Scene 3: Poker Night Flashcards
What does “Van Gough’s Billiard Parlour at Night” portrait mentioned in the opening stage directions look like? What could each aspect of the portrait represent?
- Bright lights/ harsh colours: aggressive/ violent nature of these men (contrasting Blanche’s white - associated with innocence.)
- Red: colour linked to Stanley before (could it be his domain?)
What name was Tenessee Williams going to give to this play before “A Streetcar Named Desire?” Importance of this…?
- The Poker Night.
- Importance: shows significance of this scene in showing Stanley/ other men’s toxic masculinity.
Contrast between Stanley and Blanche (when it comes to light) in this scene? What does this represent?
- Stanley: playing poker in harsh light whereas, Blanche can’t “stand a naked light bulb”/ needs it to be covered.
- Stanley = blatant truth. Blanche = illusion/ facade.
Overall, what happens in scene 3?
- Stanley and his friends are playing poker.
- Stanley mocks Mitch for saying he has to go home to his mother.
- Stella asks Stanley to stop playing, he ignores. Stella and Blanche speak to each other in bedroom. Blanche claims that Mitch is “superior.”
- Blanche/ Mitch have a conversation and bond over sonnet quote on lighter.
- Stanley becomes irritated by music playing and throws radio out of window/ slaps Stella. She goes up to Eunice.
- Stanley misses Stella and bellows out her name/ they are re-united.
What is the significance of the watermelon described in opening stage directions?
- Water- melon = vibrant colour (shows Stanley’s vibrant/ masculine nature.)
- Links to “gaudy seed bearer” –> his pride in his ability to impregnate women is elonagted.
How do the men and Stanley speak and behave together at the beginning of this scene?
- Very short sentences: very assertice to one another (trying to exert dominance.)
- Stanley “tosses the watermelon” - very aggressive.
- Stanley tells Mitch to “shut up” –> he uses poker as a way to assert dominance as a Polish immigrant. Negative side of New South?
What phrases does Stanley use to mock Mitch?
- Says he will give him “a sugar tit” and that he will save money in a “piggy bank.”
- Infantalising Mitch for caring about his mother/ challenging his masculinity.
How is Stanely’s aggression towards Stella foreshadowed earlier on in the scene?
- “Gives a loud wack of her thigh.”
- Sexualising Stella/ impressing his friends. Very primitive interractive contrasts Blanche/ Mitch’s “prim and proper” discussion.
Significance of the “sound of the blow” being off stage.
- Allows audience to imagine the worst (showing how illogical it is from Stella to go back to this man.)
- Symbol of how all of this is hidden.
How do Stella and Blanche speak to each other in this scene? What does this contrast?
- Very feminine/ light- hearted.
- Contrasts masculine bravado from the men.
- Williams showing the poised nature of women?
Siginificance of Blanche asking Stella: “is he a wolf?” Connotations?
- Metaphor for man who is aggressive/ sexual towards women.
- Animal imagery shows primitive nature of men like Stanley.
How is motif of light continued in this scene?
- Stella points out that “Blanche is standing in the light.”
- Blanche explains to Mitch that she “can’t stand a naked light- bulb.”
- Symbol for her being unable to be under scrutiny even more as play progresses (perhaps because her secrets are unravelling.)
How does Stanley speak to Stella and Blanche when they are laughing about how the “plaster” fell from ceiling (from Eunice/ Steve?)
- He says: “ you hens cut out that conversation in there.”
- Suggesting that Stanley thinks the women are making irrelevant noise (like hens do.) He views them as irrelevant/ unimportant.
- Links to opening stage directions:”richly- feathered bird amongst hens.)
- Doesn’t want feminine atmosphere/ “laughter”; wants toxic masuclinity everywhere!!
How are Blanche and Mitch introduced to each other?
- “Introduced as Harold Mitchell” and “Blanche Dubois.”
- Formal, proper nouns used.
- Mutal respect between each other.
- Matches the greeting between gentleman caller and his suitor in the Old South.
- Mitch fits in with this. Could be good fit for Blanche.
Why does Blanche call the toilet, “The Little Boy’s Room” to Mitch?
- Flirtatious undertones.
- Infantalising people of lower class.
- Very prim and proper (too rude to say toilet!!)
- Juxtaposition: “you got any cigs.” - shows she is adaptable/ able to switch characters to suit her agenda. MANIPULATIVE/ DECIEVING.