SAC - SAC 2 (QUESTION 4) Flashcards

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SAC - SAC 2 (QUESTION 4) PART 1
Question 4: Identify one exhibition you visited on the excursion. Explain the intention of the curator (6 marks)

Title of exhibition: Dwelling Poetically
Exhibition space: ACCA

At ACCA, our class was lucky to look at the exhibition titled: Dwelling Poetically… According to Sharp, “A city, it could be argued, is the sum of its portrayals” and “the more it is depicted, the more it enters the symbolic and global imaginary”. …

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Answer: At ACCA, our class was lucky to look at the exhibition titled: Dwelling Poetically. Dwelling Poetically was a new exhibition, curated by Chris Sharp. The complex exhibition illustrates a subjective portrait of the Mexican capital through a selection of artists which also considers the way artists and cities mutually transform each other. According to Sharp, “A city, it could be argued, is the sum of its portrayals” and “the more it is depicted, the more it enters the symbolic and global imaginary”. …

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2
Q

SAC - SAC 2 (QUESTION 4) PART 2
Question 4: Identify one exhibition you visited on the excursion. Explain the intention of the curator (6 marks)

Title of exhibition: Dwelling Poetically
Exhibition space: ACCA

… In Dwelling Poetically, Sharp’s interests and intentions were to consider the way artists and cities mutually transform each other. … To him, this “was a much more real approach to life, let things happen and then let things go”….

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… In Dwelling Poetically, Sharp’s interests and intentions were to consider the way artists and cities mutually transform each other. For example, Martin Soto Climent, who followed a clear concept when creating Luster butterfly, la revuelta Invisible, “wanted to create something and then let it go”. To him, this “was a much more real approach to life, let things happen and then let things go”. …

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3
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SAC - SAC 2 (QUESTION 4) PART 3
Question 4: Identify one exhibition you visited on the excursion. Explain the intention of the curator (6 marks)

Title of exhibition: Dwelling Poetically
Exhibition space: ACCA

… With this in mind, Sharp used the roof of the space to allow Climent’s aluminum blinds to drop and remain floating in midair. … This mutual transformation supports Sharp’s intention.

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… With this in mind, Sharp used the roof of the space to allow Climent’s aluminum blinds to drop and remain floating in midair. Both Climent and Sharp did not want to damage the materials since they wanted them to have the option to go back to the way they originally were. This mutual transformation supports Sharp’s intention.

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