Secondary lit Flashcards

1
Q

Moseley on Plato’s view of physical beauty

A

‘Plato thinks that most people sadly squander the real power of love by limiting themselves to the mere pleasures of physical beauty.’

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2
Q

KJ Dover on Greek cultural context and what is seen as a model relationship

A

‘complex relationship which comprises mutual devotion, reciprocal sacrifice, emulation and the awakening of sensibility, imagination and intellect’,
‘the physical act as the lowest ingredient’ of a relationship

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3
Q

KJ Dover on Plato and sex

A

‘much Greek philosophy is characterised by contempt for sexual intercourse’

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4
Q

Moseley on Plato and the concept of higher love between appreciation of the physical

A

‘we should aspire beyond the particular stimulating image in front of us to the contemplation of beauty in itself.’

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5
Q

Ferrari emphasising how Plato’s view is unclear

A

“Plato is not concerned to propound a comprehensive and unified theory of love”

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6
Q

Motto on Seneca’s views of love

A

“Love is an undiluted emotion conferred with magnanimity and it does not look to personal convenience”

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7
Q

Reeve on Plato and his context

A

“The erotic world of Plato’s dialogues is in part, of course, just that of his society”

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8
Q

Karanika on Sappho and girls growing up

A

“She addressed more than anyone the transition from girlhood to womanhood”

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9
Q

Karanika on Sappho and marriage

A

“She deeply communicates the female anxiety towards marriage”

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10
Q

Karanika on the appeal of Sappho

A

“The universality of emotion is why she is so enduring”

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11
Q

Stehle on Sappho’s views of reciprocity in a relationship

A

“Sappho does not picture love relations as domination by one partner over the other […] desire is mutual”

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12
Q

Burnett on Sappho Loeb 22

A

“Loeb 22 perfectly exemplifies the Sapphic law that beauty demands love and in turn creates the beautiful”

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13
Q

Liz Gloyn on Seneca and reconciling love and stoicism

A

‘Seneca believes it’s possible to love another human without giving into irrationality’

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14
Q

Liz Gloyn on Seneca and benefits of marriage

A

‘A marriage based on virtue and reason thus produces more virtue and reason’

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15
Q

Irvine on Seneca and later stoics

A

“He and later stoics stressed the regulation of emotions rather than their denial”

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16
Q

Greene on Ovid pt2

A

“The rejection of Augustus’ religious, moral and agricultural reform as vulgar and risible”- on part 2

17
Q

Greene on Ovid’s disgust of women

A

“In their natural, unmasked state, women are fundamentally, not just uncivilised but disgusting”

18
Q

Greene on Ovid makeup

A

“The only passage to survive from antiquity that seems to be a recommendation of makeup”

19
Q

Greene on Ovid Roman context

A

“Recalls the swinging upper-class love affairs of the late Republic”

20
Q

Bishop on Ovid as a reliable source

A

His views “lack sincerity”

21
Q

Liz Gloyn on Seneca’s views on love

A

“neither good nor bad; it’s how you use it that matters” -

22
Q

Page DuBois on Sappho female voice

A

one of the few texts which break the silence of women in antiquity […] women become more than the objects of man’s desire.”

23
Q

Watson on Sappho’s descriptive writing

A

‘the rose-like fragrance of her wasted feelings’

24
Q

Lefkowitz on Sappho as a female, emotional poet

A

Many critics of Sappho believed ‘women poets are emotionally disturbed, so their poems are psychological outpourings, that is, not intellectual but ingenuous artless, concerned with their inner emotional lives’

25
Q

Anna Motto on Seneca and his family’s influence

A

Seneca learned a lot about love, kindness and generosity from his family. Namely his mother, Helvia, who taught him unselfishness: ‘your kindness never stemmed from self-interest’.