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Purposive Communication > Self-Study > Flashcards

Self-Study Flashcards

1
Q

According to structure

Imaginative narration

A

Fiction

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2
Q

According to structure

real life narration

A

Non-fiction

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3
Q

Acc. Form

written within the common flow of language

A

Prose

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4
Q

Acc.Form

expressed in verse, measure, rhythm

A

Poetry

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5
Q

Genres of Lit. (FPED)

A

Fiction
Poetry
Essay
Drama

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6
Q

GL

imaginative creation

A

Fiction

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7
Q

GL

patterned form of written expression

A

Poetry

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8
Q

GL

usually from an author’s personal point of view

A

essay

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9
Q

GL

composition that presents story told entirely in a DIALOGUE

A

Drama

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10
Q

human actions and experiences

A

Object reality

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11
Q

human apprehension and comprehension

A

Subjective Reality

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12
Q

Type of Fiction

moral.animals

A

Fables

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13
Q

Type of Fiction

symbolic

A

Myth

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14
Q

Type of Fiction

from the past

A

Legends

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15
Q

Type of Fiction

didactic

A

Parables

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16
Q

Type of Fiction

oral stories passed down

A

folk tales

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17
Q

Type of Fiction

less words

A

Short story

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18
Q

Type of Fiction

long

A

Novel

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19
Q

Elements of Fiction (SChaP CoPT)

A

settings
characters
plot
conflict
point of view
theme

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20
Q

Parts of a plot

A

Exposition
Crisis
Climax
Falling Action
Denouement
Ending

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21
Q

time and place the story occurs

A

Setting

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22
Q

representation in the story

A

characters

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23
Q

sequence of event

A

plot

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24
Q

sets the scene by introducing the charaters and settings

A

exposition

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25
Q

established curiousity, uncertainty, and tension

A

crisis

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26
Q

the peak of the story

A

climax

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27
Q

finishing of things right after the climax

A

falling action

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28
Q

strands of the plot are drawn together

A

denouement

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29
Q

end of the story

A

ending

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30
Q

General types of plot (LCID)

A

Linear
Circular
In medias res
Deux En Machina/Deus ex Machina

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31
Q

natural sequence of the event

A

Linear

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32
Q

begin and end the same

A

Circular

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33
Q

begin in the middle

A

in medias res

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34
Q

unsolvable suddenly solvable

A

deux en machina/deus ex machina

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35
Q

protagonist vs. antagonist

A

person vs. person

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36
Q

conflict against tradition, law, etc.

A

person vs. society

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37
Q

inner moral conflict

A

personal vs. personal

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38
Q

conflict against some force of nature

A

person vs. nature

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39
Q

conflict against inexplicable phenomena

A

person vs. supernatural

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40
Q

determines the narrator of the story

A

point of view

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41
Q

one of the story’s characters serves as the narrator

A

first person POV

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42
Q

relatively rare. makes the reader a character in the story

A

second person POV

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43
Q

someone outside the story. uses he/she/they

A

third person POV

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44
Q

narrator reveals nothing

A

Objective third person

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45
Q

narrator describes the internal thoughts…

A

limited third person

46
Q

narrator partially reveals the internal thoughts…

A

Omniscent third person

47
Q

voice chosen by the author

A

persona

48
Q

significant value about life and its nature

A

theme

49
Q

central idea of the story

A

theme

50
Q

patterned form of written expression of ideas

A

poetry

51
Q

types of poetry that tells a story in VERSE

A

narrative poetry

52
Q

intended to be sung

A

lyric poetry

53
Q

presented of acted on stage

A

dramatic poetry

54
Q

a long narrative poem

A

epic

55
Q

medieval verse based on legends, chivalric love, or supernatural

A

Metrical Tale/Metrical Romance

56
Q

simple narrative poem for melodious recital

A

Ballad

57
Q

expresses lofty praises of a person or event

A

Ode

58
Q

deals with grief

A

elegy

59
Q

consists of 14 lines

A

Sonnet

60
Q

consists of 8 lines

A

Octave

61
Q

consists of 6 lines

A

sestet

62
Q

consists of 8 and 6 lines

A

petrarchan

63
Q

abbaabba

A

octave

64
Q

cdecde or cdcdcd

A

sestet

65
Q

abab cdcd efef gg

A

shakespearean

66
Q

a lyric poet thas is intended primarily to be sung

A

song

67
Q

do not properly belong under any of the category

A

simple lyric

68
Q

story written in verse, acted in front of the audience

A

drama poetry

69
Q

elements of the poetry (SSS)

A

sense, sound, structure

70
Q

kinds of sound

achieved through repetitions

A

tone color

71
Q

k.sounds

beats

A

rhythm

72
Q

k.sound

regular reoccurence. measure in poetic foot

A

meter

73
Q

unaccented/accented

A

iambic

74
Q

accented/unaccented

A

trochaic

75
Q

unaccented/unaccented/accented

A

anapestic

76
Q

accented/unaacented/unaccented

A

dactylic

77
Q

rhymes only when spelled, not pronounced

A

eye rhyme

78
Q

most common type. rhymes at the final syllables of a line

A

end rhyme

79
Q

stressed at the beginning of the word

A

female rhyme

80
Q

stressed must be identical at the end

A

half rhyme

81
Q

middle and end words rhyme

A

internal rhyme

82
Q

stressed in the end of every line

A

masculine rhyme

83
Q

first line and last line end word should be rhymed

A

monorhyme

84
Q

arranged and organized to form a whole poem

A

structure

85
Q

poetic feet (ITAD)

A

iambic, trochaic, anapestic, dactylic

86
Q

type of drama that is simberand serious aspect of life

A

tragedy

87
Q

human folly and ends happily

A

comedy

88
Q

ridiculous play with humor

A

farce

89
Q

presents stereotyped characters and a conflict between good and evil

A

melodrama

90
Q

excellence; where hero in battle has his finest moments

A

arete, aristeia

91
Q

arrogance; pride toward

A

hubris

92
Q

fatal flaw; downfall of a tragic hero or heroine

A

hamartia

93
Q

a sudden unexpected change of fortune

A

peripeteia

94
Q

tragedy; unveils something

A

anagnorosis

95
Q

strong emotional experiences; result in a sense of purification

A

katharis

96
Q

1st great english humosrist and realist

father of english literature

A

geoffrey chaucer

97
Q

1st serious collection of short stories in english

A

Canterbury Tales

98
Q

oldest english epic

A

beowulf

99
Q

father of english song

A

CAedmon

100
Q

spokeperson of transcendentalism

A

Ralph Waldo Emerson

101
Q

oldest elegy (7th century)

A

widsith

102
Q

Greatest Anglo-Saxon Scholar
Father of Englist History

A

Venerable Bede

103
Q

Last Medieval Chronicle of the Arthurian Legend

A

Morte d’ Arthur

104
Q

Golden age of english literature

A

Renaissance

105
Q

most influencial book in the history of english civilization

A

king james bible

106
Q

greatest metaphysical poet

A

John Donne

107
Q

national poet of scotland

A

Robert Burns

108
Q

England’s Best-Loved Novelist

A

Charles Dickens

109
Q

Father of English Drama

A

William Shakespear

110
Q

Father of English Tragedy

A

Christopher Marlowe

111
Q

Father of Instructive Reasoning; Father of English Essay

A

Francis Bacon

112
Q

Father of Essay (Popularized Essay as a Literature)

A

Michel De Montaigne

Purposive Communication (3 decks)

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