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So Far Flashcards

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1
Q

Epic narrative

A

Long story about important event in poetry form; Odyssey and Illiad

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2
Q

Boundary Questions

A

Who am I?

Where did I come from?

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3
Q

Phalluses in Old Comedy

A

Made of leather, flaccid, very long

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4
Q

Tragic play structure

A 
Prologos 
Parados 
Episodo 
Stasimones 
Exodos
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5
Q

Efficaciousness

A

Theatre intending to have a result on the audience

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6
Q

Aragnorisis

A

Ignorance to knowledge

Happens at same time as perepteia

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7
Q

chorêgoi

A

wealthy citizens who were “asked” to fund performances; producers

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8
Q

Color in costumes

A

Higher aristocracy had more saturated colors; lower aristocracy had blue stripes/vertical stripes

the light the costume color, the lower their role in society

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9
Q

Cult of Dionysus

A

Articulates masculinity

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10
Q

Lenses

A

Deconstruction - breaking apart theater practice & asking who has the power

Multicultural/Ethnic - how ethnic characters/situations/theater practices arises & shapes theater

Feminism - Gender roles in plays & practices, who has the power

Marxism - who is exercising power & who is powerless

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11
Q

New Comedy

A

More realistic than old comedy

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12
Q

To Kalon

A

Means “Ideal Forms”; the goodest. There’s ideal form for everything in world coming from Ether, anything in natural world is an imperfect imitation.

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13
Q

Masks in New Comedy

A
  • Masks go back to normal size

- No longer brightly colored or grotesque

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14
Q

Action of Hubris

A

Do something or say something out loud that displays excessive pride, which outrages the gods

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15
Q

Inciting incident

A

Start of the play

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16
Q

Mimesis

A

Representational, imitation

TO KALON

Everything is an imperfect imitation of the ideal

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17
Q

Causational Chain

A

First action or spoken thought of the protagonist (protagonist says something or does something), becomes cause of next lines
-this is why no deus ex machina in play

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18
Q

Ideal Tragedy

A

Play is imitation of action that is serious, complete, no feud ex machine

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19
Q

Parados

A

Entrance of chorus

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20
Q

Happy Idea

A

Preposterous idea that becomes spine of the play, can be introduced before, during or after parados.

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21
Q

Cult of Persephone

A

Articulates femininity

Story of Demeter and daughter Persephone, tells about changes of seasons etc

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22
Q

Methexis

A

Group participation when you absolutely believe in it.

  • complete & total investment in the truth of what you’re doing
  • blurs line between performance and audience
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23
Q

Essence of Heroic Outlook

A

Pursuit of honor through action

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24
Q

6 elements of drama according to Aristotle

A
  1. Plot
  2. Characters
  3. Thought or theme - mostly theme
  4. Language - diction, the expression of the meaning in the words, which are proper and appropriate to the plot, characters and end of tragedies
  5. Music - musical quality of chorus
  6. Spectacle
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25
Q

Heroic Ideal

A

Male
Native born of Greece, therefore you’re a citizen
Ages 16-65
Training has been balanced: train physically, intellectually and spiritually
Soldier citizen
Heroic acts leads to immortality

26
Q

Costumes in Old Comedy

A

Very exaggerated, the body rolls in the costumes are much larger

  • still used Kothornous, Sandals
  • Chitons are longer
  • Broaches
  • Himation
27
Q

hypocrite

A

actor

28
Q

Semiotics

A

Signs and symbols on stage

29
Q

Costumes in New Comedy

A
  • More normal looking
  • Still knee length
  • Less colored
  • Himatinos, Chitons are neutral colored
  • Still use body stockings/rolls
30
Q

Stasimon

A

Choral song

Summarizes
Warns protagonist 
Sets moral tone of play
Sets rule conduct of culture
Repetition
31
Q

Old Comedy Structure

A
  1. Prologos
  2. Parados
  3. Agon - in which the merits of the happy idea are debated. The opponents of the happy idea always lose, or else there would be no play.
  4. Parabasis - Chorus speaks directly to the audience; expresses the poet’s opinion on a number of subjects
  5. Episodes - implementation of happy idea, not sequentially related so episodes can be moved around and still make sense
  6. Revel/Feast - play ends with a feast, happens directly after happy idea has crashed to a halt.
32
Q

Hamartia

A

Tragic flaw; downfall of person in epic narrativ; usually positive trait

33
Q

Epistilogical Paradigm

A

How people at any time or place understand reality

34
Q

Oedipus’ Action of Hubris

A

Saying he is going against fate, going against Tiresias, accusing the prophet of being wrong and conspiring against him.

35
Q

Agamemnon, written by Aeschylus, characters

A
  • Clytaemnestra - Agamemnon’s wife, running Argos while husband/king is away. Leading Argos as if she were man, having de-sexed herself. Ultimate goal is to kill Agamemnon
  • Agamemnon - returning from Trojan War, before play started has sacrificed his daughter for safe passage to Troy.
  • Cassandra - prize brought back from Troy by Agamemnon; has been touched then cursed by Apollo, being able to foresee events but having no one believe her, foresees Agamemnon’s death
  • Aegisthus - Agamemnon’s father’s brother’s son. Ag’s father, Atreus, killed his brother, Thyestes, to gain heirship of throne. Thyestes’ son plans to bring justice by plotting with Ag’s wife, Clytaemnestra, to restore himself as the rightful heir of Argos
36
Q

choryphaeus

A

chorus leader; steps forward to speak with protagonists

37
Q

Kothornous

A

Lifted boot, since all actors men, heigh used to distinguish between male/female characters
-used to distinguish authority.

Rest of shoes were soft soled flat shoes and sandals

38
Q

Mask

A

full headdress, doesn’t cover just face. Made of wood, linen, leather, animal fur, hair.

Satyr Masks for Satyr Plays: pointed ears, full beard, animal hair on back of head, tail, hairy faces

Tragedy masks needed special emotions. Masks for ‘women’ had larger eyes and larger mouth

Masks amplified actors voices

39
Q

Dithyramb

A

Long hymn sung & danced by group of 50 men

Greek drama originated in dithyrambic choruses

40
Q

Chitons

A

Ankle length robes in tragedy, which meant authority/high standard

41
Q

Exodos

A

Ending

42
Q

Masks in Old Comedy

A

Same as tragedy masks, also:

  • Characters are animals/things, so a lot of masks are animals/creatures/gods:
  • highly colored
  • Exaggerated
  • Grotesque
  • Larger than life
  • Huge, distinct, colorful, bizarre
43
Q

Prologos

A

Like prologue, introduced by secondary character

44
Q

Oedipus’ Hamartia

A
  • Commitment to Justice
  • Commitment to Truth
  • Sense of Duty, Loyalty
  • INTEGRITY
45
Q

Satire

A

Lifts something out of everyday life to ridicule it w/ intentions of getting/inspiring audience to make it better
-Dont need to utilize same structure as parody

46
Q

Satyr Plays

A

Comical plays structured like Greek Tragedy

  • Parodied and poked fun at greek institutions like religion & folk heroes
  • Had elements of Vulgarity
47
Q

Phalluses in New Comedy

A

Still worn but more normal sized

48
Q

Completeness

A

Beginning
Middle
End
Completeness tied in with complex plot

49
Q

Causational Chain in Oedipus

A

First action or thought said outloud by protag is first link in causational chain of complex plot
Causational Chain is the Complex Plot

-Causational Chain is Oedipus saying “I’m going to find guy responsible for this” is first link in causational chain

50
Q

Episodos

A

Moment of action

51
Q

Himation

A

Cloak affixed to chiton

52
Q

Plot

A

Arrangement of dramatic incidents

53
Q

Oedipus, written by Sophocles, Characters

A
  • Oedipus, king of Thebes
  • Creon, Oedipus’s brother in law, Oedipus’s right hand man until Oedipus turns on him
  • Jacosta, Oedpus’ wife and Queen of Thebes. Actually Oedipus’ mom
  • Tiresias, blind prophet, accuses Oedipus of being the curse of the land of Thebes
  • Priest, notable since play starts with split prologos between Oedipus and Priest
54
Q

Old Comedy

A
  • Aristophanes, who invented social satire
  • Makes fun of society, politics, culture
  • Large cast
  • Not restricted to one locale
  • Does not take place in short span of time
  • Has Agon and Parabasis
  • Physical comedy like slapstick sometimes
55
Q

Inciting Incident in Oedipus

A

Creon comes back from Oracle with instructions on how to fix it, Oedipus says “I’ll fix it!”, which is his first action, first link in causational chain

56
Q

Peripeteia

A

Reversal of fortune
From good to bad to good

Happens at same time as Aragnorisis

57
Q

Teleological End

A

The full final form. Everything is striving to reach its teleological end.
Aristotle says nothing comes into society in its full final form

Aristotle believes theater as way to reach teleological end

Men can reach their final form by katharsis, purging of the emotions to reach full final form

58
Q

Oedipus plot structure

A
  • Split prologos between oedipus and priest
  • premature episodo with priest
  • Creon enters in another episodo with inciting incident
  • plays starts then chorus comes in
  • Tiresias enters in another episodo
59
Q

Fittingness

A

Aristotle’s F-word

Everything relating to what’s happening must be appropriate to that

-King must talk, act, interact like a king.

Thought theme must be fitting to thesis of play

60
Q

Aristotle’s objective of Tragedy

A

Katharsis; aims to arouse fear and pity in men in audience

  • Fear of what’s happening to protagonist may happen to them
  • Pity: protagonist striving to be ideal but has all these things happening to them
61
Q

Protagonist

A

Should be renowned and prosperous so his change of fortune can be from good to bad due to hamartia

Needs action of hubris

Peripeteia

Aragnorisis

62
Q

Ideal Tragedy

A

Must be serious and complete

Beginning
Middle
End

Beginning: nothing can come before it
Cannot have inciting incident before the play starts

Ending - nothing can come after

Theatre History (4 decks)

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