Reading, language art, and lit Flashcards

1
Q

Rephrasing what the child has said in a different way

A

Recasting

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2
Q

Restating in a linguistically correct form

A

Expanding

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3
Q

Identifying what the child has said

A

Labeling

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4
Q

Repeating the one or two word sentences the child has said

A

Echoing

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5
Q

A _____ error refers to improper word usage.

A

Diction Error

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6
Q

is the smallest part of the SPOKEN language that makes a difference in the meaning of words. Check ( /ch/ /e/ /k/)

A

Phoneme

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7
Q

Include blending phonemes to make words, segmenting words into phonemes, deleting phonemes from words, adding phonemes to words, or substituting one phoneme from another to make a new word

A

Phoneme Manipulation

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8
Q

Is the smallest part of WRITTEN language that represents a phoneme in the spelling of a word. Can be one letter (b) or as several letters (ch)

A

Grapheme

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9
Q

Is the understanding that there is a predictable relationship between phonemes and graphemes. Good instruction is systematic and explicit.

A

Phonics

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10
Q

is a plan of instruction which includes a carefully selected set of letter-sound relationships that are organized into a logical sequence.

A

Systematic

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11
Q

This program provides teachers with precise directions for teaching phoneme and grapheme relationships

A

Explicit

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12
Q

Is the ability to hear, identify, and manipulate the individual sounds in spoken words. It is the understanding that sounds work together to make words.

A

Phonemic Awareness

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13
Q

is a broad term that includes phonemic awareness, In addition to phonemes these activities can involve work with rhymes, words, syllables and onsets and rimes

A

Phonological Awareness

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14
Q

Is a word part that contains a vowel

A

Syllable

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15
Q

Is the analysis of spoken or written symbols in order to understand their meaning. This primarily refers to word identification.

A

Decoding

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16
Q

This is when children break words into their individual phonemes. They also do this when they break words into syllables and syllables into onsets and rimes.

A

Segmenting

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17
Q

Are parts of spoken language that are smaller than syllables but larger than phonemes.

A

Onset and Rime

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18
Q

___Is the initial consonant(s) sound of a syllable. Bag –> (B)ag

A

Onset

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19
Q

____is the part of a syllable that contains the vowel and all that follows it. Bag –> B(ag)

A

Rime

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20
Q

Occurs when children combine individual phonemes to form words. Also when they combine onsets and rimes to make words

A

Blending

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21
Q

is a unit of meaning that cannot be divided into smaller elements such as they word “book”

A

Morpheme

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22
Q

Is the analysis and study of meanings of words, phrases, and sentences.

A

Semantics

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23
Q

Is the examination of various ways that words combine to create meaning, the study of how sentences are formed, and the pattern or structure of word order in sentences

A

Syntax

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24
Q

A process whereby young children are able to use context to arrive at a quick guess of a word’s meaning. Nouns (objets) are easier than verbs (actions)

A

Fast Mapping

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25
Q

infants and children repeat wounds that are reinforced. children can distinguish abstract rules for sentence structure

A

Habituation

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26
Q

A single word that expresses a compete thought. These include symbolic gestures, where the child shows an understanding that symbols represent a specific object, desire, or event, or representational gestures which involve gesturing to show what the infant desires

A

Holophrase

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27
Q

This is when children add regular forms on irregular nouns example foots instead of feet

A

Overregularizations

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28
Q

Talking out loud to oneself with no intention to communicate with others. This helps children to integrate language and thought

A

Private Speech

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29
Q

Simplified speech or an early form of speech ( I cold)

A

Telegraphic speech

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30
Q

Identify and form letters

A

Alphabet Knowledge

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31
Q

Is the ability to read a text accurately and quickly. It is important because it provides a bridge between word recognition and comprehension.

A

Fluency

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32
Q

Refers to words that we use in speaking or recognize in listening

A

Oral Vocabulary

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33
Q

Refers to words we recognize or use in print

A

Reading Vocabulary

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34
Q

What are the five reading aloud exercises?

A
  1. Student-Adult reading
  2. Choral reading
  3. Tape-assisted reading
  4. Partner reading
  5. Readers’ theater
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35
Q

Describes things (Nouns and Pronouns)

A

Adjectives

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36
Q

Describe actions (verbs)

A

Adverbs

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37
Q

Takes place of a noun

A

Pronoun

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38
Q

If him or them fits then ____ is correct

A

Whom

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39
Q

If he or they fits then ____ is correct

A

Who

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40
Q

Phrases in a sentence are ___ when they have the same grammatical structure. He liked swimming, weight lifting, and running

A

Parallel

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41
Q

Certain expressions sound right because they are so commonly used and widely accepted.

42
Q

Is an introductory phrase that does not refer clearly or logically to a subsequent modifier in a sentence. Strolling along the the beach, a wave suddenly drenched us

A

Dangling Modifier

43
Q

Is one that is placed too close to a word that it could but should not modify.

A

Misplaced Modifier

44
Q

I felt happy about my new job, but the pay was not quite enough

A

Using a comma before a coordinating conjunction in a compound sentence

45
Q

Safe in the house, we watched the rain fall outside.

A

Using a comma to set off interrupting or introductory words or phrases

46
Q

Diet, exercise, and rest all contribute to good health

A

Using a comma to separate a series of words or word groups.

47
Q

Harold, who dislikes school, is failing English.

A

Using a comma to set off nonessential clauses and phrases

48
Q

Mr. Johnson, a teacher, ran for chairman of the school board.

A

Using a comma to set off appositives (additional information about a preceding noun)

49
Q

Is like a balance, it always separates elements of equal power of meaning: two or more words, phrases, or sentences

50
Q

Ask Joe for the book; he still has it

A

Using a semicolon to separate main clauses when the separation is not done by a coordination conjunction

51
Q

What are the five steps of the writing process?

A
  1. Prewriting
  2. Drafting
  3. Revising
  4. Editing
  5. Proofreading
52
Q

Is the initial brainstorming step in which the writer gathers ideas and examples

A

Prewriting

53
Q

At this stage, you develop the initial draft of actual sentences and paragraphs, You should not worry about correctness or editing.

54
Q

At this stage writers begin fine-tuning the wording or the draft and or.rearranging the ideas or paragraphs. This is the time to thinking about changes that will make the writing more logical and forceful.

55
Q

At this step writers clean up diction and syntax. You may decide to combine some sentences for effect or reword others for clarity.

56
Q

This step of writing process allows writers to check the text for mechanical and diction errors (spelling, punctuation, grammar)

A

Proofreading

57
Q

What are the five genres in writing

A
  1. Narrative
  2. Interpretive
  3. Descriptive
  4. Persuasive
  5. Expository
58
Q

Is a work that tells a story, usually in roughly chronological order. Can be fiction or nonfiction. examples include: poems, plays, fables, myths, and biographies

59
Q

A written work that explains, explores, or considers the significance of an event. Examples: research papers, critiques, summaries, and analyses

A

Interpretive

60
Q

Typically describes a person, place, or thing in such a way that the reader has a vivid impression of the written work

A

Descriptive

61
Q

Is designed to take a stand on an issue and convince the reader or the plausibility or correctness of that stand. Examples arguments, biases, opinions, studies, counterclaims, and reasoning

A

Persuasive

62
Q

Is a mode of writing in which the purpose is to inform, explain, clarify, describe, or define a subject to the reader. Examples: magazine and newspaper articles…

A

Expository

63
Q

Uses the same basic literary conventions as do short stories but they expand them by presenting more complicate plots, adding subplots, creating more nuanced characters, and deepening the development of ideas

64
Q

Is a condensed story, usually ranging in length from 2,000 to 10,000 words, most often with a purpose that is a singular or limited. They are made up of elements such as plot, character, setting , point of view, and theme

A

Short Stories

65
Q

The introduction of setting and main characters, and conflict

A

Exposition

66
Q

The event or events that allows the protagonist to make his or her commitment to a course of action as the conflict intensifies.

A

Rising Action

67
Q

The point of highest interest in terms of the conflict, the point with the most action, or the turning point for the protagonist

68
Q

The events that follow from the protagonist’s action in the climax

A

Falling Action

69
Q

The point when the conflict is resolved, remaining loose ends are ties up, and morals intimated or stated directly

A

Resolution

70
Q

They are adapted from culture to culture and enrich out world with customs and beliefs. Can be classified into legends, fairy tales, and animal tales.

A

Folk Tales

71
Q

Are narratives that often include creation stories and explain tribal beginnings. These tales my incorporate supernatural beings or quasi-historical figures.

72
Q

Are presented as entirely fictional pieces, and they often begin with Once upon a time.

A

Fairy Tales

73
Q

Abound in every culture; in most cases, the animal characters are clearly anthropomorphic and display human personalities

A

Animal Folk Tales

74
Q

Are the most difficult of the genres to precisely define. Always evoke events of a time long past, and they generally concern the adventures and misadventures of gods, giants, heroes, nymphs, satyrs, and larger than life victims.

75
Q

Encompasses works written in verse, perhaps with a meter and rhyme scheme, and uses written language in a pattern that is sung, chanted, or spoken to emphasize the relationships between words and ideas on the basis of sound as well as meaning.

76
Q

The repetition of usually initial consonant sounds in two or more words or syllables

A

Alliteration

77
Q

A comparison of similar traits between dissimilar things in order to highlight a point of similarity

78
Q

A word or phrase that departs from literal language. The most common examples are metaphor and simile

A

Figurative Language

79
Q

Deliberate exaggeration for effect

80
Q

Words/phrases that appeal to the senses

81
Q

The use of words to suggest the opposite of their intended meaning

82
Q

The actual definition of the word

A

Literal Language

83
Q

A figure of speech in which something is described as thous it were something

84
Q

The assignment of a human trait to a nonhuman

A

Personification

85
Q

A figure of speech that has a direct comparison between unlike things using like or as

86
Q

A story in which people, things, and events have another meaning

87
Q

A reference in a work of literature to something outside the work

88
Q

A speaker’s, author’s, or character’s disposition toward or opinion of a subject

89
Q

The implications of a word or phrase, as opposed to its exact meaning

A

Connotation

90
Q

A device of style or subject matter so often used that it becomes a recognized means of expression.

A

Convention

91
Q

The dictionary meaning of a word, as opposed to connotation

A

Denotation

92
Q

A figure of speech using indirection to avoid offensive bluntness

93
Q

The special language of a profession or group

94
Q

Songlike; characterized by emotion, subjectivity, and imagination

95
Q

The vantage point of a story in which the narrator can know, see, and report whatever he or she chooses

A

Omniscient point of view

96
Q

A combination of opposites; the union of contradictory terms (cold fire)

97
Q

A story designed to suggest a principle, illustrate a moral, or answer a question

98
Q

A statement that seems to self-contradictiong but, in fact, is true

99
Q

Writing that seeks to arouse a reader’s disapproval of an object of ridicule.

100
Q

A speech in which a character who is alone speaks his or her thoughts aloud