Rhythm and metre Flashcards

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1
Q

Compound triple metre with frequent changes

A

Debussy

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2
Q

Use of triplets (1)

A

Debussy

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3
Q

Syncopated passages (57)

A

Debussy

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4
Q

Semiquaver anacrusis used as repeated feature (1)

A

Poulenc

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5
Q

Syncopation in 9

A

Poulenc

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6
Q

Contrast with sustained crotches in Plus Lent

A

Poulenc

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7
Q

Duple time - regular metric changes

A

Brahms

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8
Q

Heavy use of syncopation (opening)

A

Brahms

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9
Q

March rhythm (13)

A

Brahms

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10
Q

Compound duple metre interrupted by adagio

A

Haydn

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11
Q

Simple rhythm dominated by crotchets/dotted rhythms

A

Haydn

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12
Q

Pavan uses mainly crotchets/minims

A

Holborne

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13
Q

Gaillaird uses dotted crotchets

A

Holborne

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14
Q

Rhythmic imitation in Gai opening

A

Holborne

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15
Q

Hemiolas in Gai

A

Holborne

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16
Q

Dances in duple and triple time respectively

A

Holborne

17
Q

Simple triple metre difficult to discern

A

Reich

18
Q

Fragmented rhythmic units based around semiquavers

A

Reich

19
Q

Heavily syncopated but difficult to discern due to lack of pulse

A

Reich

20
Q

Continuous crotched fast walking bass

A

Davis

21
Q

Syncopated head; pushed piano chords

A

Davis

22
Q

Slightly swung quavers

A

Davis