Quotes Flashcards

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1
Q

Gulliver’s Travels: Brobdingnag on humans

A

‘I cannot but conclude the Bulk of your Natives, to be the most pernicious Race of little odious Vermin that Nature ever suffers to crawl upon the Surface of the Earth’

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2
Q

Pound on the medium of drama

A

‘The medium of drama is not words, but persons moving about on a stage using words’

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3
Q

Socrates on tragedy and comedy at end of Symyposium defends wild paradox that

A

‘The same person is able to compose both tragedy and comedy and that the foundations of the tragic and the comic arts were essentially the same’

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4
Q

Keats quote

A

‘I am certain of nothing but of the holiness of the Heart’s affections and the truth of Imagination’

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5
Q

Sartre

A

‘Man always makes something out of what is made of him’

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6
Q

Hawking

A

‘Why does the universe go to all the bother of existing?’

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7
Q

Kierkegaard

A

‘Truth, is subjectivity’

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8
Q

De Quincey

A

‘Poetry can only teach as nature teaches, by hieroglyphic suggestion’

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9
Q

Alexander Pope on praise

A

‘Praise undeserv’d is scandal in disguise’

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10
Q

Walt Whitman

A

‘Who touches this book touches a man’

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11
Q

Whitman - contradiction

A

‘Do I contradict myself? Very well then I contradict myself’

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12
Q

The poet Nennius

A

‘I have made a great heap of all I have found’

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13
Q

Thatcher 1987

A

‘There is no such thing as society. There is a living tapestry of men and women… and the qualities of our lives will depend upon how each of us is prepared to take responsibility for ourselves.’

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14
Q

Charles Olson

A

Poems as a ‘flow of energy’

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15
Q

Eliot 1950 lecture - asserts audiences should be made to hear verse

A

‘From people dressed like ourselves, living in houses and apartments like ours, and using telephones and motorcars and radio sets’

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16
Q

Horatio

A

‘The sorrow of true love d is a great sorrow / so have I heard, and do in part believe’

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17
Q

Frost on poetry

A

‘Begins in delight and ends in wisdom’

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18
Q

Donald Davie, Articulate Energy 1966

A

‘Language contains everything you want… language reveals life’

19
Q

Eliot - words and meanings

A

‘The intolerable wrestle/with words and meanings’

20
Q

Haraway cyborg

A

‘The cyborg is resolutely committed to partiality, irony, intimacy, and perversity’

21
Q

In a Station of the Metro

A

‘The apparition of these faces in the crowd; / Petals on a wet, black bough’

22
Q

Donna Haraway ‘cyborg theory’ 1991

A

A hybrid entity, part human part machine, made up of ‘transgressed boundaries, potent fusions, and dangerous possibilities’

23
Q

Alice Oswald on American poets

A

They ‘seem to articulate indecision, as if the poem was writing itself in an unfinished moment’

24
Q

Pound’s image definition

A

‘An intellectually and emotional complex in an instant of time’

25
Q

Judith Butler on gender

A

‘Gender is an “act” broadly construed, which constructs the social fiction of its own psychological interiority’

26
Q

John Berger, says of seeing 1972 cultural norms are:

A

‘Men look at women. Women watch themselves being looked at’ women ‘depicted in a different way to men, because the “ideal” spectator is always assumed to be male and the image designed to flatter him’

27
Q

Robert Rauschenberg’s ‘White Paintings’ 1951

A

Cage memorably said they were like ‘mirrors of the air’

28
Q

John Cage’s 1951 composition

A

4’33 (four minutes thirty three seconds) - pianist sits in front of piano without playing it - audience listens to ambient noises of the concert hall

29
Q

Laura Mulvey - ‘The male gaze’ 1975 essay

A

In her essay ‘visual pleasure and narrative cinema’ she talks of the ‘controlling male gaze’ which presents ‘women as image or spectacle’ and men as ‘bearer of the look’

30
Q

Lord Byron on laughter

A

‘Do you suppose that I could have any intention but to giggle and make giggle?’

31
Q

Architect Ludwig mies Vander Rohe

A

‘less is more’

32
Q

Archibald MacLeish in ars’ poetica’s closing lines

A

‘a poem should not mean / but be’

33
Q

Julian Barnes

A

‘Art tends, sooner or later, to float free of biography’

34
Q

Kenneth Clarke

A

Distinguished between the ‘naked’ (raw corporeal body) and the ‘nude’ (the body as represented in art)

35
Q

Adolf Loos

A

‘Decoration is a Crime’ announces in his 1908 collection of essays ‘ornament and crime’

36
Q

Gwyneth Lewis

A

‘a poem is a translation for which there is no original’

37
Q

William Cowper on the mock heroic

A

‘Big words on small matters’

38
Q

Horace Walpole quote

A

‘The world is a comedy to those who think, and a tragedy to those who feel’

39
Q

Dostoevsky quote

A

‘Man is sometimes extraordinarily, passionately, in love with suffering: that is a fact’

40
Q

Beckett

A

‘Speech is a desecration of silence’

41
Q

Aristotle on mimesis

A

‘Simulated representation’

42
Q

JFK after Martin Luther King assassination April 1968

A

Quotes Aeschylus’ Oresteia - ‘and even in our sleep, pain which cannot forget falls drop by drop upon the heart, until in our own despair, against our will, comes wisdom through the awful grace of god’
- the chorus of city elders ponder the meaning of violence and suffering

43
Q

Pound’s definition of literature

A

‘News which stays news’

44
Q

Literature as of timeless significance, transcending limitations of age it was written in, thereby speaks to what is constant in human nature.

A

Such writing is ‘not for an age, but for all time’ (Ben Johnson on Shakespeare)

‘News which stays news’ (pound’s definition of literature’