Secondary Scholarship Flashcards

1
Q

Beard (on the Mausoleum)

A

”.. an aggressive assertion of … his dynastic aspirations..”

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2
Q

Horsfall (On Suetonius)

A

“Here we have an altogether more humane, human, and agreeable Princeps..”

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3
Q

Beard (On the poets in Rome)

A

“The work they produced offers a memorable … image of a new golden age for Rome..”

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4
Q

Segal (On Ovid’s Metamorphoses)

A

”..of all Caesar’s achievements none were greater than fathering Augustus..”

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5
Q

Zanker (On Apollo)

A

“The relationship with Apollo would prove ideally suited to Octavian..”

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6
Q

Beard (On the Res Gestae)

A

“It … carefully glosses or entirely ignores the murderous illegalities of his early career.”

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7
Q

Beard (On Julius Caesar)

A

“Caesar was Octavian’s passport to power.”

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8
Q

Beard (On Cleopatra)

A

“By focusing on [Cleopatra] rather than Antony, Octavian could present the war as one fought by a foreign rather than Roman enemy.”

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9
Q

Jenkyns (On the poets of Rome)

A

”..as propagandists the poets were useless.”

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10
Q

Brunt and Moore (On the Res Gestae)

A

“What is omitted in such an account may be as informative as what is stated.”

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11
Q

Nicholls (On the Ara Pacis being comissioned by the senate)

A

”..remember that in this age other people also made enthusiastic noises about Augustus’ policies and themes.”

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12
Q

Galinsky (On the Ludi Saeculares)

A

“The health of the new Saeculum … was to depend on the moral blessing of Romans.”

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13
Q

Smith (On the Sebasteion)

A

“The emperors are here shown as new, active members of the traditional Olympian pantheon.”

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14
Q

Thommen (On the Sebasteion)

A

”..these were not typical imperial representations … and may allude to Aphrodesias’ close relations with the Roman Empire.”

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15
Q

Wallace Hadrill (On Mark Antony)

A

“Antony was an (almost) innocent victim: a man unmanned, and a Roman un-Romanned.”

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16
Q

Jenkyns (On the audience of the poets of Rome)

A

”..poets like Virgil and Horace wrote only for … a highly educated elite. Such people could not be deceived..”

17
Q

Jenkyns (On statues of Augustus)

A

“His statues … all have the same face … he is godlike in his immutability..”

18
Q

Nicholls (On the Forum of Augustus)

A

”..a prime case of matching continuity with the past, both republican and regal.”

19
Q

Zanker (On the Prima Porta)

A

”.. a marble copy … from Livia’s villa … That it found favour with the imperial family is evident..”