Applied Music

Question 1

Modal key firmly in G dorian; tierce de picardie (80)

Answer 1

Gabrieli

Question 2

Irregular phrase lengths

Answer 2

Gabrieli

Question 3

Chordal texture at opening; polyphony from bar 7

Answer 3

Gabrieli

Question 4

Frequent cadence points (13)

Answer 4

Gabrieli

Question 5

Conjunct melodic writing (18)

Answer 5

Gabrieli

Question 6

Free counterpoint (1-13)

Answer 6

Gabrieli

Question 7

Imitation (17-20)

Answer 7

Gabrieli

Question 8

Specifies dynamic contrasts

Answer 8

Gabrieli

Question 9

Separate galleries for each choir - antiphony

Answer 9

Gabrieli

Question 10

Jazz influenced - includes alto saxophone

Answer 10

Bernstein

Question 11

Monophonic horn opening

Answer 11

Bernstein

Question 12

Muted trombone (7)

Answer 12

Bernstein

Question 13

Flutter tonguing (105)

Answer 13

Bernstein

Question 14

Homorhythmic tuttie (78)

Answer 14

Bernstein

Question 15

2 Timpani parts

Answer 15

Bernstein

Question 16

Opening motif based around blues scale (Gb 5)

Answer 16

Bernstein

Question 17

Atonality (72)

Answer 17

Bernstein

Question 18

Dissonance e.g. diminished 8ve (16_

Answer 18

Bernstein

Question 19

Lots of syncopation

Answer 19

Bernstein

Question 20

Use of hemiolas (42)

Answer 20

Bach

Question 21

Disjunct melody in 2nd mvmt

Answer 21

Bach

Question 22

Harmonically challenging intervals e.g. minor 7th (2)

Answer 22

Bach

Question 23

Ornamentation e.g trill (8)

Answer 23

Bach

Question 24

Ominous chords (dim 7 7)

Answer 24

Bach

Question 25

4 part chorale texture

Answer 25

Bach

Question 26

Minor tonality (G)

Answer 26

Bach

Question 27

Appogiaturas add harmonic interest (6)

Answer 27

Bach

Question 28

Contrapuntal and imitative textures

Answer 28

Bach

Question 29

Unconventional instruments e.g. boo-bam

Answer 29

Goldsmith

Question 30

Unconventional tecniquies e.g. players all double on cor anglais

Answer 30

Goldsmith

Question 31

Prominant use of percussion - xylophone

Answer 31

Goldsmith

Question 32

Extensive dissonant harmonies e.g. 13th (3)

Answer 32

Goldsmith

Question 33

A clashes with a Bb (1)

Answer 33

Goldsmith

Question 34

Use of a semitone interval

Answer 34

Goldsmith

Question 35

Avoidance of tonality - all 12 notes of chromatic scale (8)

Answer 35

Goldsmith

Question 36

Tonal centres used e.g. C (1) defined by pedal

Answer 36

Goldsmith

Question 37

Harsh driving rhythms - continuous semiquavers (11)

Answer 37

Goldsmith

Question 38

Frequent syncopation

Answer 38

Goldsmith