R. Schumann's Life and Style Flashcards

1
Q

Date of Birth/Death

A

1810, 1856

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2
Q

Location of Birth/Death

A

Zwickau, Germany; Endenich (now Bonn) Germany

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3
Q

Father ___ work as an ___, ___ and ___ sparked Schumann’s love of literature

A

August Schumann, Author, Publisher, Bookseller

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4
Q

Musical interest sparked after hearing the pianist ___ ___

A

Ignaz Moscheles

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5
Q

Sought out and met ___ ___ at age eightneen in ___ whose poetry was sourced in his Lieder

A

Heinrich Heine, Munich

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6
Q

18__: Studied ___ but ___

A

1829, Law, His interest in piano/composition was stronger

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7
Q

18__: Began piano lessons with ___ in ___

A

1830, Friedrich Wieck, Leipzig

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8
Q

Studied and lived in the Wieck household where he met ___ at age ___, a piano prodigy

A

Clara Wieck, 9

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9
Q

Studied theory and counterpoint with ___ ___ who also conducted the Leipzig opera

A

Heinrich Dorn

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10
Q

A ___ ___ cut his concert career short and turned his focus to composition

A

Hand Injury

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11
Q

1830-40, he focused mostly on this genre, especially after hearing the works of ___

A

Piano music, Frederic Chopin

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12
Q

Published first work (op. 1) in ___: “___” for ___

A

1830, Abegg Variations, solo piano

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13
Q

Hearing Chopin prompted him to publish article “__ __ __” in 1831 where he introduced the characters ___ and ___

A

“An Opus Two”, Eusebius, Florestan

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14
Q

18__: Early signs of ___ emerged

A

1833, Emotional instability

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15
Q

18__: Co-founded the ___ (“___”) alongside ___

A

1834, Neue Zeitschrift fur Musik, “New Journal of Music”, Friedrich Wieck

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16
Q

18__: Met ___ at the Wieck home resulting in mutual admiration

A

1835, Mendelssohn

17
Q

18__: Fell in love with and became engaged to ___ to the extreme dismay of ___ who went to extreme lengths to keep them apart

A

1837, Clara Wieck, Friedrich Wieck

18
Q

18__: Known as his “___” where he wrote over 150 songs

A

1840, “Year of Song”

19
Q

18__: Petitioned the courts from permission to marry without fatherly consent, and personally spited Friedrich by ___ as it was ___. They bore ___ children

A

1840, Marrying on the eve of Clara’s 21st birthday, The day when she naturally would not have needed her father’s permission, 7

20
Q

Clara became a ___, ___ and ___ of Robert’s music

A

Performer, advocate, and interpreter

21
Q

18__: Appointed as ___ at the new ___ ___ founded by Mendelssohn

A

1843, professor, Leipzig Conservatory

22
Q

18__: Toured ___ and ___ regions with Clara

A

1844, Russia and Scandinavian regions

23
Q

18__: Household moved to __, but ___ persisted

A

1844, Dresden, Mental instability

24
Q

18__: Resettled in ___ due to political unrest in ___

A

1850, Dusseldorf, Dresden

25
Q

18__: Met the 20 year old ___ and published “___” (__) as his final article, jumpstarting their career

A

1850, Johannes Brahms, “Neue Bahnen” (New Pathways)

26
Q

18__: Attempted suicide by ___ into the ___

A

1854, jumping off a bridge, Rhine river

27
Q

Spent final years in ___ in ___ visited by ___ and ___, but not ___

A

Mental asylum, Endenich, Brahms, Joseph Joachim, Clara Schumann

28
Q

___ and ___ finally saw Robert in Endenich and did not part until his death on ___

A

Clara and Brahms, July 29, 1856

29
Q

Drew inspiration from ___’s ___ and ___’s ___

A

Bach’s counterpoint, Beethoven’s structural innovations

30
Q

Admired the “League of David” style of __, __, and ___ while distancing himself from the “New Futurists” of ___ and ___

A

Schubert, Chopin, Mendelssohn, Liszt, Paganini

31
Q

United love of music and ___ by writing with heightened ___ and using ___ elements such as ___ and specific extramusical associations

A

Literature, Emotion, Programmatic, Descriptive titles

32
Q

Used ___ ___, and moderate ___, as well as rhythmic mastery of ___, ___, and ___

A

Thematic transformation, chromaticism, hemiola, syncopation, cross rhythms

33
Q

Influenced strongly by literature of ___ ___ (for ___) and ___ ___ (for ___)

A

Jean Paul (Papillons), E.T.A. Hoffmann (Kreisleriana)

34
Q

Did not embrace this technique unlike most of the pianist-composers of his time

A

Virtuosity for it’s own sake