Rhythms of the World Flashcards

1
Q

Indian Classical instruments and their roles

A
  • Melody- sitar, sarod or wooden flute
  • Percussion- tabla
  • Drone- tanpura
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2
Q

Indian classical structure

A
  • Alap- slow, free time, improvised, no tabla
  • Gat- clear pulse, tabla, still improvised
  • Jhala- more intense, speeds up, complex rhythms
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3
Q

Sitar techniques

A
  • Pitch bends (meend)
  • Improvised fast scales* and runs
  • Microtonal intervals
  • Glissandos
  • Lots of ornamentation
    *based on ragas
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4
Q

Tabla techniques

A
  • Fast notes
  • Rhythmic patterns- ‘tala’
  • Pitched percussion
  • Usually quite complex
  • Can play repeated rhythms or ostinatos
  • Syncopated
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5
Q

Bhangra instruments and their roles

A
  • Tumbi- riffs
  • Dhol- chaal rhythm, polyrhythms - using the 2 drum head
  • Harmonium- chords
  • Voice- singing and shouts of ‘hoi’
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6
Q

Bhangra typical features

A
  • Narrow range of singing
  • Simple harmonies based on 1 or 2 repeated chords
  • Short phrases- it is also common for the note to fall in pitch at the end oof a phrase
  • Pitch bends and microtones
  • Dynamics: LOUD, accents on beat 2 and 4
  • Fast, ~180BPM, 4 4
  • Homophonic texture
  • Verse chorus
  • Modal
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7
Q

Impact of modern technology on Bhangra

A
  • Remixes
  • Sampling
  • Auto tune
  • Synths
  • Drum machine
  • Electronic instruments
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8
Q

Greek instruments and their roles

A
  • Bouzouki, violin, vocals or clarinet- melody
  • Defi
  • Doumbek
  • Tambourine
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9
Q

Greek melody and structure

A
  • Ornamented: tremolo chords, grace notes
  • Stepwise
  • Lyrical and melisma in voice
  • Often harmonised in thirds
  • Short repeated sections
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10
Q

Greek tonality and rhythm

A
  • Bass plays tonic and dominant
  • Modulation to other keys
  • Diatonic major and minor
  • Irregular rhythm like 7 8
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11
Q

African drumming instruments and their roles

A
  • Dunun- bass drum; has bells attached
  • Agogos- ostinato
  • Djembe- played by master drummer
  • Talking drum- can change pitches
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12
Q

Features of Samba- rhythm

A
  • Son clave
  • Ostinato
  • Cross rhythms and Complex rhythms
  • Triplets
  • 2 4 or 4 4
  • Accented beats
  • Syncopation
  • Fast >100BPM
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13
Q

Samba instruments and their roles

A
  • Surdo: basic rhythmic pulse or ‘heartbeat’
  • Caixa: snare drum; constant rhythmic drive; fast notes
  • Repinique: High pitched so can be hear above the ensemble. Played by the master. Announces changes of sections, breaks and solos.
  • Whistle/apito: also played by the repinique player
    Tamborim: high pitched
  • Shakers and agogos: ostinato
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14
Q

Samba structure

A
  • No set structure; repinique player decides breaks
  • Starts with call and response between whistle/repinique and the other drums
  • Main groove: drums play ostinato patterns. This pattern returns after breaks
  • Breaks: May include a solo or C+R or unison rhythms
  • Crescendo and speeding up at the end
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15
Q

Where is Samba from and where is Samba music played?

A
  • Brazil
  • Carnivals
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16
Q

Traditional Calypso instruments and their roles

A
  • Steel pans- main melody and tremolo chords
  • Congas and bongos- maintain rhythm
  • Shakers- fast notes
  • Reco reco- unique timbre adds texture
17
Q

Modern Calypso instruments and their roles

A

Voice- main melody, short legato phrases
Saxophone- riffs
Bass Guitar- crotchet note bass line
Drum kit- repeated rhythms, often syncopated

18
Q

Typical Calypso features

A
  • Dynamics- very loud
  • Tremolo on steel pans
  • Syncopation and offbeat chords
  • Improvisation
  • Mainly homophonic
  • Major key
  • Primary triads on lower pitched steel pans
  • Slow harmonic rhythm
  • Call and response
  • Short repeated phrases
  • Verse chorus structure
19
Q

Palestinian instruments and their roles

A
  • Voice or clarinet: melody
  • Oud: accompaniment
  • Defi or doumbek: percussion
20
Q

Features of Palestinian music

A
  • Melody based on a maqam
  • Irregular time signatures
  • Double harmonic scale
  • Rhythmic pattern is called a wazn
  • Ornamentation
  • Usually slow and lyrical
  • Scalic ascending and descending
  • Melisma in voice
21
Q

Israeli instruments and their roles

A
  • Clarinet or violin: melody
  • Accordion: accompaniment
  • Doumbek: rhythm
22
Q

Features of Israeli music

A
  • Fast tempo
  • Bass plays root and fifth
  • Block chords on beats 2 and 4
  • Articulation: grace notes, pitch bends, other ornamentation
  • 3 4 or 4 4 time signature