schollarship Flashcards

1
Q

what does kenneth quinn believe about the parallels of aeneas and augustus

A

“if virgil decided to tell the story of a war and a man it was because he knew his audience would read the aeneid with another war and man in mind”

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2
Q

what does kenneth quinn think about hero’s

A

virgil encourages us to feel that the heroic brave self sacrificing thing is not always the best
the urge to kill is heroic but undesirable

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3
Q

what does robin sowerby about the connection to history

A

“the aeneid is pre-eminently a national epic immediately connected with Roman history, as well as a record of traditional Roman ways and customs”

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4
Q

what does Robin Sowerby think about father-son relationships?

A

Father-son relationships are the strongest bond in the aeneid

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5
Q

what does Robin Sowerby say about Aeneas in the will of the gods/ his father?

A

“Emerges as little more than a symbol, passively acquiescent towards the will of the gods, or of his father“

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6
Q

what does K.W Gransden see the Aeneid is about

A

“The story of a hero, renowned for Pietas, wanting peace, rather than war”

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7
Q

what does K.W gransden say Virgil has done to the old Homeric code?

A

“Virgil has transformed the old Homeric code into something new and wholy Roman”

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8
Q

What does R.D.Williams say about human nature?

A

“The tragedies and disasters in the poem are very largely due to the violent and unreasoning element in human nature”

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9
Q

what does R.D.Williams say is the most striking aspect of Virgil’s poem?

A

“The most striking aspect of Virgil’s poem, is what we may call the tension between optimism and pessimism”

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10
Q

what does R.D.Williams, describe aeneas as?

A

“Complex and convincing human person”

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11
Q

what does T.S. pattie say about Virgil’s writing and The Civil Wars

A

Virgil’s writing reflects the “deep feelings of guilt“ in Rome, after the Civil War

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12
Q

what does T.S.Pattie, think about Roman values and the Homeric world

A

“The aeneid is about how Roman values superseded those of the heroic Homeric world“

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13
Q

what does R.D.Williams say about fate

A

“Fate is all the time behind human action… In homer fate indeed governs men’s actions, but it is a short-term fate.
Something which determines the problems of the moment… In Virgil fate has its plan for hundreds of years”

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14
Q

what does Herbert H yearnes say about Dido and tragedy

A

“as a tragedy the story of Dido meets all the requirements. It, Rouses, and purges the emotions of pity and fear.”

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15
Q

what does w.s. anderson say about book 9 and turnus

A

“virgil has constructed book 9 to highlight Turnus - in no other book will turnus be so successful”

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16
Q

what does w.s anderson say about nisus and passion

A

“nisus raises the question do gods inspire men with their eager burning desires or does each man make a god of the wild passion inside him”

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17
Q

what does w.s anderson say about turnus manifesting his own downfall

A

“it is an ironic happiness for despite his bestial strength and limited success, turnus has manifested the defects which will eventually cost him his life and his loyal italians total defeat”

18
Q

what does bob cowan say about the suggestion from euryalus’ death

A

euryalus’ death suggests the needless and tragic destruction of a thing of besauty by a mindless impersonal force

19
Q

what does bob cowan say about death and marriage of youth

A

instead of a healthy deflowering in marriage they are sterilely deflowered by death, their only bridegroom

20
Q

what does c.j mackie say virgils aim for book 9 is

A

virgils aim in the book (9) is to develop the rutilians heroic stature in battle in anticipation of aeneas’ return

21
Q

what does c.j mackie say about turnus’ highest point being a waste

A

even turnus’ highest point in battle is tainted with failure because of wasted opportunity

22
Q

what does cj mackie say is understood at the end of book 9 about turnus

A

the reader understands at the end of book 9 that if turnus cannot achieve victory in aeneas’ absence he will certainly fail to do so after his return

23
Q

what does g.e duckworth say about the noble motives of the youth

A

virgil presents the psychological study of two youths whose motives are basically noble but who do the wrong things and suffer tragic deaths as a result

24
Q

what does g.e duckworth say about nisus and euryalus being foreshadowing for turnus’ fate

A

it prepares for virgils treatment of character and event in book 12 and is especially important in foreshadowing the tragic fate of turnus

25
Q

according to robin sowerby how does virgil want us to see aeneas

A

as an achilles like figure

26
Q

whatdoes s.j harrison say about aeneas’ survival being proof of romes divine desiny

A

a survival accomplished thorugh romes divine destiny and the virtue of its citizens

27
Q

what does r.d williams say about the shield of aeneas

A

holding it over his shoulders symbolises how he holds responsibility for romes history on his shoulders

28
Q

what does grandsen say about aeneas shield not being practical

A

aeneas’ shield unlike achilles is not neccessarily a practical weapon but a symbolic object

29
Q

how does fowler disagree with with grandsens view that aeneas’ shield is not a symbolic object

A

it should not be viewed as art it is a weapon

30
Q

what does c.j mackie say about aeneas’ piety even in his slaughtering

A

described as pious because in slaughtering the enemy he furthers the progress of fate

31
Q

what does c.j mackie say about aeneas’ pietas and humanity

A

aeneas’ pietas comes at the expense of his humanity in the slaying of turnus

32
Q

what does r. jenkins say about aeneas’ likability and its link to his humanity

A

the contradictions of aeneas’ actions make him difficult to like but certainly make him human

33
Q

what does nortwick say about the role of the second achilles

A

the role of the second achilles is actually played by aeneas not turnus

34
Q

what does w.s anderson say about aeneas’ destiny dehumanisizing him

A

the destiny that has almost dehumanized him, the final proof by virgil that pious aeneas is not passive but more tragic than dido and turnus together

35
Q

what does wiegand say to compare dido and aeneas

A

like dido we may hate him but we forgive him. both have done wrong, but dido atones for her sin by her death, aeneas for his sin by a life in which he remembers

36
Q

what does wiegand say about aeneas’ suffering

A

we pardon his weakness because he remembers and suffers silently and bravely

37
Q

what does reilly say about the point being proven about the role of women in ancient rome

A

camilla, dido and penthesilea prove a point about the role of women in ancient rome, which is that women who attempt to insert themselves into a mans world of politics and warfare will ultimately fail

38
Q

what does mcleish say about the difference in didos symbol modern vs contemporary

A

to us dido is a real person whos emotions and actions have roundness, a wholeness that often seems missing in aeneas. but we are post romantics, to a roman in virgils day she was probably nothing more than an unbalenced barbarian queen

39
Q

what does boltwood say about turnus being a hero

A

he can only be considered a villain in the sense that he apposes an avowed hero. in many senses he is a hero and virgil calls him such

40
Q

what does r.d williams say about turnus and dido as obstacles to the divine will

A

an obstacle to the divine which must be overcome, yet when he is overcome there is powerful sympathy for them and a feeling of injustice

41
Q

what does eleanor powers say about aeneas’ love for his father

A

the fact that aeneas holds so much love for his father will always be aeneas’ great characteristic

42
Q

what does cox say about aeneas leaving troy

A

it symbolises a departure from homeric values