Rambert Dance Company <3 Flashcards

1
Q

When was Piorette Lunaire created and by who

A

1967 by Glen Tetley

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

What are some influences of Piorette Lunaire and key themes

A

–> Commedia Dell’Arte
–> Themes of myths, art and literature

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

What is the work Piorette Lunaire about

A

–> A journey of victimisation, manipulation and exploitation

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

What are 2 key themes shown by Bruce (playing the white clown - Piorette) during the time he is on the scaffolding - giving movement examples

A

–> Childish behaviour - when he hangs on to the back of the scaffolding with his arms above and swings his legs in a circular motion between the gaps in the scaffolding between bars
–> Innocence - when he looks up to the ceiling during high releases, almost as if he is facinated by the cascade of blue above (the sky), encapsulating his awe

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

How does Bruces focus change when he reaches the floor during Piorette Lunaire. What could this symbolise

A

His eyes are projected downwards, eyes curious and tentative as his explores unfamiliar territory, showing this feeling of uncertainty, in a way foreshadowing the exploition of his character later on

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

What was the impact of Tetley’s PIorette Lunaire on Rambert Dance Company

A

–> Helped Rambert reform into a modern dance company
–> Establishes Bruce as an exceptional performer
–> Created dancers able to dance to many dance styles and become a diverse dance company in terms of dance styles

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

How was Piorette Lunaire reflective of society at the time

A

Society at the time was very experimental and Tetleys abstract approach was very experimental in terms of merging dance styles and taking a risk, which allowed modernisation of dance to occur

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

What was Glen Tetley’s choreographic style

A

–> Graham technique
–> Theatrical
–> Blending of ballet and Graham technique
–> Sleek, fast paced, climatic structure

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

What actually is Commedia Dell’Arte

A

Commedia Dell’Arte was an early form of professional theatre, where each character represents a certain emotion. This form of theatre typically focuses on conveying topical themes in a comedic level

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

Commedia Dell’Arte focuses on conveying topical themes on a comedic level. What is a topical theme and give an example

A

A topical theme is a theme revolve around a topic, for example Swansong is revolved around the topic of unfair imprisonment

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

What we the dates of period 1 and key points

A

1966 - 1974
—> Transition to contemporary dance
—> Collaborative approach with designers, practitioners etc
—> Focused on building a new repertoire
—> Glen Tetley - 1967

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

What were the dates for period 2 and the key points

A

1974 - 1986
—> Under associate artistic director of John Chesworth & Robert North
—> 1974 - Morrice steps down as artistic John Chesworth becomes Artistic director, continueing with with Morrice’s policies and adds outreach work to schools
—> 1981 - Robert North becomes artistic director. ‘Lonely town, lonely street’, ‘Soda Lake’ and ‘Ghost dancers are created at this time’

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

When and who was ‘Lonely Town Lonely Street’ created for (Rambert and…)

A

—> 1980 - Janet Smith Dance Company
—> 1981 - Rambert

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

What are some origins of ‘Lonely Town Lonely Street’

A

—> Described as a slick & fast ballet
—> Dedicated to Matt Mattox
—> Collaboration with Andrew Storer - set design
—> Jazz valet focussing on loneliness in a big city - New York
—> Bill Withers popular music
—> Lighting - John B Read
—> 7 sections
—> 7 dancers

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

What are some influences of ‘Lonely Town Lonely Street’

A

—> Isolation, rejection, betrayal, drug abuse, loneliness
—> Music - Bill Withers
—> Jazz, Cunningham, Graham, gestures
—> Matt Mattox
—> Art & design - architecture background
—> Costuming - 80s fashion
—> NYC - grid like formations

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

What is the style of ‘Lonely Town Lonely Street’

A

—> Crafted steps
—> Entrances & exits
—> Emotive, theatrical, drama
—> Episodic structure
—> Jazz & ballet
—> Graham & Cunningham
—> Pedestrian
—> Gestural
—> Characterisation
—> Collaboration with dance and design

17
Q

What is the impact of ‘lonely Town Lonely Street on Rambert Dance Company

A

—> New style was encorporated into the company (jazz ballet)
—> Promotes North as a populist - popular with audiences (uses popular music)
—> Engaging to audiences - widens audiences
—> Relatable themes, more accessible
—> Promotes collaboration
—> Links back to the ballet club days
—> Enhances Norths variety during period 2
—> It has physicality, musicality and dramatic quality

18
Q

Who made ‘Death And The Maiden’ and what days was it performed and for what companies

A

Robert North
—> 1980 - London Contemporary dance theatre
—> 1984 - Rambert dance company

19
Q

What were some origins of ‘Death And The Maiden’

A

—> The different emotions experienced by a young girl facing death (fear, resistance, acceptance, death)
—> The idea that death is around s - frightening, support, release etc
—> Death of a young girl
—> 11 dancers - death, maiden and friends (5F, 4M)
—> Schubert’s music
—> His architecture background - entrances, exits and crafted steps

20
Q

What were some influences of ‘Death And The Maiden’

A

—> Car crash North had where he felt everything happened in slow motion (ending)
—> Medieval woodcutting
—> Paintings which inspired Schubert’s music
—> Poem - ‘death and the girl’ by Matthias Claudius
—> Schubert;s music - ‘death and the maiden’ - string quartet in D minor (darker feel)
—> Martha Graham
—> Death being unexpected, sudden and the stages of death

21
Q

What is the style of ‘Death And The Maiden’

A

—> Aural setting - Schubert’s ‘Death and the maiden’ - written in 1824
—> Physical setting - Lighting by Sid Ellen, set white cyclorama, costume is various shades of grey and black
—> Graham technique - weightlessness conveys death, emotive, contractions etc
—> Cunningham technique
—> Folk dance
—> Gestures - bows, slashing, rocking etc
—> Narrative driven

21
Q

What is the impact of Norths ‘Death And The Maiden’

A

—> Widens audiences - relatable, accessible
—> Added a thematic approach to Ramberts Repertoire
—> Showcases North as a dancer
—> Demonstrates the connection between music and dance
—> Draws upon Ramberts traditional, classical roots with use of classical ballet and music

22
Q

What are some key points and dates of period 3

A

1986 - 1992
—> Under artistic direction of Richard Alston (1986)
—> Company’s work became Cunningham Techniqe - ‘dance for dance’s sake’’
—> Abstract Alston
—> Classes were Cunningham based
—> 1987 triple bill performance

23
Q
A