Quizzes Flashcards

1
Q

Which best describes the Academy of the Incogniti?

A

a group of intellectuals who met in private

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2
Q

Castrati were used in Rome and the Papal states to perform sacred music, but women were allowed to perform in operas in those same locations.

A

False

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3
Q

Which of the following is not true about the Florentine Camerata?

A

They were supporters of the “prima prattica.”

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4
Q

All of the following are true about Jacquet de la Guerre except:

A

She was the first French woman to write sonatas for the piano.

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5
Q

Which of the following statements is not true about Jacquet de la Guerre?

A

She stopped composing when she got married.

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6
Q

Which of the following is not true about Isabella Leonarda?

A

She was excused from her daily duties as a nun so she could devote her time to composing music.

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7
Q

Caccini, Strozzi, and Guerre were virtually unknown during their lifetimes.

A

False-Although these women were erased from the pages of written history at times, they were known during their lifetimes.

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8
Q

Nuns in convents in Bologna experienced great musical freedom, and were encouraged to sing and play instruments, including cornetti and trombones, typically played by males.

A

False

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9
Q

After the Council of Trent, nuns were given greater freedom to worship and sing publicly.

A

False

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10
Q

Which of the following is not true regarding dowries for entering convents during the Baroque period?

A

Families of females who entered convents gave their daughter’s inheritance to the church.

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11
Q

By 1650, as many as three-quarters of the female children born into Italian aristocratic families entered convents.

A

True

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12
Q

The monodic style was monophonic.

A

False

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13
Q

The Doctrine of the Affections was an ancient Greek belief.

A

False

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14
Q

With the rise of the middle class during and after the Age of Enlightenment, public and paid performances by women began to increase.

A

False

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15
Q

Which best describes Elisabeth-Claude Jacquet de la Guerre’s social rank?

A

artisan-class

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16
Q

Which of the following statements does NOT describe music of the Baroque period?

A

Form-driven structure, symmetrical balance, and objectivity

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17
Q

Which is incorrect regarding the French Baroque keyboard suite?

A

The musical roots of the keyboard suite are connected to the instrumental dance suite.

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18
Q

Which of the following was not one of Francesca Caccini’s duties?

A

Building instruments for the court.

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19
Q

All of the following describe Maria, dolce Maria except–

A

It was dedicated to the Virgin Mary.

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20
Q

Francesca Caccini’s primary duties revolved around serving the women of the Versailles court.

A

False-Caccini was employed by the Medici family in Italy. The Versailles court is in France.

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21
Q

The Renaissance was an entirely secular age, and this was reflected in the music.

A

False

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22
Q

“Fin amors” refers to which of the following:

A

Unattainable love referenced in troubadour songs.

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23
Q

In the year 1580 women musicians gained permission to perform publicly without the fear of negative social consequences.

A

True

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24
Q

Which of the following is NOT true of devadasi?

A

They remained sexually pure.

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25
Q

Which of the following does not describe Maddalena Casulana?

A

She was stabbed in the throat due to her impropriety.

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26
Q

Which of the following is not true of noble women’s musical performances during the Renaissance?

A

They were allowed to perform on small hand drums.

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27
Q

Which of the following is not a true statement about the Renaissance?

A

Noble women were allowed to perform publicly.

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28
Q

Which is of the following is not a musical element found in “A chanter m’er de so?”

A

Wide range

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29
Q

All of the following are associated with a “kouta” EXCEPT:

A

woodblock printing

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30
Q

Which of the following best explains why courtesan’s music is difficult to find today?

A

It was often improvised.

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31
Q

Which of the following is not associated with troubadour’s songs?

A

Written in French

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32
Q

Which of the following is not true regarding troubadours?

A

They primarily wrote songs for the lord of the court

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33
Q

Women who married royalty in European courts were—

A

Selected for their ability to form political alliances.

34
Q

Which of the following does not describe a siren?

A

Provided noble men with wise counsel

35
Q

Which of the following does not describe a courtesan?

A

She was considered to be a virtuous woman.

36
Q

Which is true regarding Renaissance madrigals?

A

Word painting reflected emotion.

37
Q

Which of the following most impacted the musical form of troubadour songs?

A

The poetic rhyme scheme

38
Q

Who among the following was employed by the Medici family?

A

Maddalena Casulana

39
Q

All sacred music is liturgical.

A

False -A morality play is sacred but is not part of the liturgy.

40
Q

Which of the following statements does NOT describe Hildegard’s style of writing chant?

A

Limited to one octave

41
Q

Which of the following statements is NOT true about Hildegard?

A

She began recording her visions when she was a child.

42
Q

The Office was codified by Pope Gregory the Great.

43
Q

The primary liturgical genres of the Roman Catholic church were the mass and the office.

44
Q

All of the following facts are true about Pope Gregory the Great EXCEPT:

A

He developed written notation-Written notation was developed by Guido of Arrezo.

45
Q

In 313 A.D. Constantine legalized Christianity and women were allowed to sing in the church.

46
Q

All of the following are correct regarding the term “kolisha” EXCEPT:

A

Jewish women were allowed to sing in the choir

47
Q

Hebrew women, such as Miriam, Deborah, and Hannah, were depicted in the Bible as leading in public worship.

A

False-The women participated in secular music, but were banned from liturgical music used in public worship.

48
Q

The Abbot was opposed to Hildegard von Bingen moving her convent away from the monastery for all of the following reasons except –

A

The monks would lose the dowries (material goods) that the nuns had brought with them upon entering the convent.

49
Q

The vast majority of published sacred works by women date from the latter half of the 20th century.

50
Q

Women could not officially sing during the Christian Mass until after 1900.

51
Q

Which of the following terms is associated with the preservation of musical manuscripts?

A

Scriptoria

52
Q

Which is true regarding the Ordo Virtutum?

A

It is rhythmically free-The Devil is not allowed to sing, and thus speaks his part.

53
Q

In which regard was a medieval-era performance of the Ordo Virtutum different from a Mass?

A

It included dramatic roles

54
Q

In which way does Sofia Gubaidulina’s musical language most abandon a culturally defined “female” sphere?

A

In her use of harsh dissonance

Gubaidulina’s structural design is complex beneath the surface.

55
Q

Which of the following church-sponsored institutions prepared musicians to assist at liturgy?

A

schola cantorum

56
Q

The Age of Enlightenment brought about greater freedom for women to perform and publish music.

57
Q

Mozart was inspired to write the “Queen of the Night Aria” in The Magic Flute for which of the Weber sisters?

58
Q

All of the following statements are true about Nannerl Mozart EXCEPT:

A

Nannerl chose to end her musical career to marry and have children-she was forbidden

59
Q

All of the following statements are true about Nanette Streicher nee Stein EXCEPT:

A

At age seven, she began assisting her father building pianos in their piano shop in Vienna. (It was Ausburg)

60
Q

The patronage of Empress Maria Theresa resulted in Vienna becoming the musical capital of Europe.

61
Q

Which of the following statements is NOT true about Marianna Martines?

A

Pietro Metastasio was Martines’ first music teacher-He hired her first teacher

62
Q

Which of the following is NOT an accurate statement about Martines’ composition, Dixit Dominus?

A

Features text of Psalm 100-it’s Psalm 109

63
Q

Which of the following is NOT true about Marianne Martines?

A

Her primary source of income was concert fees she received for public performances.

64
Q

Maria Theresia von Paradis could play at least ______ piano concertos and sonatas for memory.

65
Q

Which of the following men assisted Maria Theresia with her compositions by developing a wooden board and peg system for her to use as a musical staff?

A

Johann Riedinger

66
Q

Anna Amalia, Princess of Prussia was encouraged to study music by everyone except

A

her father, Frederick I.

67
Q

Maria Theresia von Paradis’s career was divided into which of the following three parts?

A

performing, composing, and teaching.

68
Q

Maria Theresia suffered from hysterical blindness due to the violent behavior of her parents.

69
Q

The Viennese people gave Maria Theresia von Paradis the title of “The Blind Enchantress” out of respect for her remarkable musical talent.

70
Q

Maria Theresia von Paradis was born blind and never recovered her sight.

71
Q

Maria Theresia sang Pergolesi’s Stabat Mater, while accompanying herself on the organ,when she was only 11 years old.

72
Q

Maria Theresia von Paradis was named after an Empress, who later became her patron.

73
Q

Anna Amalia, Princess of Prussia, was forced to become an abbess of a convent because she defied her brother and continued to compose and perform music.

A

False-Her brother sent her to a convent because of her love affair with a young army officer.

74
Q

Anna Amalia, Princess of Prussia, played harpsichord, organ, flute, and violin.

A

True
False
CONFUSED ON THIS ONE-NO ORGAN?

75
Q

Anna Amalia, Princess of Prussia, played harpsichord, organ, flute, and violin.

A

True
False
CONFUSED ON THIS ONE-NO ORGAN?

76
Q

Due to her interest in intellectual and artistic pursuits, the court of Anna Amalia, Duchess of Saxe-Weimar, became known as the ________________.

A

court of the muses

77
Q

Which of the following statements is NOT true about Anna Amalia, Duchess of Saxe-Weimar?

A

Although she was a patron of the arts, she did not compose music.

78
Q

Although Anna Amalia, Princess of Prussia, was Abbess of the Quedlinburg convent, she was allowed to live in her home in Berlin and hold musical soirees.

79
Q

Anna Amalia, Princess of Prussia, composed several ___________, which was a unique genre of composition for women of all historical eras.

80
Q

Anna Amalia, Princess of Prussia, received her first music lessons from her brother, Frederick.