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film history origins > Reading 2: Inevitability of Narrative > Flashcards

Reading 2: Inevitability of Narrative Flashcards

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1
Q

Name of first family thriller

A

Suspense

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2
Q

Plot of Suspense

A

tramp threatens mother/child, father saves the day

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3
Q

What team made Suspense

A

Husband/Wife team

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4
Q

Suspense special fx

A

3-way split screen, triptych

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5
Q

Birth of a Nation Director

A

DW Griffith

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6
Q

Father of film grammar

A

DW Griffith

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7
Q

Root of Griffith’s innovations

A

did not actually begin with him

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8
Q

Result of Birth of a Nation

A

spike in race riots, uprising of klansmen #s

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9
Q

Whats tough about birth of a nation?

A

hard to separate formal from social

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10
Q

Battleship Potemkin dir.

A

Eisenstein

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11
Q

Battleship Potemkin genre

A

Fictional narrative meant to glorify real-life anti-Tsarist uprising

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12
Q

Most famous sequence in Battleship Potemkin

A

Odessa Steps, montage

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13
Q

Evil people in Odessa steps

A

cossacks

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14
Q

Style of Odessa Steps

A

Montage

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15
Q

Conflict in Montage of odessa steps

A

juxtaposition of images of innocent w/ violent

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16
Q

Eistensteins’ overlooked masterpiece

A

October

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17
Q

October $

A

Commissioned by Soviet Central Committee to commemorate 10 year anniversary of Oct. Rev.

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18
Q

October’s revolution

A

early Lenin/Socialist revolution

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19
Q

October locations

A

REAL (i.e. Winter palace)

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20
Q

Film’s leading grammarian

A

Eisenstein

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21
Q

Director who was all about organicness

A

Eisenstein

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22
Q

Eisenstein scale of extras

A

LARGE SCALE (thousands of extras)

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23
Q

Eisenstein had strong sense of

A

chaos

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24
Q

October biggest 2 scene (+ex.)

A

BRIDGE SCENE
-Dead horse hanging off
-falling corpse
+TOPPLING OF ALEXANDER II Statue

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25
Q

Eisenstein pro-

A

Lenin/propoganda

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26
Q

Man Ray’s big film

A

Return to Reason

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27
Q

Genre of Return to Reason

A

Early Dada film

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28
Q

Man Ray’s invention

A

Rayograph: Object placed between light source and photo sensitive film>Moyion pivtures

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29
Q

Example of rayograph material

A

sprinkling salt/pepper on film

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30
Q

Added shots in return to reason

A

night shots of carnival

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31
Q

Key model in return to reason

A

nude Kiki in striped light

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32
Q

ballet mechanique dir.

A

fernand leger

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33
Q

ballet mechanique

A

masterpiece of modern art & influential expiramental film

34
Q

Ballet Mechanique concerns

A

concerns about modernization/times

35
Q

Ballet mechanique shows a mechanical universe, with _________________

A

a very human face

36
Q

techniques used in ballet mechanique

A

repetition to rep. clockwork structure of everyday life

37
Q

photographer of ballet mechanique

A

dudley murphy

38
Q

ballet mechanique music

A

eric Satie/overwhelming sounds

39
Q

shots in ballet mechanique

A

rapidly cut, like a cubist painting

40
Q

Directors of Realism (2)

A

Lumiere/Edison

41
Q

Film of Classicism

A

Birth of a Nation

42
Q

Film of Formalism

A

Battleship Potemkin

43
Q

Film of Docu

A

Nanook of the North

44
Q

Avante-Garde director

A

Meilies

45
Q

Examples of Style in film

A

Realism, Classicism, Formalism

46
Q

Examples of Type in film

A

Docu, Fiction, Avante-Garde

47
Q

Basis of narrative films

A

cause/effect

48
Q

primitive cinema and narative

A

primitive cinema has own non-narrative modes

49
Q

Narrative cinema and viewer

A

Narrative cinema in nature relegates viewer to “observer-voyeur”

50
Q

CInema of attraction is different from narrative because

A

it addresses viewers directly

51
Q

Gaze of contemporary cinema

A

voyeuristic spectorial gaze

52
Q

Early cinema more _______ in nature

A

exhibitionist in nature (spectator INVITED to look)

53
Q

Evolution of film spectatorship in Early Cinema necessary ________

A

to replicate realism

54
Q

Male gaze theory

A

camera is male

55
Q

Audience that identifies w/ actor, actually identifying with

A

camera

56
Q

Cuts between frames & the viewer

A

require viewer to interpolate b/w frames

57
Q

Another name for Montage Editing

A

Soviet Montage

58
Q

Montage editing

A

placing 2 unrelated shots together to build meaning from combo

59
Q

Big fan of soviet montage

A

Sergei Eisenstein

60
Q

how did Eisenstein use montage

A

created metaphor (i.e. carnival attractions+shocks=collisions)

61
Q

Continuity editing= ______ style

A

Hollywood

62
Q

Invisible editing

A

to hide visual impact of moving from one shot to next

63
Q

Dada

A

Significant movements of historical avante-garde born in heart of Europe

64
Q

When was Dada?

A

World War I

65
Q

What did Dada do?

A

Challenge tradition and art-making was challenged forever

66
Q

Inspiration of Dada artists

A

Dismayed by stupidity and horror of WWI

67
Q

Who did Dada discredit?

A

European society

68
Q

What Dada artists thought about social construct in Europe

A

gender roles, culture, etc. all failed to prevent war b/c of “rational mindset”. LED TO WAR

69
Q

Dada saw art as

A

WEAPON

70
Q

No guarantee in technology of film that

A

narrative is a given

71
Q

Why narrative is most popular

A

tradition/$

72
Q

Parallel tracks

A

simultaneous action in story occurs

73
Q

Cinema of Attraction based on

A

shock & sensation

74
Q

Mise-en-scene eliminates

A

frame, we get SUTURED into film

75
Q

Eisenstein technical juxtaposition in

A

camera angles

76
Q

Example of Eisenstein angles

A

Lenin’s Godlike low angles

77
Q

What quality does battleship Potemkin have?

A

docu feel

78
Q

Propaganda film by soviet union

A

battleship potemkin/october

79
Q

Dada artists worked w/ _____

A

Avante-garde musicians for scores

80
Q

Ballet Mechanique made by

A

Leger & Murphy

81
Q

Ballet Mechanique fascination

A

What’s happening in society (speed and mechanization)

film history origins (6 decks)

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