Quiz 3

Question 0

Transitions

Answer 0

Cut 
Dissolve 
Fade
Wipe
Generated effects

Question 1

Editing

Answer 1

The process of organizing, selecting, and arranging shots in a particular order.

Question 2

Our Time

Answer 2

Objective and Subjective Time

Question 3

Story world’s time

Answer 3

Narrative Time

Question 4

Objective Time

Answer 4

Measured quantitatively (seconds, minutes, hours)
An objective fact (based on a known measuring system)

Question 5

Subjective Time

Answer 5

Measured qualitatively (long, short, fast, slow)
A sense of passage/duration

Question 6

Narrative Time (diegetic time)

Answer 6

The story world’s own objective and subjective times.

Describes the time span implied by the “story”

Question 7

Scene

Answer 7

An uninterrupted series of related shots within a specific location

Question 8

Sequence

Answer 8

An uninterrupted series of related scenes

Question 9

Ellipsis of time

Answer 9

A form of time manipulation that leaves out portions of a narrative by employing various editing techniques such as cuts, dissolves, fades, etc.

Question 10

The Illusion of Real-Time

Answer 10

The practice of assembling a sequence of successive shots in such an order that both objective time (ours) within diegesis appear to be in sync

Question 11

Continuity

Answer 11

A continuous sense of events as we move from shot to shot.

Question 12

Different kinds of continuity

Answer 12

Time 
Space
Motion
Sound
Content

Question 13

Continuity Editing

Answer 13

A style of editing concerned with a continuous sense of events as we move from shot to shot

Question 14

Ellipsis is not…

Answer 14

Opposed to continuity! But Ellipsis IS opposed to the illusion of real-time.

Question 15

Ellipsis can take place without necessarily a break in continuity occurring (true or false)

Answer 15

True

Question 16

Dissolve

Answer 16

Sense of time passing

Question 17

Establishing and Re-Establishing Shots

Answer 17

Extreme wide shot

Question 18

Match on action

Answer 18

Invisible cut

Question 19

Shot/Reverse Shot

Answer 19

Ex: Jeffery to Father back to Jefferys Reaction

Question 20

Shot/Reverse shot also includes

Answer 20

Eye-line match

Question 21

Graphic Match

Answer 21

Scissors probably cut Ear and then shot change to scissors cutting Do Not Cross sign.

Question 22

Shooting for continuity

Answer 22

Need actual material

Coverage (same scene from different angles)

Question 23

Master shot

Answer 23

Wider distance, get action all the way in one take, pick specific shots later

Question 24

Insert Shot

Answer 24

Takes place within Master Shot

Question 25

Cutaway Shot

Answer 25

Doesn’t take place within Master Shot

Question 26

30 degree rule

Answer 26

Don’t do a shot change that is less than 30 degrees

Don’t have to move 30 degrees if you change distance

Question 27

Way to overcome 30 degree rule

Answer 27

Axial Cut

Question 28

Axial Cut

Answer 28

Cutting to different distances along the z-axis, but use sparingly for dramatic/intensifying effect.

Question 29

180 degree rule

Answer 29

Crossing the 180 degree line can cause confusing breaks in spatial continuity

Question 30

Reason to ignore the 180 degree rule

Answer 30

You can cross the line in a shot change if the shot re-establishes spatial relationships

Also for conceptual/narrative purposes

Question 31

Beware of cutting

Answer 31

To open frames that don’t obey the 180 degree rule