Romeo and Juliet Key Quotations Flashcards

1
Q

Juliet: “my only love sprung from….

A

..my only hate!” - Jutxaposition

Juxtaposition shows her shock at loving the enemy.
Highlights the intensity and paradoxical nature of love.
Underscore how quickly her love for Romeo has transformed.

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2
Q

Juliet: “O for a falconer’s voice…

A

…to lure this tassel gently back again!” - metaphor

She desire’s for the return of Romeo like the return of a falcon.
Shows her deep yearning and force of her love.

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3
Q

Juliet: “What’s in…

A

….a name” - Rhetorical question

Challenges the social conventions and the family expectations.
Challenging the feud for the scale of her love.
Underscores idealistic views of love, focusing in the essence of the person rather than the background.

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4
Q

Juliet: “it is an honor…

A

…that I not dream off” - rejection of social norm.

Llack of interset at marrying Pairs, highlighting relectuance to obey the socital norms.
Early resistance.

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5
Q

Juliet: “he will make the…”

A

…face of heaven so fine.”- celestial imagery

Merge love with divine.
She envisions a life outside of her family roles.
Wants to be with Romeo eternally.

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6
Q

Juliet: “I will not be…

A

…juggled with” - pun

Suggests manipulation by fate and her desire to assert control.
This pun emphasizes her growing her growing awareness of fates hold over her, yet her refusal to be manipulated

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7
Q

Juliet: “I will not marry yet, but…

A

….when I do I swear it should be Romeo” - Repetition

Bold rejection of parents to show her loyalty to Romeo. Repetition shows her willingness to deny parents authority.

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8
Q

Juliet: “O happy dagger…

A

…let me die” - Irony

Ultimate act of agency in the face of unavoidable death and fate. She dies but ironically believes she will be with Romeo.
Shows she makes her own decisions.

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9
Q

Juliet: “ myself..

A

..have power to die” - dramatic irony

Assertion of control over her life and death highlights her strength and determination to the control of fate.”

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10
Q

Lord Capulet: “and she agrees…

A

….within her scope of choice.” - modality and conditional lie

Initially respects Juliet’s autonomy to suggest she has a say in her marriage.
However he is subtly hinting that he gets the final say which sticks to societal norms.

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11
Q

Lord Capulet: “But woo her….

A

…gentle Paris, get her heat.” - direct address

Construct how to approach Juliet, revealing his ownership over her as his daughter.

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12
Q

Lord Capulet: “I’ll have this….

A

..knot knit up tomorrow”. - commanding tone

His authority and discussing any objections, shows Juliet has no choice but too comply.
This shows his disregard for Juliet’s feeling.
Emphasis of societal pressure for women to obey their husbands/ men.

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13
Q

Lord Capulet: “A crutch! A crutch!…

A

…Why call you for a sword” - metaphor and dramatic irony.

Metaphor mocks the need for violence.
His peaceful nature contrasts the aggressive nature of the other men fighting, showing his complexity in the family feud, and that it is perpetuating.

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14
Q

Lord Capulet: “you shall endure him…

A

…you’ll make a mocking of my guests” - ironic and commanding

Capulet prioritises reputation over the feud between families when telling Tybalt not to fight Romeo.
This is ironic as Tybalt has been brought up all his life to fight for the family.
Could show how Lord Capulet’s loyalty to the family feud is underscored by his idea of his reputation.”

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15
Q

Lord Capulet “be patient…

A

..take no note of him” - Ironic

The idea of honour and reputation overrules hate of the Montague’s.
Possibly showing that Capulet does not want to be part of the feud and tried to avoid it.

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16
Q

Lord Capulet “hang thee….

A

..young baggage, disobedient wretch!” - exclamatory language and dark tone

enraged Capulet is cursing at Juliet, wishing for her demise.
“Young baggage” is referring to her as a burden on the Capulet family
“Disobedient wretch” dehumanises Juliet, portraying her as a flawed and undesirable person.

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17
Q

Lord Capulet: “hang, beg..

A

…die, starve in the streets” -lexical set of death and misery.

Creates a semantic field of the control Capulet has over Juliet, and the things he will do to her.
How the father and daughter relationship does not effect the choices and stereotype she must fulfil.

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18
Q

Lord Capulet: “and do what’s..

A

..best for you child.” - foreshadowing

Words foreshadows his final attempt to assert control over life, will underscore the complexity of their relationship.

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19
Q

Prologue: “a pair of…

A

…star-crossed lovers” - foreshadows and dramatic irony

Opposed by the stars, so they are destined to fail.
Foreshadows the tragic end of the play.
Powerful symbol of limitations of mankind’s agency, it suggests their love is deep and no force overcomes it.

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20
Q

Romeo: “O I am…

A

…fortunes fool.”- Alliteration

His life is controlled by fate.
Repeated “f” sounds creates a sense of foreboding
Tragic nature of the play as Romeos impulsiveness has left too these consequences.

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21
Q

Romeo: “Thus with…

A

..the kiss I die” - Juxtaposition and Symbolism

Romeos death is an act of devotion for Juliet.
Links love with mortality
Symbolism as a “kiss is meant to happen at first love - contrast the finality of death, intensifying the tragedy.

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22
Q

Romeo: “I defy..

A

…you stars.” - Blasphemous

He is going against the heavens and God. This would resonate strongly in the religious society of the time.
This also shows Romeos attempt to defy fate, this causes a paradox as we are told in the prologue that it is inevitable.
Theme that it is impossible to deny fate.

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23
Q

Friar: “Ill send you a…

A

friar with speed.”

Desperation and severity of situation

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24
Q

Friar: “and the neglecting it…

A

..may do so much danger” - Foreshadowing and dramatic irony

How important the letter is and that it should not be lost/ left.
Dramatic irony as contemporary audience know this is is what causes the occurrence of the deaths, and plays a big role in the tragedy.

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25
Friar: "These violent delight...
…have violent ends" - foreshadowing Warns Romeo about the impulsive nature of their love. Passionate love can lead to destructive consequences. Quote foreshadows the tragic outcome of the pay. Friar Lawrence looks at the situation in a wider perspective.
26
Prince: "for there never was a story of...
…more woe than the death of Juliet and her Romeo". - final statement + rhyming couplet. Quote is the last line of the play and wraps up the tragedy. Lets the audience reflect on their story.
27
Juliet: "By any other name..
…would smell so sweet" - Metaphor No matter what people think, like a rose, Romeo will always retain his physical beauty and integrity. She differentiate between a thing and its label.
28
Mercutio: "If love be rough...
...be rough with love" - Pun and imperative tone Mocks Romeos romantic idealism with a bawdy pun, presenting love as physical and aggressive. Shakespeare uses this to contrasts Mercutio's cynical realis with Romeos poetic sensitivity.
29
Mercutio: "borrow cupids wings and....
…soar with them above a common bond" - Metaphor Playful tone and reference to Cupid satirize Romeos romantic melancholy. Mercutio is used to contrast Romeos mood and lighten the audience.
30
Mercutio: "ask for me tomorrow..
..and you shall find me a grave man" - Pun and Irony Even in death, Mercutio uses wordplay. Shows how quickly humor can become horror.
31
Mercutio: "dreamers...
…often lie." - Irony He dismisses dreams and fantasies, mocking Romeo about his idea of fate and romantic destiny. Shakespeare uses Mercutio to question the validity of the idealism, central to the plays tragedy.
32
Mercutio: "O, then I see...
…Queen Mab have been with you" - Extended metaphor Queen Mab speech starts off as a fascination but then become disturbing and a dark, reflecting Mercutio's internal conflict. He is a complex character who mocks fantasy because he is hated by it.
33
Mercutio: "I talk of dreams which are..
…with an idle brain." - metaphor and dismissive tone Devalues dreams, reinforcing his cynical worldview. Contrast between realism an idealism.
34
Mercutio: "A plague..
..a both your houses." - Curse and foreshadowing Blames both houses for his death. Expose the destructive nature of the feud and honor. Foreshadows the wider tragedy.
35
Mercutio: "They have made...
…worms meat of me." - Grim imagery and metaphor Vividly represents the consequences of violence. Strips away Mercutio's humor to highlight the brutal reality of the conflict and the pain it brings.
36
Mercutio: "Why the...
..devil you came between us?" - Rhetorical question Blames Romeo for his interference suggesting fate is manipulated by human error
37
Lady Capulet: "nurse give me...
..a while...nurse come back again" - imperative command emotional distance with Juliet as she cant speak to her without the nurse. Unnatural.
38
Lady Capulet: "I was your mother..
...much upon theses years" - personal pronoun and historical comparison Justifies early marriage using her own experience, reflecting her adherence to societal norms.
39
Lady Capulet: "talk not too me..
.. for I'll not speak a word" - monosyllabic language refusal to comfort Juliet after her argument with Lord Capulet shows emotional detachment and submission to her husbands will. Monosyllabic words means she has little control over what she says.
40
Lady Capulet: "so shall share...
...all he doth possess." - materialistic language and persuasion. conveys societal expectations of marriage, as a means of wealth and status. Marriage is used as a family assets.
41
Lady Capulet: "Here comes for father...
..tell him so yourself" - deflection and submissive tone. rather than defend Juliet, she defends her husbands authority. Em passive as women lack power.
42
Lady Capulet:"I would the fool...
...you were married to the grave." - irony and foreshadowing Cruel outburst reflects her priority of reputation and social order over Juliet feelings. Shakespeare uses dramatic irony here as Juliet actual fate mirrors her mothers harsh words.
43
Lady Capulet: "What...
...are you mad?" - rhetorical question and shocked tone Questions Capulet anger but ultimately does nothing, reflecting her inability to change male authority. Shakespeare highlights silencing of women in a patriarchal world.
44
Lady Capulet: "My child...
..my only life!" - emotional exclamation and hyperbole Only when Juliet is dead does she expose her emotion for her daughter. Emotional expression for women are only allowed in extreme circumstances.
45
Lady Capulet: "O me...
...O me". - repetition Her grief is exaggerated and formal, possibly insecure. Shakespeare might be criticising preformative grief and the superficiality of societal expectations.
46
Juliet: "Thy purpose marriage..
...send me word tomorrow" - imperative and assertive tone take control of relationships and marriage. In a patriarchal society where women are passive, Juliet's assertiveness highlights her strength and autonomy.
47
Juliet: "I will no longer...
...be a Capulet." - declarative statement Willing to abandon family for Romeo. Independence would have been shocking at these times as a women's identity is tied with their fathers.
48
Romeo: "thou canst not speak...
..of that thou dost not feel." - emotive language accuses friar of his emotional pain. Presents Romeo as deeply emotional rather than a traditional "stoic" attitude.
49
Paris:"Thy face is mine...
...and tho hasn't slandered it" - possessive pronoun and metaphor Paris assumes his ownership over Juliets body. How marriage is a transaction where women have little agency
50
Romeo: "my bounty is..
...as boundless as the sea." - foreshadowing and paradox
51
Romeo: "Did my heart...
...love till now?" - rhetorical question immediately forgets about Rosaline as he is blinded by his love for Juliet. Love is consuming and naive.
52
Romeo: "Shall not be hit..
..with cupids arrow." - mythological allusion and metaphor Romeos immaturity as Rosaline doesn't love him. Love is superficial highlighting the difference between infatuation and true love.
53
Benevolio: "I do..
...but keep peace." - imperative and antithesis Benevolios peaceful loyalty contrast toxic masculinity. Familial love as complex and unshaped by violence and honour
54
Tybalt: "I hate the word....
...as I hate hell all Montagues!" - exclamatory sentence + repetition Emphasizes on Tybalt's aggression and his rejection of peace, stark contrasts shows how deep the feud is. Shows Tybalt's honor and pride towards his family name.
55
Tybalt: "Boy, this shall....
…not excuse my injuries."- formal tone and accusatory language Tybalt's rational nature, make him feel like Romeo is the problem and the source of the feud. Insult of "boy" could be Tybalt trying to provoke Romeo more, showing Tybalt is intrusive.
56
Romeo: "Tybalt the...
…reason that I love thee." - dramatic irony Inner conflict Romeo has with himself as he has to chose between his honor to which family. Dramatic irony as audience know why Romeo cannot fight but Tybalt does not.
57
Prologue: "from ancient grudge..
…break to new mutiny" - oxymoron and foreshadowing shows how the feud is both and constantly renewed . Shakespeare's foreshadows the ongoing conflict, and the consequences it has
58
Prince "you men...
you beasts" - zoomorphism and metaphor comparing the men to beasts dehumanizes them. This metaphor suggests conflict stop people of reason and civility.
59
Prince: "all are..
..punished" - short sentence + collective pronoun "all" suggests no one escapes the consequences of conflict and fate Shakespeare condemns the feud for causing universal suffering, and personal suffering.
60
Friar: "wisely and slow...
..They stumble that run fast." - metaphor and juxtaposition Contrast between wisely and fast, reflect the cations made, and metaphorical warning against hate. He is a rational figure which contrasts Romeos impulsiveness.
61
Friar: "Therefore love moderately...
…long love doth so." - imperative "love moderately" and alliteration Shows his attempts to impose restraints on Romeo. Alliteration creates a calm and measured tone.
62
Friar: "I do spy a kind...
…hope...if thou dast?" - conditional phrasing and dramatic irony Shows he is tempting Romeo into a dangerous plan. The audience are aware that this will lead to disaster and potential death.
63
Friar: "For this alliance may so happy prove to...
...turn your households ramour to pure love." - juxtaposition Reflects his hope that the marriage will restore the feud - unrealistic ambition
64
Friar: "take thou this....
…vial" - imperative verb "take" He has control over Juliet. Imagery of a potion introduces themes of allusion and deception, suggesting he is taking great risks.
65
Friar: "I dare no...
…longer stay." - monosyllabic language and caesura Short, blunt phrase reveals his fear. Caesura shows a sudden break and how quickly he is too abandon Juliet in her time of need.
66
Friar: "A greater power than...
…we can contradict" - personification He is shifting the blame away from himself. Shakespeare critisises how people avoid responsibility with their actions.
67
Come go, good Juliet...
…I dare no longer stay" - repetition and imperative verb "go" Moment reveals his moral failure as he choses self preservation over honor and duty.
68
Romeo: " O doth she teaches...
.. the torch burn so bright" - metaphor Expresses Juliet's beauty as a "torch", shows he is idealizing the idea of love.
69
Romeo: "With loves...
..light wings" - symbolism and imagery Love is symbolized and free, transcending, suggesting it can overcome obstacles.
70
Romeo: "Ill be a candle holder..
…and hold a candle to a devil." - metaphor and irony Love to hate towards Tybalt shows his emotional response. He is part of everything that he once opposed, representing his character arc.
71
Prologue: "A pair of star...
...crossed lovers" - foreshadowing and metaphor suggests their fate is predetermined in the stars. Romeos belief in fate and his ambition links to his destiny.
72
Romeo: "My dreams presage..
..some joyful news at hand" - metaphor and foreshadowing and dream imagery dream of "news" ironically foreshadows the tragic event to come. When he dies but Juliet is it, highlighting the duality of fate in the play.
73
Tybalt: "Turn thee, Benvolio,...
..look upon thy death" - direct address and foreshadowing His direct challenge exemplifies his quick temper and hostility. Foreshadow later violence that unfolds.
74
Tybalt: "What dream and...
...talk of peace?" - Juxtaposition contrast between violence and peace highlights his inability to compromise. Violent extremism.
75
Tybalt: "That villain...
...Romeo" - repetition throughout the play His rigid view as seeing Montagues as enemies. Immediately seeing Romeo as a threat.
76
Tybalt: "now seeming sweet,..
...covert the bitterest gall." - juxtaposition and metaphor symbolizes deep "bitterness" he has for the Montagues as he represents his family honor.
77
Tybalt: "I am a pretty...
...piece of flesh" - pun and sarcasm Mocking Romeo shows his stubbornness. His antagonism results in Mercutio's death.
78
Nurse: " What lamb!...
...What ladybird!" - repetitive exclamatory short sentence and zoomorphism repeated affectionate nicknames show's a nurturing and intimate bond. The playful tone suggests a substitute maternal role, in contrast to Juliet's formality.