SOCI LECTURE 11 Flashcards
Theories of Deviance
- Culture Perspective
- Interactionalist Perspective
Culture or Subculture Theorists 1st example
Looks at the conflict between the subculture group and the overarching group
Cultural conflicts from various different cultures arrive from three different scenarios
- When people migrate
- During a takeover
- On a border
The second example of Albert Cohen’s Reaction Theory
- Many individuals are ill-equipped and fail to meet middle-class standards and experience status frustration
- As a result, they create their own sub-culture with their own values and norms
- Results in an inversion of middle-class norms
(teachers imposing middle-class values on people who don’t want them)
Third Miller’s (1958) Lower-class Culture Theory
- the lower class is in natural discord with middle-class values
To attain status among peers, the lower classes from their own subculture
- getting in trouble
- showing toughness
- demonstrating street smart
- searching for excitement fatalistic
Problems with the structural and subculture perspectives
- Put another way –> there is no bridge between macro and micro forces
- Does not explain how people from the same families are subject to different structural and subculture forces
Solution: The Interactionalist Perspective
- teases out the socio-psychological forces
- explains why people from the same background can turn out very differently
What is Drift Theory (MATZA, 1964)
Drift theory suggests that movements into deviant culture happen very slowly and overtime
- initially individual battles between drifting and conformity
- then a dual life is maintained
- eventually, the choice is made, if the choice is made then the old circle of life slowly drifts away
Labelling Theory (Matza 1964)
- some people are more likely to be caught than others
- the individuals who are caught are labelled deviant
- the interaction between society and those labelled deviant can set off a chain reaction that has significant negative consequences consequences
what are the three steps in creating deviants?
- the act must be defined by the audience as deviant
- the actor must be defined as a deviant person
- the actor must accept the label and define themselves
Why do people choose not to be deviant?
- Strong social bonds and connections
- Deviants don’t have much to lose