops full understanding
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14
Q

why might an audience member take an oppositional position

A
  • difficult or controversial themes
  • disagrees with messages
  • dislikes chosen genre
  • complex narrative structure
  • does not deal with modern society
  • audience member has different beliefs
  • different age/culture
  • does not understand intended message
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15
Q

guardians of the galaxy readings

A

PREFERRED - a teenager raised on superhero movies and video games might see this as the perfect adventure - funny, exciting and full of loveable characters

NEGOTIATED - someone raised in a household critical of consumerism or big corporations might enjoy the characters but feel uneasy about how its clearly designed to sell toys, t-shirts and sequels

OPPOSITIONAL - a person brought up in a home that values serious, thought provoking cinema might dismiss it entirely as mindless entertainment - “just another superhero film with no real meaning”

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16
Q

pride readings

A

PREFERRED - someone from a working class background or a family involved in union activism might connect deeply with the story of solidarity and community struggle - seeing it as inspirational

NEGOTATED - someone raised in a more traditional or conservative household might respect the history but feel uncomfortable with the film’s strong pro-LGBTQ+ message or political slant

OPPOSITIONAL - someone raised in a household that holds anti-union or anti-LGBTQ views may reject the film outright, calling it political propaganda or feeling angry at the portrayal of these groups as heroes