Revival of the Arts Flashcards

1
Q

An artistic and cultural period that placed importance on reason, order, and scientific inquiry.

A

Neoclassicism

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2
Q

Specifically, Neoclassical art developed as a reaction to the ____________________ and highly emotional ________________.

A

excessive Rococo, Baroque styles

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3
Q

Neoclassicism started in Europe in ___________ and ended in __________.

A

1750, 1850

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4
Q

Thus, __________________, _____________, and _________________ are not qualities of Neoclassical art.

A

self-expression, newness, and improvisation

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5
Q

There were also patterns of ______________ common in Greek sculpture.

A

drapery

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6
Q

One of the goals of the Neoclassical style was?

A

To help spectators of art to relate more to the art form (pg. 136)

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6
Q

The later French Neoclassical paintings were more uncompromising than the Early Neoclassical paintings made by the _____________________________.

A

Italians in Rome

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7
Q

As to subject matter, Neoclassical painters were inspired by ancient ___________ and __________________ and history as told in poetry, and historical interpretations.

A

Greek and Roman

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8
Q

One of the most important sources of subject matter in artworks was _________ who authored Iliad and Odyssey.

A

Homer

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9
Q

In the 1700s, the discovery of archaeological sites in Greece and Italy and the desire to break from the outdates Rococo and Baroque sculptural styles led many people to collect _____________________.

A

antique sculptures

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10
Q

Many people collected antique sculptures in the 1700s. ________________ were the most collected, although many of them were copies of the Greek originals.

A

Roman sculptures

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11
Q

Baroque sculpture was _________ and ____________.

A

Active and dynamic

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12
Q

They subdivided expressions and actions into classical calm, idealized the body and face into a classical hero, and transformed costumes into close-fitting dresses to elude references to the ephemeral.

A

Neoclassical sculptors

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13
Q

The first Neoclassical structures were built side by side with Classical structures; they have been erected as if to counter the ostentatious Classical buildings. True or False?

A

False. It’s not Classical, it’s Baroque

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14
Q

Home of early Neoclassical architecture

A

England

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15
Q

3 most famous examples of early Neoclassical architecture in England.

A
  • the Cathedral Church of St. Paul the Apostle
  • the Royal Chelsea Hospital
  • the Royal Observatory in Greenwich
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16
Q

Characteristics of Neoclassical buildings

A
  • Clean and elegant lines
  • Simplicity of geometric forms
  • Grandeur of scales
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16
Q

The Cathedral Church of St. Paul the Apostle, The Royal Chelsea Hospital, and The Royal Observatory in Greenwich is all designed by _____________________, who ironically is labeled today today as a Baroque artist.

A

Sir Christopher Wren

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17
Q

A graphical element in Neoclassical architecture.

A

column

18
Q

3 main types of Neoclassical architecture

A
  • Temple
  • Palladian
  • Classical block buildings
19
Q

It developed during the Neoclassical period as a result of a wider familiarity with ancient Greek and Roman ruin.

A

Temple style architecture

20
Q

A line of columns around a building

A

peristyle

21
Q

2 most famous Neoclassical temple-style buildings

A
  • British Museum in London
  • Roman-inspired Pantheon in Paris
22
Q

It derives its name from Andrea Palladio.

A

Palladian

23
Q

One of the most influential architects of late Italian Renaissance.

A

Andrea Palladio

24
Q

He was known for many country houses he designed.

A

Robert Adam

25
Q

2 most famous of Palladian buildings

A
  • United States Capitol
  • the White House
26
Q

It features a massive square or rectangular block with a classical detail-rich exterior and a flat roof.

A

Classical block building

27
Q

He was once the head of the Ecole des Beaux-Arts, was one of the most respected Neoclassical painters.

A

Jean-Aguste-Dominique Ingres

28
Q

His highly rational brand of historical painting in the 1780s marked a shift in style away from the excesses of Rococo toward the soberness and timelessness of the Classical Greek and Roman.

A

Jacques-Louis David

29
Q

Canova’s subject matter was usually based on?

A

Classical mythology

30
Q

Despite his lasting status as one of the fathers of Neoclassical art, his earliest works had Rococo or late Baroque sensibilities that appealed to the Venice nobility, one of his first patrons.

A

Antonio Canova

31
Q

Canova’s sculpture titled ______ is a reflection of his taste for idealization, as evidenced by the restrained harmonies of proportion, smooth surfaces, sleek modeling, and clear lines.

A

Perseus

32
Q

The forefront of Greek revival in architecture.

A

Sir Robert Smirke

33
Q

Smirke pioneered the use of _________________.

A

concrete foundations

34
Q

He was influential in developing a unified style in architecture and interior design, wherein the architecture was inspired by the Classical Greek and Roman design that was already popular.

A

Robert Adam

35
Q

Adamesque followed the rules of Roman architecture. True or False?

A

False

36
Q

He was influential in the emergence and growth of Romantic art in France.

A

Theodore Gericault

37
Q

Major rival of Delacroix

A

Ingres

38
Q

Known as a “master of color,” was inspired by the works of the great Titian and Peter Paul Rubens.

A

Eugene Delacroix

39
Q

A Spanish painter who was an important figure in the evolution of contemporary aesthetic sensibility.

A

Francisco Jose de Goya y Lucientes

40
Q

A Romantic sculptor is known for his unique talent to model complex surfaces in clay.

A

Aguste Rodin

41
Q

Rodin’s most original works veered away from old-fashioned themes of __________ and ____________.

A

allegory and mythology

42
Q

One of the Major architects of the English Gothic Revival.

A

Sir Charles Barry

43
Q

Barry’s design had strong ______________________.

A

Italian influence