Readings Pt. 2 Flashcards

1
Q

The valuing of local resources and distributed economies

A

Slow Fashion:

Three lines of reflection

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2
Q

Transparent production systems with less intermediation between producer and consumer

A

Slow Fashion:

Three lines of reflection

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3
Q

Sustainable and sensorial products that have a longer usable life and are more highly valued than typical “consumables.”

A

Slow Fashion:

Three lines of reflection

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4
Q

More than a literal opposite to fast fashion.

A

Slow Fashion:

Definition

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5
Q

Identifies sustainable fashion solutions, based on the repositioning of strategies of design, production, consumption, use, and reuse

A

Slow Fashion:

Definition

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6
Q

Challenge existing hierarchies of “designer,” “producer,” and “consumer;”

A

Slow Fashion:

Approaches

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7
Q

Question the notion of fashion being concerned exclusively with the “new;”

A

Slow Fashion:

Approaches

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8
Q

Challenge fashion’s reliance on image

A

Slow Fashion:

Approaches

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9
Q

Present fashion as a choice rather than as a mandate

A

Slow Fashion:

Approaches

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10
Q

Highlight collaborative/cooperative work—providing agency especially to women

A

Slow Fashion:

Approaches

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11
Q

Think globally, act locally: identifies the local as a site of resistance against global culture, where consumers are assumed to have a sense of global responsibility

A

Slow Fashion:

Valuing of Local Resources and Distributed Economies

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12
Q

Utilization of localized physical and social resources can provide an alternative to standardization, centralization, and moreover, to identical products.

A

Slow Fashion:

Valuing of Local Resources and Distributed Economies

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13
Q

Ideas of “multi-local society” and a “distributed economy” where the global is comprised of a network of local systems.

A

Slow Fashion:

Valuing of Local Resources and Distributed Economies

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14
Q

Way of understanding a product from the knowledge of how it is made, through its raw material to the end product, rather than just through consumption

A

Slow Fashion:

Sustainable Sensoriality

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15
Q

Emotional attachment between human beings and clothes offers potential for designers wanting to explore fashion as a sustainable practice

A

Slow Fashion:

Sustainable Sensoriality

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16
Q

Transparency = fashion practices that do not seek to obscure the origins of the products and producers with a generic “de-signer” or brand name.

A

Slow Fashion:

Transparent Production Systems and Less Intermediation between Producers and Consumer

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17
Q

Smaller scale enterprises where the line between consumption and production, so well-defined in the global fashion industry, blends and morphs

A

Slow Fashion:

Transparent Production Systems and Less Intermediation between Producers and Consumer

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18
Q

Design facilitates mass production and rapid turnaround of new styles ensuring shorter product (market) life cycles and encouraging consumption for fashion’s sake rather than for real need”

A

Slow Fashion:

Transparent Production Systems and Less Intermediation between Producers and Consumer

19
Q

A preference for internal control over manufacturing and distribution

A

Burberry Business Model:

Adjustments that resulted in success

20
Q

The expansion of the product portfolio to include a wider customer base

A

Burberry Business Model:

Adjustments that resulted in success

21
Q

The adoption of a multi-brand positioning,

A

Burberry Business Model:

Adjustments that resulted in success

22
Q

Heavy reliance upon a small base of core products

A

Burberry Business Model:

Key Strategic Issues in 1997

23
Q

A company-owned retail network based within non-strategic locations

A

Burberry Business Model:

Key Strategic Issues in 1997

24
Q

An inconsistent wholesale distribution strategy with Burberry products being sold in a wide- range of retail environments of varying quality;

A

Burberry Business Model:

Key Strategic Issues in 1997

25
Q

Parallel trading of Burberry products by legitimate wholesale customers to other non- approved distributors and stockists

A

Burberry Business Model:

Key Strategic Issues in 1997

26
Q

Poorly controlled licensing strategy which resulted in inconsistencies in prices, design and quality control across markets

A

Burberry Business Model:

Key Strategic Issues in 1997

27
Q

Ander-investment in corporate infrastructures, specifically in relation to marketing, merchandising, product development and other support functions

A

Burberry Business Model:

Key Strategic Issues in 1997

28
Q

Updated brand image by changing the name from Burberry’s to Burberry, new brand logo, and contemporary packaging

A

Burberry Business Model:

Brand Management

29
Q

Used leading models and reputable fashion photographers, while retaining distinctly British themes as the content of these advertisements

A

Burberry Business Model:

Brand Management

30
Q

Re-position as a relevant, contemporary and also credible high fashion brand = opening of a flagship store on New Bond Street in London. Adjacent to the other leading fashion and luxury brands in London – such as Gucci, Versace, YSL, Prada, Chanel, Bulgari and Asprey.

A

Burberry Business Model:

Brand Management

31
Q

Need to extend the range of products included in Burberry = the in- house design team was strengthened, particularly with the appointment of Christopher Bailey as design director.

A

Burberry Business Model:

Product Design and Sourcing

32
Q

For product sourcing, Burberry reduced its reliance upon licensees for product design and manufacture

A

Burberry Business Model:

Product Design and Sourcing

33
Q

The Burberry business model comprises four inter-related dimensions:

(1) Products.
(2) Manufacturing and sourcing.
(3) Distribution channels.
(4) Marketing communications.

A

Burberry Business Model:

Brand Distribution Model

34
Q

Clear positioning as an authentic British lifestyle brand, range extends from men’s, women’s and children’s apparel to include “soft” accessories alongside “hard” accessories

A

Burberry Business Model:

Brand Distribution Model –Products

35
Q

At an individual level, Burberry classifies their products as either continuity or seasonal.

A

Burberry Business Model:

Brand Distribution Model –Products

36
Q
Multi-level brand strategy that is comprised of six key brand levels:
Burberry Prorsum
Burberry London
Thomas Burberry
Burberry Blue
Burberry Black
Burberry Accessories
A

Burberry Business Model:

Brand Distribution Model –Products

37
Q

Integral to the re-positioning of Burberry in the late 1990s was the company’s determination to ensure that it maintained full control over the development, sourcing and manufacturing of the various collections.

A

Burberry Business Model:

Brand Distribution Model –Manufacturing and Sourcing

38
Q

Fabric procurement and pre- production = utilises its own fabric weaving operation to supply linings and fabrics.

A

Burberry Business Model:

Brand Distribution Model –Manufacturing and Sourcing

39
Q

Fabrics are sourced primarily from a limited number of European suppliers.

A

Burberry Business Model:

Brand Distribution Model –Manufacturing and Sourcing

40
Q

Initial fabric orders are based on sales forecasts to ensure product availability, and further purchases are based upon the extrapolation of early orders received

A

Burberry Business Model:

Brand Distribution Model –Manufacturing and Sourcing

41
Q

The distribution = operation of company- owned stores, by company-controlled wholesale arrangements with third-party stockists, as well as through licence agreements with partner firms in Japan.

A

Burberry Business Model:

Brand Distribution Model –Manufacturing and Sourcing

42
Q

Active marketing communications = development of an image and lifestyle that is capable of “generating interest among retail customers, wholesale buyers and the media”

A

Burberry Business Model:

Brand Distribution Model –Marketing Communications

43
Q

3 core strands to the Burberry communications model:

(1) Advertising.
(2) Fashion shows.
(3) Editorial placement.

A

Burberry Business Model:

Brand Distribution Model –Marketing Communications