American Jazz <3 Flashcards

1
Q

When was chicago created

A

The stage musical was performed in 1975

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2
Q

What are some key influences/origins of Chicago - can you name specific reports that inspired the characters storylines

A

–> Maurine Watkins - Crime reports (Roxie based on Baulah Annane)
–> The prohibition era (1920s) - ban of alcohol, height of speakeasies
–> His heart attack - made it darker and grittier
–> Vaudeville - dark humour and teasing sexual tones
–> desire for sexual freedom in America in 1960’s

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3
Q

What are each of the sections specialised/choreographed as

A

All vaudevillian acts

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4
Q

What’s Bob Fosse’s style?

A

–> finger snaps, pelvic thrusts
–> Vulgar movements
–> Splayed hands, inverted knees
–> Revealing costumes - sexualises women
–> Element of surprise
–> Angular positions

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5
Q

What was the impact that Chicago had

A

–> Nominated for 10 Tony Awards in 1976
–> Celebrities have taken main roles which increased publicity for the show
–> Audience come away loving criminals, basically suggesting that society accepts criminals - making crime attractive

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6
Q

What are some of the main themes within the section they both reached for the gun within the work of Chicago

A

–> Facade through Ventriloquism
–> Vaudevillian feels
–> Crime
–> using femininity as a weapon for sympathy

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7
Q

What was Chicago dedicated to

A

Fosse dedicated Chicago to his wife

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8
Q

What’s a key motif from the section they both reached for the gun

A

Roxie sits on Billy Flynn’s lap centre stage facing the audience being used as a puppet while he uses his hidden talent of ventriloquism to make it appear as if Roxie is narrating her traumatic event causing her to commit a crime. While mouthing the words ‘They both reached for the gun’ she reaches forwards towards the audience with her left arm (up and forwards) in a smooth but energised manner. She does this while mouthing the words in an over expressive nature adding this element of Vaudeville comedy

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9
Q

What’s the costume like in the section they both reached for the gun in Chicago

A

Billy Flynn - black suit, blazer, red tie, trousers, white shirt
Roxie - black dress
professional clothing

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10
Q

When was The Pajama Game created

A

1954 - Broadway
1957 - film (one we use, so more important to remember this date)

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11
Q

What’s The Pajama Game about

A

The Pajama Game is about a union strike at a pajama factory due to unfair wages.

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12
Q

What are some origins of The Pajama Game

A

–> Fosse’s first fully choreographed show in 1954 - influenced the movie version (one we study)
–> Directed by George Abbott and Jerome Robbins
–> Based on the 1953 novel 7 1/2 cents by by Richard Bissell and George Abbott
–> Based on Labor Unions

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13
Q

What are some of the main influences of The Pajama Game

A

–> Vaudeville
–> Working class people
–> American Politics
–> Charlie Chaplin (costuming
–> Personal life & training
–> Collaboration with Abbott & Robbins
–> Jack Cole

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14
Q

What else did George Abbot Direct

A

–> On the Town 1944
–> Damn Yankees 1955

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15
Q

What’s the costuming like within the number Steam Heat

A

–> Charlie Chaplin inspired
–> Black suits (trousers and blazer)
–> Black jazz shoes
–> White collared shirt
–> Red bow tie
–> Black bowler hat
–> Costumes reflects rich people even though the factory is supporting and championing the lower class

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16
Q

What the impact of Fosse’s work on The Pajama Games

A

–> Enabled Fosse to collaborate with Abbott a year later on Damn Yankees
–> The start of Fosse’s success - his style was recognised
–> Reflected and supported american politics & economy at the time

17
Q

What are some key themes within the section Steam Heat

A

–> Gender Equality (costuming)
–> Excessive fuel consumption
–> Public awareness
–> Performing

18
Q

What’s a key motif within the section Steam Heat

A

In unison, the 3 dancers stand centre stage in a horizontal line facing stage right while holding their hats with their upstage hand into their chest. They extend their arms out in front of them in a smooth manner while the downstage arm remains down by their side while creating a hissing noise with their mouth, reflecting the smoothness and noise created as smoke flows out of a steam train during fuel combustion.

19
Q

What was Bob Fosse’s style

A

–> Inverted / turnt in knees and toes
–> Curved shoulders
–> Egg cup hands
–> Hip rolls and thrusts
–> Jazz hands, splayed fingers
–> Clear and sharp movements
–> Sultry dynamic throughout
–> Use of props
–> Theatrical

20
Q

What was Bob Fosse’s background

A

–> Did a Vaudeville circuit as a child
–> His arthritis influenced his unique dance style

21
Q

What were some of Jerome Robbin’s influences

A

–> Gluck Sandor - first mentor
–> George Balanchine - choreographed ballet Russes and has a neoclassical style in his ballet works

22
Q

Who composed the music was Jerome Robbins works

A

Leonard Bernstein - composed music for Fancy Free Ballet and West Side Story

23
Q

What was Jerome Robbins dance style

A

–> Use of ballet, modern, jazz, interpretive and other dance forms to make his movement style difficult to characterise
–> Naturalism
–> Real people - works notable for their humanity
–> Use of energy - Cool
–> Atmosphere
–> Humour
–> Musically driven

24
Q

What impact did Jerome Robbins have on the development of American Jazz

A

–> Fancy Free Ballet lifted spirits during the world war.
–> Developed American jazz by focussing on a hybrid style of jazz and later developed the triple threat performer
–> Focuses on American subjects

25
Q

When was the Fancy Free Ballet created by Jerome Robbins

A

1944

26
Q

What were some origins of the Fancy Free Ballet

A

–> Told to think ‘small’ from Ballet Theatre
–> Wanted to create something with an American theme with American music
–> Oliver Smith a collaborator on Fancy Free knew Leonard Bernstein - the start of their collaboration of Bernstein creating music for majority of Robbins works

27
Q

What were some influences for the creation of the Fancy Free Ballet

A

–> Dance training background
–> Leonard Bernstein - composer - collaborated many times after this
–> WW2
–> Sailors
–> Variety of dance styles
–> American themes

28
Q

What are some key dance styles within the Fancy Free Ballet

A

–> Character driven
–> Naturalism - i.e dance emerging from a walk
–> Jazz
–> Ballet
–> Latin
–> Gestural
–> Pedestrian
–> Theatrical
–> Comedy

29
Q

What was the impact of Fancy Free Ballet on the development of American Jazz

A

–> It was a breakthrough - lifted people up during WW2
–> Was a hit for American Ballet Theatre
–> Ballet became a musical ‘On the Town ‘ in 1944 - Smith’s idea
–> Helped establish Bernstein as a composer and Oliver Smith as set designer
–> Modern feel to ballet

30
Q

How do the 3 soloists differ in dance styles and which dance styles do they represent. Give a movement example

A

The sailors personalities are based off Jerome himself and his friends.
–> First solo - cocky, very jazz based to show this (box jumps, splits, theatrical , high energy, fist pump at the end - shows he is a man ect)
–> Second solo - shy, more balletic and softer dynamic (attitude turns, develope’s, arms behind his back - keeping to himself ect)
–> Third solo - based off Robbins acts as the leader of the group, more confident and happy, latin infused (Claps, slicks, arm gestures, motif repetition, found sound - hitting the table ect)

31
Q

What are the costumes within Fancy Free Ballet

A

–> They wear sailor suits (all white trousers, long sleeved shirt with black tie loosely tied around their neck
–> Black jazz shoes
–> They all wear their hats slightly differently to distinguish their different characters

32
Q

What are some features of Latin Dance

A

–> Fast and fiery dynamics
–> Salsa - hip movements
–> Rhythmic
–> Accents, syncopated ect
–> Energetic Footwork