Key Terms Flashcards

1
Q

Classical era

A

period in western art music that dates from apporximate 1750-1820

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2
Q

Kappelmeister

A

geramn word for the person in charge of music making in a court or church

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3
Q

Singspiel

A

german language comic opera that contains spoken and sung parts

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4
Q

Coloratura

A

a style of operatic singing that requires vocal agility to execute rapid passages, often in a high range

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5
Q

Concert aria

A

an opera like aria but complsed for concert performance; usually written with a particular singer in mind

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6
Q

Action

A

a piano mechanism that transmits the movement of the player to movement of the keys and hammers

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7
Q

Fortepiano

A

the early version of the piano, with a smaller range and less volume than a modern piano

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8
Q

Strophic form

A

form in which each poetic verse is set to the same music

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9
Q

Sturm und Drang

A

a late 18th-century German literary movement characterized by works containing individualism and high emotion; a turning away from enlightenment rationalism

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10
Q

Lied

A

german word for song; in formal music study, usually refers to german art song

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11
Q

Concerto

A

multi-movement musical work in which one or two solo instruments are featured along with an orchestral accompaniment

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12
Q

Subscription concert

A

public concerts with paid admission, often held in a smaller venue; audience members would subscribe to a concert or series

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13
Q

Large-scale works

A

in music, refers to genres that require large numbers of performers (such as symphonies and opera); also refers to genres that are of significant length

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14
Q

Stile galant

A

style fashionable from the 1720s to the 1770’s, featuring song-like melodies, short phrases, and reduced harmonic vocabulary; a departure from the Baroque complexity

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15
Q

Libretto

A

the written story of an opera

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16
Q

Opera

A

musical genre in which singers and instrumentalisic in a staged dramatization of a story

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17
Q

Enlightenment

A

the historical period in Western thought and culture, stretching roughly from the mid-decades of the 17th century through 18th century; hierarchical systems replaced by systems professing freedom and equality for all

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18
Q

Salon

A

a regular gathering of distinguished guests; in music, often references a formal performance at a patron’s residence, palace or castle

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19
Q

Aesthetic experience

A

emotional and sometimes physiological response elicited by an aritistic work

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20
Q

Timbre

A

the characteristic quality of sound that distinguishes one voice or musical instrument from another; “tone color”

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21
Q

Form

A

the way in which sgments are structured in a unified whole; a “blueprint” for the structure of the piece

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22
Q

Melody

A

a sequence of single tones, usually unified in a system such as a key or mode; the “tune” of a work

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23
Q

Rhythm

A

the time-oriented organization of silence and sound

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24
Q

Harmony

A

two or more tones sounding simultaneously

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25
Q

Art song

A

a song written by a trained composer to convey a specific artistic idea, as in projecting the mood and meaning of a poetic text

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26
Q

Song

A

musical work that is sung and has lyrics

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27
Q

Word painting

A

in texted works, using musical gesture or elements to reflect movement and emotion in the text

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28
Q

Syncopate

A

to accent a note that falls between main beats

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29
Q

Backbeat

A

in pop music, a primary accent on the second and fourth beats of a four-beat measure

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30
Q

Liturgy

A

ritual for public worship; usually has a prescribed format

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31
Q

Kolisha

A

“the voice of woman”; a belief in Orthodox Judaism that women must not sing in the presence of men due to the potential to distract men in prayer

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32
Q

Schola cantorum

A

“singing school”; church-sponsored school for the teaching of ecclesiastical chant

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33
Q

Scriptoria

A

writing rooms used for copying manuscripts, writing, and studying, usually in a convent or manastery; associated with the preservation of musical manuscripts

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34
Q

Chant

A

monophonic liturgical song; sometimes referred to as “Gregorian” chant or plainsong

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35
Q

Monophonic

A

music having a single melody without accompaniment or harmonizing parts, as in chant

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36
Q

Office

A

liturgy of 8 prayer services i which pslams, readings, and prayers are recited or sung at specified hours

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37
Q

Mass

A

Roman church liturgy; also a musical genre or setting fro certain parts of this liturgy

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38
Q

Ordinary

A

Mass texts that remain the same on most days of the year; musical settings may change

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39
Q

Proper

A

mass texts that change according to specific days of the church calendar

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40
Q

Antiphon

A

type of chant sung before or after the recitation of a psalm in the Office; also associated with psalmody in the Mass

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41
Q

Responsory

A

a verse or set of verses used in the Office; often performed with soloist alternating with group

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42
Q

Through-composed

A

works in which new music is used for each section; as opposed to forms in which segments recur

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43
Q

Morality play

A

allegorical drama in which the characters personify abstractions, such as vice, virtue, and charity

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44
Q

Octave

A

notes spaced 8 tones apart; in Western music, this results in renaming the pitch “at the octave”

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45
Q

Dissonance

A

combo of tones that sounds unstable; sometimes considered harsh, or in need of resolution

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46
Q

Quarter tone

A

interval half the size of a half-step; the half-step is traditionally recognized as the smallest interval in Western music, thus the quarter-tone can be perceived as dissonant or even “out of tune” by people accustomed to Western tonal music

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47
Q

Chord

A

3+ pitches sounding simultaneously

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48
Q

Siren

A

half-human, half-animal female who tempts men via song

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49
Q

Courtesan

A

female court attendant who is educated or trained as a performer in multiple artistic and intellectual areas

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50
Q

Geisha

A

courtesan of the Japanese tradition associated with the performance of traditional Japanese art forms such as song and dance

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51
Q

Edo period

A

Japanese historical period from 1603 to 1868; associated with the development of many lasting Japanese artistic genres

52
Q

Kabuki theater

A

dance theater of Japan that emerged in the Edo period; women were banned from this form of theater beginning in the early 17th century

53
Q

Shamisen

A

a plucked, a 3-stringed instrument of Japan; associated with the geisha

54
Q

Kouta

A

Japanese “short song” of 1-3 minutes’ duration, often with erotic, poetic text that is filled with metaphor; associated with the geisha tradition

55
Q

Devadasi

A

from the Sanskrit “deva” or goddess, a girl or woman dedicated to a god who worships in the Indian temple

56
Q

Troubadour

A

poet-composer of southern France in the 12th and 13th centuries

57
Q

Courtly love

A

“fin’ amors” in Occitan; refined, unattainable love for one who is admired from a distance; associated with troubadour song

58
Q

Chanson

A

the French word for “song”

59
Q

Strophic form

A

form in which each poetic verse is set to the same music

60
Q

Tenson

A

improvised and likely performed before an audience

61
Q

Trobairitz

A

female poet-composer of southern France in the 12th and 13th centuries

62
Q

Humanism

A

philosophy that emerged in the Renaissance in which ancient Greek and Roman culture inspired the study of human knowledge

63
Q

Virtuoso

A

performer who possesses astounding technical skills

64
Q

Homophonic

A

musical texture in which multiple lines move together rhythmically

65
Q

Polyphonic

A

musical texture in which 2+ independent melodic lines sound simultaneously

66
Q

Madrigal

A

Italian secular vocal genre that utilizes poetic texts; stylistic traits and number of voice parts change by historical period

67
Q

Concerto Delle Donne

A

“group of laides,” professional female court singers

68
Q

Musica reservata

A

music reserved for an elite, invited audience; often featured virtuoso performers; term used in the 16th and 17th centuries

69
Q

Modal

A

music that is based on modes (sequences of whole and half-steps) other than major or minor

70
Q

Tonal

A

related to major and minor scalar systems, as opposed to modal systems; in actual practice, a tonal musical work will be organized around a given note or key

71
Q

Consonance

A

combo of tones that creates a sense of stability or calm

72
Q

Doctrine of the affections

A

Baroque doctrine in which music was believed to elicit specific emotional responses such as sadness, anger, or joy

73
Q

Affect

A

predominant emotion of an artistic work

74
Q

Doctrine of ethos

A

ancient Greek belief that upheld music’s power to impact the soul of the listener

75
Q

Prima prattica

A

“first practice”; referencing 16th-century text setting in which the music sometimes overshadows the text; sometimes associated with polyphone (men)

76
Q

Seconda prattica

A

“secon practice”; referencing 17th-century text setting in which textual clarity takes precedence over music; associated with the monodic style (women)

77
Q

Castrato

A

man who was castrated before puberty, resulting in the retention of a treble vocal range

78
Q

Monody

A

style that features a vocal soloist with an instrumental accompaniment

79
Q

Sacred madrigal

A

solo vocal work with a sacred text

80
Q

Recitative

A

technique found in opera, oratorio and cantata in which the text is sung in a speech-like manner, as opposed to the lyrical aria style

81
Q

Aria

A

lyric song for solo voice; also found in several large-scale genres, including opera and cantata

82
Q

Ritornello

A

a short musical passage that returns throughout a work in the manner of a refrain

83
Q

Libretto

A

the written story of an opera

84
Q

Cantata

A

based on the Italian “to sing”; sacred or secular vocal work with performance forces ranging fro soloist, to chorus and orchestra

85
Q

Agrement

A

French for “charm,” refers to an ornament in music, usually indicated by a written sign in the music

86
Q

Classical era

A

period in Western art music that dates from approximately 1750-1820

87
Q

Deconstruct

A

to take apart or examine in order to expose biases, flaws, or inconsistencies

88
Q

Subscription concerts

A

public concerts with paid admission, often held in a smaller venue; audience members would “subscribe” to a concert or series

89
Q

Salon

A

a regular gathering of distinguished guests; in music, often references a formal performance at a patron’s residence, palace or castle

90
Q

Enlightenment

A

historical period in Western thought and culture, stretching roughly from the mid-decads of the 17th century through 18th century; hierarchical systems replaced by systems professing freedom and equality for all

91
Q

Opera seria

A

Italian for “serious opera” as opposed to comic opera; dramatic opera of the 18th century

92
Q

Large-scale works

A

in music, refers to genres that require large numbers of performers (such as symphonies and opera); also refers to genres that are of significant length

93
Q

Stile Galant

A

style fashionable from the 1720s to the 1770’s, featuring song-like melodies, short phrases, and reduced harmonic vocabulary; a departure from Baroque complexity

94
Q

Sturm und Drang

A

a late 18th-century German literary movement characterized by works containing individualism and high emotion; a turning away from Enlightenment rationalism

95
Q

Fortepiano

A

early version of the piano, with a smaller range and less volume than a modern piano

96
Q

Action

A

piano mechanism that transmits the movement of the player to movement of the keys and hammers

97
Q

Voicing

A

adjustment of a piano’s tone quality; may be bright, dark, mellow, or rich

98
Q

Singspiel

A

German-language comic opera that contains spoken and sung parts

99
Q

Kappelmeister

A

German word for the person in charge of music-making in a court or church

100
Q

Extra-musical work

A

musical work that contains non-musical references such as a story or program

101
Q

Primary source

A

artifact that provides first-hand accounts of historical events or subjects; letters, diaries, and original music manuscripts are examples

102
Q

Secondary source

A

document that has been interpreted by someone other than the direct source; in music, a newspaper review of a concert or a textbook are examples

103
Q

Program music

A

instrumental work that tells a story or suggests a non-musical idea; may actually be associated with a written program, but sometimes only includes a suggestive title

104
Q

Character piece

A

quasi-programmatic piece for piano that emerged in the 19th century and that suggested a mood or feeling via title or overall aesthetic; tended to be fairly simple in structure

105
Q

Absolute music

A

music that does not seek to suggest a story or scene, but is concerned with formal construction; distinguished from program music

106
Q

Sonata form

A

frequently found in the first movement of a sonata or symphony; usually consists of an exposition with contrasting segments, followed by a development of the opening material, and a recapitulation which returns to the original key or tonality

107
Q

Theme and variation form

A

segmented form in which an original theme is first utilized and subsequent segments of the work vary the original theme via manipulation of musical elements such as rhythm and harmony

108
Q

Experimental work or Experimental music

A

A 20th-century term associated with music that explores new and unusual sounds and compositional techniques

109
Q

Serialism

A

an atonal compositional method that systematically orders musical elements according to a fixed series

110
Q

Neoclassicism

A

a style that emerged in the early decades of the 12th century; featured form-driven structure, transparent texture, tonality, and lack of eta musical program

111
Q

Vernacular

A

“of the people”; as opposed to the work of the educated elite

112
Q

Motif

A

a short rhythmic or melodic idea that recurs in a work

113
Q

Atonal

A

lacking a tonal center, or “key”

114
Q

Avant-garde

A

a french military term, meaning to be in advance of others; in music, referst to those who lead the way to the artistic future, even at the expense of risk

115
Q

Chance

A

music in which random procedures (such as coin tossing ) determine the outcome of a work

116
Q

Polytonal

A

utilizes more than one key at once

117
Q

Postmodernism

A

an aesthetic that reflects fragmentation, rejects boundaries between hhigh and low are, and is not opposed to embracing the passt; modernism rejects the old in favor of the new

118
Q

Minimalism

A

artistic movement that used small elements of repeated material that evolved slowly over time; emerged in the 1960’s

119
Q

Dissonant coutnerpoint

A

a compositional method in which two or more dissonant melodic lines are simultaneously combined

120
Q

Tritone

A

a dissonant interval of an augmented fourth

121
Q

Heterophonic

A

texture in which a melody is performed by two or more parts simultaneously, but with variation; for example, one part may be more ornamented than the other

122
Q

Ululation

A

high pitched vocal sound with rapid movement of the uvula and tongue, performed by women to express emotion; traditionally used in the Middle East and parts of Africa, often for lifecycle rituals

123
Q

Dalcroze eurhythmics

A

an approach to music education based on movement and dance

124
Q

Symbolism

A

a late 19th century aesthetic popular in France and elsewhere, which embraced the musical sensuousness of sound and text; typical themes were mysticism and otherworldliness

125
Q

Ostinato

A

a short musical pattern that persistently repeats

126
Q

Bitonal

A

simultaneous use of two different keys