SATB

Question 1

Perfect authentic cadence

Answer 1

Root position V7 moves to a root position 1, and soprano moves from 2 or 7 to 1.

Question 2

Imperfect authentic cadence

Answer 2

Authentic cadence, but either:

• I or V is in inversion
• or soprano ends on something other than 1.

Question 3

HC (Half Cadence)

Answer 3

Cadence that ends on dominant.

Question 4

Deceptive Cadence

Answer 4

Cadence that moves from V > vi or v > VI

Question 5

triad qualities in minor

Answer 5

m d M m m M M

Question 6

Roman numerals for triads in minor

Answer 6

i ii° III iv v VI VII

Question 7

Roman numerals for triads in major

Answer 7

I ii iii IV V vi vii°

Question 8

For all triad inversions double the root, except in what inversion?

Answer 8

The first inversion.

Question 9

Which notes should never be doubled in satb?

Answer 9

The leading tone and chromatic tones should never be doubled.

Question 10

When going from V7 to I, what happens?

Answer 10

Skip the fifth
Leasing tone resolves up
Chordal seventh down

Question 11

Are direct octaves (similar motion into perfect interval) permitted?

Answer 11

Only in inner voices or if soprano moves by a step

Question 12

Avoid contrary motion

Answer 12

From p5 to p5, or 8 to 8

Question 13

Avoid d5

Answer 13

To p5

Question 14

What is plagal cadence?

Answer 14

IV > I

Or minor