secondary dominant

Question 1

the use of pitches outside the key of the passage

Answer 1

chromaticism

Question 2

the use of chromatically altered tones as ncts (melodic)

Answer 2

nonessential chromaticism

Question 3

use of tones from outside the scale as members of chords

Answer 3

essential chromaticism

Question 4

the most common sort of altered chord in tonal music

Answer 4

secondary function

Question 5

a chord whose function belongs more closely to a key other than the main key of the passage

Answer 5

what is a secondary function

Question 6

most secondary functions are either secondary dominants (V and V7 of) or secondary leading tone chords (vii, viio7. vii o/7)

Question 7

1. find root of chord that’s gonna be tonicized
2. go UP a p5
   3.using a note as the root, spell a major triad or Mm7
   ex. for V7/V) you would find the root of the V7 of whatever is there for the key it’s in then go up A FIFTH

Answer 7

how to write a secondary dominant

Question 8

1. is the altered chord a major triad or Mm7
2. find the note a P5 below the root of the altered chord in the music score
3. subtract the difference to the key
4. would a major or minor triad built on that note be a diatonic triad in thi key (is it in this key?) if yes it’s a secondary dominant

Answer 8

how to recognize a secondary dominant