Sensory Perception Flashcards

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1
Q

Visual cues allow up to PERCEPTUALLY ORGANIZE by taking into account what 4 cues?

A

Depth, Form, Constancy, Motion

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2
Q

What types of cues give humans sense of DEPTH

A

BINOCULAR CUES

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3
Q

Define RETINAL DISPARITY

A

From BINOCULAR CUES and gives idea of DEPTH

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4
Q

Define CONVERGENCE

A

Idea of DEPTH and how much eyeballs are turned

=Things FAR away-> eye muscles relaxed

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5
Q

Define MONOCULAR CUES and what they mean for an object

A

Idea of FORM, MOTION, CONSTANCY

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6
Q

What are the 4 things that make up FORM of an object

A
  1. RELATIVE SIZE
  2. INTERPOSITION/ OVERLAP
  3. RELATIVE HEIGHT
  4. SHADING AND CONTOUR
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7
Q

Define RELATIVE SIZE

A

MONOCULAR CUE. Closer object is perceived as bigger. FORM

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8
Q

Define INTERPOSITION/ OVERLAP

A

MONOCULAR CUE. Perception that 1 object is in front of the other and the one in front is closer

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9
Q

Define RELATIVE HEIGHT

A

MONOCULAR CUE. Higher things are perceived to be farther than lower ones

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10
Q

Define SHADING AND CONTOUR

A

MONOCULAR CUE. Perceive depth/ contour= crater/ mountain

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11
Q

Define MOTION PARALLAX

A

“relative MOTION”= things farther away move slower vs. closer move faster

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12
Q

Define CONSTANCY and the 3 types

A

Perception of object does NOT change even if image on the retina is different

  1. SIZE CONSTANCY: If 1 appears bigger cuz closer, we still think is the same size
  2. SHAPE CONSTANCY: Changing shape keeps same shape perception (ex: Door opening means shape change but we still believe is a rectangle)
  3. COLOR CONSTANCY: Despite lighting changes on retina, we perceive the same color
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13
Q

Define SENSORY ADAPTATION

A

Senses are adaptable and can change sensitivity to stimuli

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14
Q

Define HEARING ADAPTATION

A

From INNER EAR MUSCLES. These contract with higher noise to dampen vibrations in inner ear. Needs seconds to work so does NOT work for immediate noise like gun but for concert

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15
Q

Define TOUCH ADAPTATION

A

Temp receptors are desensitized over time

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16
Q

Define SMELL ADAPTATION

A

Desensitized receptors in nose to molecule sensory information over time

17
Q

Define PROPRIOCEPTION ADAPTATION

A

Sense of position of body in space/ balance

=If give goggles that make everything upside down/ change perception than eventually accommodate over time

18
Q

Define SIGHT ADAPTATION

A

DOWN or UP REGULATION
DOWN REGULATION: Light adaptation so rods and cones are desensitized
UP REGULATION: Dark regulation so rods and cones make light sensitive molecules

19
Q

Define JND

A

JUST NOTICEABLE DIFFERENCE: Threshold notice a change in sensation. Ex: 5 vs. 5.2 lb not noticeable but 5 vs. 5.5 is

20
Q

Define WEBER’S LAW

A
ΔI / I = K
Where ΔI= JND
I= Initial Intensity of Stimulus
K= Constant
Ex: 0.2/2=0.5/5= 0.1 so change must be 0.1 to JND
21
Q

What type of RELATIONSHIP is Weber’s Law

A

LINEAR RELATIONSHIP between incremental threshold and background intensity
ΔI= Ik where if you plot I vs. ΔI it’s constant

22
Q

Define ABSOLUTE THRESHOLD OF SENSATION

A

Minimum intensity of stimulus needed to detect a stimulus 50% OF THE TIME
Vs. JND is smallest difference that can be detected 50% of the time

23
Q

What factors can influence ABSOLUTE THRESHOLD

A

Not a fixed unchanging number.

  1. Expectation: are you expecting a text
  2. Experience: are you familiar with phone’s text sound
  3. Motivation: are you interested in the text response
  4. Alertness: are you awake or drowsy
24
Q

Define SUBLIMINAL STIMULI

A

Stimuli BELOW the absolute threshold of sensation

25
Q

What are the 4 types of somatosensation

A
  1. THERMOCEPTION: Temperature
  2. MECHANOCEPTION: Pressure
  3. NOCICEPTION: Pain
  4. PROPRIOCEPTION: Position
26
Q

Define INTENSITY of somatosensation

A

How quickly neurons fire for us to notice

Slow= low intensity

27
Q

Define TIMING of somatosensation

A
  1. NON ADAPTING: Neuron consistency fires at a constant rate
  2. SLOW ADAPTING: Neuron fires in beginning of stimulus and calms down after a while but keeps firing
  3. FAST ADAPTING: Neuron fires as soon as stimulus starts, but then stops
28
Q

Define VESTIBULAR SYSTEM

A

Sensation of BALANCE and SPATIAL ORGANIZATION

=From INNER EAR and LIMBS

29
Q

Describe the INNER EAR with vestibular system

A

Has Posterior, Lateral, Anterior SEMICIRCULAR CANALS filled with ENDOLYMPH
=When we move, fluid shifts in semicircular canals to detect what direction we are moving
=How quickly endolymph moves= strength of rotation

30
Q

Define OTOLITHIC ORGANS with vestibular system

A

UTRICLE and SACCULE. Detects LINEAR ACCELERATION and HEAD POSITIONING
=Structures have CaCO3 on hair cells in gel so when we go from lying down to standing up, these are pulled= trigger AP
=NOT work without gravity and buoyancy have effects without visual cues on up/down way
=Contributes to dizziness/ vertigo (things around you are moving when they are actually not when endolymph keeps spinning even though we stopped)

31
Q

Define SIGNAL DETECTION THEORY

A

Overall how we make decisions in uncertainty by censoring unimportant vs. important stimuli
HIT vs. FALSE ALARM vs. CORRECT REJECTION vs. MISS
Ex: Given 2 lists and which words on 1st list not just how similar to 2nd list

32
Q

d’ vs. c variables in SIGNAL DETECTION THEORY

A

D’: STRENGTH. Hit > miss when strong signal

C: STRATEGY. LIBERAL= always yes even if false alarm vs. CONSERVATIVE (pg. 15 for graph)

33
Q

Define BOTTOM UP PROCESSING

A

Stimulus influences perception. Never seen it before. Data driven. INDUCTIVE REASON= always correct

34
Q

Define TOP DOWN PROCESSING

A

Background knowledge influences. Theory driven. DEDUCTIVE REASON= not always correct

35
Q

Define all the GESTALT PRINCIPLES

A
  1. SIMILIARITY
  2. PRAGNANZ: Make SIMPLEST FORM Ex: Olympic rings
  3. PROXIMITY
  4. CONTINUITY
  5. CLOSURE
  6. SYMMETRY
36
Q

Define LAW OF COMMON FATE

A

If 1/2 of dots are moving upward and other 1/2 are moving downward then perceive these as 2 distinct units

37
Q

Define LAW OF PAST EXPERIENCES

A

Ex: read new english word use this law to interpret “L” and “l” as 2 letters next to each other rather than using law of closure to make it a “U”

38
Q

Define CONTEXTUAL EFFECTS

A

Context where stimuli are presented and processes of perceptual organization affect how we perceive the stimuli