Reading Notes Flashcards

1
Q

What is the scientific method?

A

is an organized, objective, controlled, qualitative or quantitative empirical analysis of one or more variables. The terms that define the scientific // to determine which data collection method can most appropriately provide answers to specific questions

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2
Q

What are phases?

A

Measures

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3
Q

What is Phase 1?

A

what is it used for? What’s the medium? What is the purpose

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4
Q

What is Phase 2?

A

How do you use it? Who uses it? Entertainment, informative, media?

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5
Q

What is Phase 3?

A

Impacts of the medium? How much time is spent on the medium, positive, or negative impacts?

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6
Q

What is Phase 4?

A

How can the medium be improved? How can we expand the audience, push content, and do more for info or entertainment?

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7
Q

What are variables: independent and dependent?

A

Independent variables are varied by the researcher, whereas dependant variables are the ones that the researcher wants to find out about.

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8
Q

Describe theory.

A

Theory is a set of related propositions that presents a systematic view of phenomena by specifying relationships among concepts.

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9
Q

Constitutive definition

A

a type of definition in which other words or concepts are substituted for the word being defined.
- Example: Instagram provides users with entertainment and community

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10
Q

Constructive Replication:

A

an analysis of a hypothesis taken from a previous study that deliberately avoids duplicating the methods used in the previous study.
- Example: A study to find why people find Instagram entertaining where the study measured the watch time and reels while you as the researcher, instead looks at the amount of Instagram downloads.

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11
Q

Operational definition:

A

a definition that specifies patterns of behavior and procedures to experience or measure a concept. Can become a variable that you can quantify.
- Example: Measuring the uses of Instagram including the number of likes, views, comments, reels, posts, stories, and direct messages.

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12
Q

Operational replication:

A

a study that duplicates only the sampling methodology and the experimental procedures of a previous study.
- Example: A researcher looks at the effects of Instagram among adolescents in Davis, CA by downloading their Instagram data and asking them to take a health assessment. You as the researcher look at the effects of TikTok among Adolescents in Sacramento, CA by downloading their TikTok data and asking them to take a health assessment.

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13
Q

Types of validity?

A

face validity, predictive validity, concurrent validity, and construct validity.

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14
Q

Face validity:

A

take it at face value——is a survey intended to understand Instagram use asking questions about Instagram?

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15
Q

predictive validity:

A

we’re predicting if something will theoretically measure something——will reading the textbook predict how well you will score on the quiz?

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16
Q

Concurrent validity

A

agreement between two different measures——a new survey measuring Linkedln satisfaction could be compared to an existing (validated) survey to assess concurrent validity

17
Q

Construct validity

A

ensuring the measurement matches the concept it’s intended to measure——does asking a binary question about gender (“Are you male or female?”) capture gender identity?

18
Q

What is reliability?

A

a necessary condition for establishing validity, but it is not a sufficient condition.

19
Q

What are the seven different of developments of the film age?

A
  1. Early Studies of Motion (1800s)
  2. The Invention of Film (1890s)
  3. Silent Film Era (1890s–1920s)
  4. Sound and the Golden Age of Hollywood (1927–1950s)
  5. Post-War, New Waves, and Independent Cinema (1950s–1970s)
  6. Blockbusters, Special Effects, and the Digital Revolution (1980s–1990s)
  7. Digital Cinema and Streaming (2000s–Present)
20
Q
  1. Early Studies of Motion (1800s
A

Persistence of Vision: Early discoveries in how the human eye perceives motion laid the groundwork for cinema. Devices like the phenakistoscope and zoetrope were invented, demonstrating moving images through spinning sequences of drawings.
Eadweard Muybridge’s Motion Studies (1878): Muybridge used multiple cameras to capture sequential images of a galloping horse, proving that all four hooves leave the ground during a gallop. This early photographic technique was foundational in the study of motion.

21
Q
  1. The Invention of Film (1890s)
A

Thomas Edison and William Dickson: Developed the Kinetoscope in the 1890s, a device that allowed individuals to view moving pictures through a peephole.
Lumière Brothers (1895): In France, they created the Cinématographe, which was both a camera and projector, allowing for the first public screening of films.

22
Q
  1. Silent Film Era (1890s–1920s)
A

Narrative Development: Directors like Georges Méliès introduced storytelling techniques, with special effects and editing in films like A Trip to the Moon (1902).
Hollywood’s Birth: The U.S. film industry grew rapidly, with major studios forming in Hollywood.
Film Length and Features: Films transitioned from short, one-reel (10-15 minutes) productions to longer, multi-reel features. The Birth of a Nation (1915) by D.W. Griffith was one of the first feature-length films in the U.S.

23
Q
  1. Sound and the Golden Age of Hollywood (1927–1950s)
A

Introduction of Sound: The first “talkie,” The Jazz Singer (1927), marked the beginning of synchronized sound in cinema. This innovation transformed film storytelling, as dialogue became central.
Color Technology: Technicolor developed in the 1930s, offering vibrant color films like The Wizard of Oz (1939) and Gone with the Wind (1939). Color became increasingly common by the late 1940s and early 1950s.
Studio System: The “Golden Age” of Hollywood was dominated by major studios (e.g., MGM, Paramount, Warner Bros.), with actors, directors, and producers contracted under exclusive deals. Genres like musicals, Westerns, and film noir flourished.

24
Q
  1. Post-War, New Waves, and Independent Cinema (1950s–1970s)
A

International Movements: Italian Neorealism and the French New Wave (e.g., directors like Federico Fellini, Jean-Luc Godard) broke away from Hollywood conventions, focusing on realism, existentialism, and new narrative techniques.
New Hollywood: In the U.S., directors like Martin Scorsese, Francis Ford Coppola, and Steven Spielberg emerged in the late 1960s and 1970s. Films like Easy Rider (1969), The Godfather (1972), and Jaws (1975) pushed boundaries in storytelling, violence, and special effects.
Independent Films: The rise of independent cinema allowed more experimental and lower-budget films to gain attention, bypassing the traditional studio system.

25
Q
  1. Blockbusters, Special Effects, and the Digital Revolution (1980s–1990s)
A

Blockbuster Era: Films like Star Wars (1977) and E.T. (1982) established the blockbuster model, with wide releases and heavy marketing. Directors like George Lucas and Steven Spielberg were central to this movement.
Advances in Special Effects: The 1980s saw significant leaps in special effects, with innovations in animatronics, miniatures, and the first use of computer-generated imagery (CGI) in films like Tron (1982) and Terminator 2 (1991).
Rise of Digital Technology: The 1990s saw the shift to digital editing and the early stages of fully digital films. Jurassic Park (1993) revolutionized visual effects with realistic CGI dinosaurs.

26
Q
  1. Digital Cinema and Streaming (2000s–Present)
A

Digital Filmmaking: By the 2000s, digital cameras and editing replaced traditional film stock in much of the industry. Directors like George Lucas pioneered fully digital production with Star Wars: Episode II – Attack of the Clones (2002).
Digital Projection: Theaters began transitioning to digital projectors, eliminating the need for film reels.
3D and IMAX: Films like Avatar (2009) popularized 3D technology, while IMAX became more widely adopted for spectacle-driven movies.
Streaming and Distribution: The rise of platforms like Netflix, Amazon Prime, and Disney+ transformed film distribution, allowing for immediate global distribution and access to a vast library of films on-demand.

27
Q

Explain the history of self-regulation within the motion picture industry.
Hays (motion pictures) oversaw actors behaviors on and off screen

A

The MPPDA production code began with three general principles:
– No picture shall be produced which will lower the moral standards
of those who see it.
– Hence the sympathy of the audience shall never be thrown to the
side of crime, wrongdoing, evil or sin.
– Correct standards of life, subject only to the requirements of drama
and entertainment, shall be presented.
– Law, natural or human, shall not be ridiculed, nor shall sympathy be
created for its violation.