Recording techniques Flashcards
Electric/Bass Guitar
Dynamic mic with a cardioid polar pattern placed about 15cm from in front of the amplifier
The placement on speaker gives brightness-centre of cone is bright, edge of cone is duller
if the mic is on-axis, the sound will be brighter than when it is off-axis
You could use a condenser with pad switched on
a DI box could be used
Acoustic Guitar
Condenser microphones because they have a wider frequency response
They also capture the wide dynamic range of the guitar with good sensitivity
A small diaphragm condenser mic will give a fast transient response meaning it will be the best mic to capture the brightness of the instrument
A large diaphragm mic could be used for greater sensitivity
A cardioid condenser mic should be placed approximately 15-60cm in front of the 12th fret of the guitar
Trumpet/Trombone
Dynamic or Condenser
place in front of the bell or slightly to the side to allow for a more mellow sound
use pad on condenser
Saxophone
dynamic or condenser
Condenser for slight distance.
Dynamic for spot milking
Flute/Clarinet
Condenser
sound comes from the key holes and mouthpiece so a condenser placed above is best for recording
Grand Piano
open the lid of the piano and use condenser mics to capture the brightness of the strings
the mics should be far enough away so not to emphasize a few single notes.
30cm is a good distance
Upright piano
remove the front panel of the piano and mic strings with a spaced or XY pair of condensers
You could also mic the soundboard of a piano if it is far a way from nearby walls.
the mic pics up less noise from the pedal thumps and piano noises but ht ecaptured sound will be duller.
Vocals
Condenser mic to capture full frequency range
Performer could be up to 30cm away from pop shield which should itself be 8-12cm from the mic
Use shock mount to isolate the mic from vibrations through stand
Drum kit
for the kick drum use a large diaphragm dynamic mic to pick up the low frequencies
Use dynamic mics for the toms: position them around 15cm away
a dynamic or condenser with pad can be used for the snare
A small diaphragm condenser is suitable for the hi hat it should be placed above the top cymbal between 10-15cm away, pointing down to avoid air blasting
Overhead condenser’s should be used for the main cymbal sound
XY Pair
Two cardioid mics placed so that the capsules are right next to each other
this combines the polar patterns which creates a stereo image.
Spaced
two omni mics placed around 30-50cm apart
Useful for recording large ensemble’s and performances which require a sense of ambiance
Mid-side
a Cardioid and a figure of 8 mic
Set up at 90 degrees from one another.
The cardioid mic should point straight at the sound source and the fI8 picks up the sound ffrom the sides.