Reader response theories Flashcards
Jauss, Eco, Iser, Fish
The reader becomes the focus of
the interpretive
attention.
The conceptual premise of reader response
theory derives from
hermeneutical reasoning
as conceptualised by Gadamer.
The text addresses the reader.
Reading is a dialogic process wherein the reader
engages with the text by way of interpretation.
The hermeneutic conception of interpretation
posits that
understanding brings forth a certain
truth.
Gadamer highlights how interpretation
transforms the
reader’s subjectivity, giving
reader response theorists an idea to elaborate
on.
Reader Response theorists see the reader as
a
sense-maker, rather than a sensuous figure.
Aesthetics of reception
focuses on the ways in which
literary texts interact with
their recipients and deploy their
potential meanings and the
roles they assign to their
readers.
Jauss addresses the ways in which readers
understand texts similarly or differently across
time and culture.
Jauss attempts to bridge the gap between
the
aesthetic and historical approaches to
literature.
Reader’s relationship with texts has
aesthetic as
well as historical implications.
Aesthetic reception is prone
to historical change.
Understanding is dependent
on prejudgment. (cf.
Gadamer, Heidegger)
Readers need to have foreknowledge,
prejudgment of literature in order to
be able to
appreciate new texts.
The horizon of expectations
a mindset that a reader
brings to the text.
The horizon of expectations contains
the elements of
the reader’s pre-understanding.
Readers’ disposition towards literary texts is
determined by:
- Familiar norms or the immanent poetics of the
genre; - The implicit relationships to familiar works of the
literary-historical surroundings; - The opposition between fiction and reality,
between the poetic and the practical function of
language.
Jauss is interested in
the hermeneutic difference
between the present and the past reception of
literature.
Jauss reiterates Gadamer’s observation about
reading as a process of question and answer. Reading is a dialogic process. Aesthetic judgment derives from an
intersubjective experience.