Reading: Week 4 Flashcards

1
Q

Top Hat response

A

4 Oscar Noms that year

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

Astaire’s preferred filming style

A

He believed every dance number should be filmed, as nearly as possible, in one unbroken take, always showing the full figures of the dancers from head to toes.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

Rogers characters

A

Rogers survived her ludicrous plots by never quite seeming to believe them. She was sad, but not too sad; angry, but as an act, not an emotion.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

chemistry b/w Rogers & Astaire

A

chemistry between Fred and Ginger was not simply erotic, but intellectual and physical:

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

songs written by Leonard Bernstein and Stephen Sondheim for the original Broadway production of West Side Story were

A

retained for the film version (w/ some alterations for censors)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

WSS original choreography of

A

Jerome Robbins

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

WSS response

A

West Side Story won an almost-record ten Oscars

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

It came about because Jerome Robbins, reading the screenplay, asked, “What are they dancing about?”
The writer Laurents agreed: “You couldn’t have a story about murder, violence, prejudice, attempted rape, and do it in a traditional musical style.” So he outlined the prologue, without dialogue, allowing Robbins to establish the street gangs, show their pecking order, celebrate their swagger in the street, demonstrate their physical grace, and establish their hostility
all in a _________________

A

all in a ballet scored by Bernstein with music, finger-snapping and anger.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

main theme of Macbeth—

A

the destruction wrought when ambition goes unchecked by moral constraints

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

. Macbeth is a courageous Scottish general who is not naturally inclined to commit evil deeds, yet he deeply desires power and advancement. He kills Duncan against his better judgment and afterward stews in guilt and paranoia
****

A

plot of macbeth

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

In each case, ambition—helped, of course, by the malign prophecies of the witches—is what drives the couple to ever more terrible atrocities. The problem, the play suggests, is that once one decides to use violence to further one’s quest for power, it is difficult to stop.
*****

A

n//a

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

end of throne of blood

A

death by multiple arrows, archers fired real arrows at Mifune

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

weaving woman with flowing white hair portends that

A

both men will become tremendously successful

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

___________ draws influences from Japanese art, medieval army culture, and Elizabethan theater

A

Throne of Blood

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

The humorous or sympathetic Mifune seen in other Kurosawa films is nowhere to be found here; instead we get a grimacing mad dog, intent on climbing up the feudal ladder with an ever-increasing amount of blood on his hands
*******

A

n/a

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

Where did Godard’s concept for Breathless come from?

A

He took his plotline from a news item supplied by Truffaut, in which a cop-killer was harboured by his girlfriend, and casually betrayed for the reward money.

17
Q

Why is anti-hero of Breathless wanted?

A

En route to Paris in a stolen car, he kills a cop who tries to stop him.

18
Q

Breathless protagonist, who is he?

A

Michel, a car thief who idolizes Bogart and pretends to be tougher than he is

19
Q

Who is love interest in Breathless?

A

and Patricia (Jean Seberg), an American who peddles the Paris edition of the New York Herald-Tribune while waiting to enroll at the Sorbonne

20
Q

Patricia in breathless detached and unemotive, acting

A

is superb in expressing this

21
Q

Breathless reception

A

a sensational reception; it is safe to say the cinema was permanently changed

22
Q

LY@M by

A

Alain Resnais’

23
Q

Last Year at Marienbad is a surrealist parody of Hollywood melodrama, a high-fashion romance with a dark, alien underbelly.
********

A

n/A

24
Q

A formally astonishing and narratively audacious film, one that plays with time and memory, suggesting how little can be known with certainty
****

A

n/a

25
Q

as the film jumps from time to time, _________________

A

events keep repeating and altering slightly, making the entire world unstable and recollection undependable.

26
Q

Opening of LY@M

A

, the man describes the immensity and silence of the lavishly decorated baroque hotel as the camera roams its empty hallways. Soon after, the hotel guests appear, assembled for a theater production inside the hotel.

27
Q

as the actors’s performances become increasingly overdramatized and unnatural, they are

A

mocking the meaningless aristocratic resort activity they’re depicting

28
Q

The film has baffled many viewers, even viewers who enjoy seeing it. As with many works of modernism, there is no unanimously accepted explanation of its meaning. 



A

LY@M

29
Q

The end of LY@M

A

PROTAGONIST SUCCEEDS, the end of the movie the two seem to be ready to leave the splendid world of the hotel for an unknown destination.





30
Q

The man with the slight foreign accent, who tries to lure the woman away from her husband and the histrionic life of the baroque resort hotel, is an outsider–a rebel against the formal conventions, ritual conversations, and lifeless parlor games that kill the time of the black tie crowd.

A

LY@M protagonist

31
Q

. Although he succeeds in convincing the woman to leave with him, there are suggestions that the the pair never really leaves the endless labyrinth of mathematically constructed hallways, flights of rooms, garden paths, and decorative facades.
*********

A

n/a

32
Q

Where might “plot” in LY@M take place?

A

Inside protagonist’s mind