scholarship Flashcards

1
Q

what does CM bowra say about odysseus’ heroism (heroes/gods,monster)

A

it is lacking as he is faced by monsters and inferiors

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2
Q

what does peter jones say about the severity of odysseus’ revenge (heroes,gods,monsters)

A

whatever one may think of the severity of Odysseus’ revenge a greek would have argued he had the right to take it

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3
Q

what does john halverson say about odysseus love of his home (emotion)

A

oikos is more sharply focussed on then nostos

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4
Q

what does peter jones say about the battlefield vs the home (emotion)

A

the odyssey makes the household rather than the battlefield centre of its universe

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5
Q

what does w.s anderson say about aeneas’ destiny being tragic (emotion)

A

the destiny that almost dehumanizes him is the final proof by virgil that aeneas is not passive but more tragic than dido and turnus together

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6
Q

what does peradotto say about calypsos response to hermes (emotion)

A

calypsos response lays bare the asymetry in the norms of sexual conduct governing both males and females

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7
Q

what does andre michaelapolous say about calypso keeping odysseus trapped (emotion)

A

it was her sensuality not his that kept him prisoner

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8
Q

what does r.d williams say about dido as an obstacle (emotion)

A

an obstacle to the divine that must be overcome

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9
Q

what does kenneth quinn say about the man and war in the aeneid (politics)

A

if virgil decided to tell the story of a man and a war it is because he knew his audience would read it with another man and war in mind

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10
Q

what does robin sowerby say about the aeneid as a national epic (politics)

A

the aeneid is pre-eminently a national epic immediately connected with roman history as well as a record of traditional roman ways and customs

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11
Q

what does charles segal say about the vulnerability of human in ovids metamorphoses (politics)

A

the vulnerability of the human body stands out all the more in contrast to the gods absolute power

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12
Q

what does reilly say about dido and camilla proving a point (politics)

A

dido and camilla prove a point about the role of women in ancient rome which is that women who attempt to insert themselves into a mans world of politics and warfare will ultimately fail

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13
Q

what does peter jones say about athenes continuing presence (time)

A

it is tempting to say that athenes continuing presence diminshes the stature of odysseus but it is important to emphasise that in homer the gods help only those who are worthy

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14
Q

what does r.d williams say about fate in homer vs virgil (time)

A

fate is all the time behind human action, in homer fate indeed governs mens actions but it is a short term fate that determines the problems of a moment whereas in virgil fate has its plan for hundreds of years.

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15
Q

what does charles segal say about ovid evoking men and women (violence)

A

the body is the means whereby ovid evokes men and womens subjection to arbitrary violence

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16
Q

what does charles segal say about the suffering of women (violence)

A

some of the worst suffering is the sudden arbitrary loss of human form inflicted on women

17
Q

what does mcleish say about dido being well rounded to us (violence)

A

to us dido is a real persons whos emotions and actions have roundness but we are post romantics, to a roman in virgils day she was probably nothing more than an unbalanced barbarian queen

18
Q

what does Bruce Haiden say about looking at poetry through the lens of narratology

A

An approach to poetry through the lens of narratology confronts an array of
misconceptions that block and distort one’s view of poetry and of narrative as well

19
Q

how does Stephen p. Scully describe the narrative voice

A

the narrative voice appears authoritative

20
Q

how does Booth explain the narrators role in the iliad

A

he directs and guides us through the story as if constantly at our elbows controlling rigorously our beliefs, interests and emotions