show boat Flashcards

1
Q

Broadway in the 1920s

A

New York’s theatregoers could pick from a huge number of
shows and a large variety of types of entertainment
* More new shows opened on Broadway in the 1920s than any
other decade
* The 1926-1927 season boasted 53 new shows, the largest
number of the decade

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2
Q

What happened to these new shows
in the 1926-1927 season

A

Half ran more than 10 performances
(p). The other half were called flops
* 13 shows ran 200-300p
* 2 ran more than 450p: The Desert Song
(447p) and Good News (557p)
* On December 27, 1927, when Show
Boat opened at the Ziegfeld Theater
(left), it began a run that would last
527 performances

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3
Q

Which genres were the most
popular in 1920

A
  1. Operetta
  2. Musical comedy
  3. Revue
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4
Q

operetta characteristics

A

Set in an exotic, distant
locale
* Populated by aristocrats and
historical figures
* About class structure and
hierarchy
* Performed by “legitimate”
singers
* Music overpowered lyrics
Characters sang to
each other
* Waltzes
* Large “classical”
orchestra with a full
string section
* Male star

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5
Q

muscial comedy characertistics

A

Set in a contemporary, urban
locale
* Populated by recognizable
modern characters
* About contemporary issues
* Performed by actors who
could sing and dance
* Lyrics “stood alone,” loaded
with colloquialisms
Characters sang in a
presentational style
* Contemporary dance idioms
* Smaller pit band with
saxophones, banjos, and
reed book sections
* Female star

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6
Q

show boat composer

A

Jerome Kern

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7
Q

Lyricist show boat

A

oscar hammertsien II

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8
Q

book writer show boat

A

Hammertsien

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9
Q

source show boat

A

show boat the novel by edna ferber

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10
Q

producer show boat

A

florenz ziegfled

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11
Q

directors show boat

A

zeke colvan and hammerstoen

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12
Q

Jerome Kern

A

American composer
* Started his career as a rehearsal
pianist and songplugger working in
the sheet music industry on Tin
Pan Alley
* By 1927, Kern had already written
about 20 scores for Broadway,
including many musical
comedies (Oh, Boy!, Leave It To
Jane); called the “Princess shows”
* Kern composed more than 700
songs

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13
Q

Oscar Hammerstein II

A

American lyricist and bookwriter
* Theatre heritage
* Dropped out of law school to pursue a career in
theatre
* Mentored by lyricist and bookwriter Otto
Harbach
* Hammerstein had worked on many operettas
as well as a musical comedy called Sunny with
Kern
* Later collaborated with composer Richard
Rodgers on several wildly successful musicals:
Oklahoma!, Carousel, South Pacific, The King
and I, The Sound of Music

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14
Q

Florenz Ziegfeld

A

American Broadway impresario
* Most famous for his extravagant
variety shows, called revues,
The Ziegfeld Follies (1907-31)
* Watch clip about Ziegfeld and
revues from Broadway: The
American Musical (PBS) (6:00-
15:30)

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15
Q

Main characters show boat

A

Capt’n Andy Hawks, owner of the Cotton Blossom
* Parthy Ann, his wife
* Magnolia, their daughter, an aspiring performer
* Gaylord Ravenal, a gambler
* Julie, the leading lady on the Cotton Blossom
* Steve, Julie’s husband, and also a leading player
* Queenie, the ship’s cook
* Joe, a black dock worker and Queenie’s husband
* Frank and Ellie, the comic players
* Kim, Magnolia and Ravenal’s daughter
* Pete, an engineer who is interested in Julie

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16
Q

ol man river starts w

A

underscored dialogue

17
Q

ol man river a ballad

A

Most ballads are love songs but this
one is a song directed to and about the Mississippi River

18
Q

ol man river theme song

A

Ol’ Man River” has a
thematic function; it suggests that the fates of the
characters are in the hands of the river

19
Q

Paul Robeson

A

American singer, actor, political activist,
and one of the most famous interpreters of
the “classical” spiritual
* Educated at Rutgers University and
Columbia University, where he received his
law degree in 1923
* When racial discrimination kept him from
pursuing a career in law, Robeson turned to
music and theatre. He would perform
widely and record over 300 songs, including
“Ol’ Man River”; in addition to Show Boat,
he acted the title role of Shakespeare’s
Othello in England

20
Q

make believe

A

romantic duet

operetta

21
Q

cant help but lovin that man

A

I am song

musical scene

22
Q

Diegetic and non-diegetic music

A

Diegetic
* The character is aware of the music as music
* For ex., a character plays an instrument or turns on the radio,
and music is heard. The audience understands that the
character is “hearing” the music as such; ex. “Can’t Help
Lovin’ Dat Man”
* Non-diegetic
* The character is unaware of the music
* For ex., a character seems not to realize that she has moved
from speech into song; ex. “Make Believe” (sort of)

23
Q

What makes Show Boat a
landmark musical?

A

Show Boat starts with an ambitious source, Ferber’s novel, which
delves into serious issues: poverty, racism and miscegenation, marital
strife and abandonment, compulsive gambling, alcoholism, and
dishonesty
* Show Boat demonstrated that the musical was a genre to be taken
seriously
* Show Boat is one of the first shows to feature black and white actors
together on stage
* Show Boat has sustained a remarkable reception history with a long
line of revivals and recordings, entertaining generations of audiences
* Kern and Hammerstein’s score has maintained its popularity, and
several numbers have become standards, “Ol’ Man River,” “Can’t
Help Lovin’ Dat Man,” “Bill”…

24
Q

Why is Show Boat problematic
today

A

Some of Show Boat’s characters, like Joe and Queenie,
have not aged well. They perpetuate racist stereotypes
about black people and culture
* Show Boat’s creators were all white. If the show was
mounted today, the production team should be as
diverse as possible
* With a cast of 70+ performers, Show Boat would be
almost impossible to mount on Broadway today due to
costs

25
Q

ol man river is an exmaple of

A

perfec AABA

26
Q

make believe form

A

represents their relationship

muisc repetition

reciprocated