Quiz 5 Flashcards

1
Q

Composition

A

The organization, distribution, balance, and general relationship of stationary objects and figures, as well as of light, shade, line, and color, within the frame.

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2
Q

Motion capture

A

An elaborate process in which the movements of objects or actors dressed in special suits are recorded as data that computers subsequently use to render the motion of CGI characters on-screen. Also known as mocap, performance capture, or motion tracking.

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3
Q

Production designer

A

A person who works closely with the director, art director, and director of photography, in visualizing the movie that will appear on the screen. The production designer is both an artist and an executive, responsible for the overall design concept, the look of the movie – as well as individual sets, locations, furnishings, props, and costumes – and for supervising the heads of the many departments (art, costume design and construction, hairstyling, makeup, wardrobe, location, etc.) that create that look.

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4
Q

Art director

A

The person responsible for transforming the production designer’s vision into a reality on the screen, assessing the staging requirements for a production, and arranging for and supervising the work of the members of the art department.

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5
Q

Set

A

A constructed space used as the setting for a particular shot in a movie. Sets must be constructed both to look authentic and to photograph well.

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6
Q

On location

A

Shooting in an actual interior or exterior location away from the studio.

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7
Q

Decor

A

The color and textures of the interior decoration, furniture, draperies, and curtains of a set.

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8
Q

Properties

A

Also known as props. Objects used to enhance a movie’s mise-en-scene by providing physical tokens of narrative information.

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9
Q

Soundstage

A

A windowless, soundproofed, professional shooting environment that is usually several stories high and can cover an acre or more of floor space.

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10
Q

Chiraroscuro

A

The use of deep gradations and subtle variations of lights and darks within an image.

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11
Q

Cameo

A

A small but significant role often played by a famous actor.

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12
Q

Costumes

A

The clothing worn by an actor in a movie (sometimes called wardrobe, a term that also designates the department in a studio in which clothing is made and stored).

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13
Q

Script supervisor

A

The member of the crew who is responsible for ensuring continuity throughout the filming of a movie. Although script supervisors once had to maintain detailed logs to accomplish this task, today they generally rely on the video assist camera for this purpose.

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14
Q

Video Assist camera

A

A tiny device, mounted in the viewing system of the film camera, that enables a script supervisor to view a scene on a video monitor (and thus compare its details with those of surrounding scenes, to ensure visual continuity) before the film is sent to the laboratory for processing.

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15
Q

Figure

A

any significant thing that moves on the screen–person, animal, object

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16
Q

Framing

A

The process by which the cinematographer determines what will appear within the borders of the moving image (the frame) during a shot.

17
Q

Kinesis

A

The aspect of composition that takes into account everything that moves on the screen.

18
Q

reframing

A

A movement of the camera that adjusts or alters the composition or point of view of a shot.

19
Q

Moving frame

A

The result of the dynamic functions of the frame around a motion-picture image, which can contain moving action but can also move and thus change its viewpoint.

20
Q

Point-of-view editing

A

The process of editing different shots together in such a way that the resulting sequence makes us aware of the perspective or POV of a particular character or group of characters. Most frequently, it starts with an objective shot of a character looking toward something outside of the frame and then cuts to a shot of the object, person, or action that the character is supposed to be looking at.

21
Q

Viewfinder

A

On a camera, the little window that the cameraperson looks through when taking a picture; the viewfinder’s frame indicates the boundaries of the camera’s point of view.

22
Q

Off screen space

A

Cinematic space that exists outside the frame.

23
Q

On screen space

A

Cinematic space that exists inside the frame

24
Q

open frame

A

a frame around a motion-picture image that, theoretically, characters and objects can enter and leave.

25
Q

Close frame

A

An approach to framing a shot that implies that neither characters nor objects may enter or leave the frame – rendering them hemmed in and constrained.