Recording techniques Flashcards

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1
Q

Electric/Bass Guitar

A

Dynamic mic with a cardioid polar pattern placed about 15cm from in front of the amplifier

The placement on speaker gives brightness-centre of cone is bright, edge of cone is duller

if the mic is on-axis, the sound will be brighter than when it is off-axis

You could use a condenser with pad switched on

a DI box could be used

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2
Q

Acoustic Guitar

A

Condenser microphones because they have a wider frequency response

They also capture the wide dynamic range of the guitar with good sensitivity

A small diaphragm condenser mic will give a fast transient response meaning it will be the best mic to capture the brightness of the instrument

A large diaphragm mic could be used for greater sensitivity

A cardioid condenser mic should be placed approximately 15-60cm in front of the 12th fret of the guitar

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3
Q

Trumpet/Trombone

A

Dynamic or Condenser

place in front of the bell or slightly to the side to allow for a more mellow sound

use pad on condenser

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4
Q

Saxophone

A

dynamic or condenser

Condenser for slight distance.

Dynamic for spot milking

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5
Q

Flute/Clarinet

A

Condenser

sound comes from the key holes and mouthpiece so a condenser placed above is best for recording

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6
Q

Grand Piano

A

open the lid of the piano and use condenser mics to capture the brightness of the strings

the mics should be far enough away so not to emphasize a few single notes.

30cm is a good distance

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7
Q

Upright piano

A

remove the front panel of the piano and mic strings with a spaced or XY pair of condensers

You could also mic the soundboard of a piano if it is far a way from nearby walls.

the mic pics up less noise from the pedal thumps and piano noises but ht ecaptured sound will be duller.

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8
Q

Vocals

A

Condenser mic to capture full frequency range

Performer could be up to 30cm away from pop shield which should itself be 8-12cm from the mic

Use shock mount to isolate the mic from vibrations through stand

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9
Q

Drum kit

A

for the kick drum use a large diaphragm dynamic mic to pick up the low frequencies

Use dynamic mics for the toms: position them around 15cm away

a dynamic or condenser with pad can be used for the snare

A small diaphragm condenser is suitable for the hi hat it should be placed above the top cymbal between 10-15cm away, pointing down to avoid air blasting

Overhead condenser’s should be used for the main cymbal sound

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10
Q

XY Pair

A

Two cardioid mics placed so that the capsules are right next to each other

this combines the polar patterns which creates a stereo image.

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11
Q

Spaced

A

two omni mics placed around 30-50cm apart

Useful for recording large ensemble’s and performances which require a sense of ambiance

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12
Q

Mid-side

A

a Cardioid and a figure of 8 mic

Set up at 90 degrees from one another.

The cardioid mic should point straight at the sound source and the fI8 picks up the sound ffrom the sides.

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