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MAPEH > Quiz 2 > Flashcards

Quiz 2 Flashcards

1
Q

an activity such as singing a song or acting in a play that a person or group does to entertain before an audience.

A

performance

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1
Q

a form of art that uses live performers to perform before a live audience in a specific place

A

theater

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2
Q

one major art form that brings together all the other art forms – from painting and sculptures, to installation arts, to music, to dance, to literature, even to computer arts in a single production ​

A

theater

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3
Q

acronym of PETA

A

Philippine Educational Theater Association and Tanghalang Pilipino​

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4
Q

founded in 1967 by Cecile Guidote-Alvarez​

A

PETA

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5
Q

the Resident theater company of the Cultural center of the Philippines, founded in 1987.

A

tanghalang pilipino

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6
Q

this is where the play “Himala” was presented back in 2004

A

Tanghalang Pilipino

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7
Q

this is where the play “Pamana” was presented back in 2013

A

PETA

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8
Q

also known as “REP”, has often been called “ the most professional English-speaking theater company in the country”.

A

Repertory Philippines (1967)

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9
Q

fulfilled her dream, of bringing the best of Broadway and London’s West End to Filipino audiences. ​

A

Zenaida Amador

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10
Q

Multi awarded theater actress and singer. Her career as a child lead in productions of Repertory Philippines. ​

From there, she become an international stage superstar the lead role of Kim in Miss Saigon. ​

A

Lea Salonga

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11
Q

Give two (2) plays that are performed in the repertory philippines

A

Little Women (2010), The producer (2013)

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12
Q

Give two (2) plays that are performed in the repertory philippines

A

Little Women (2010), The producer (2013)

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12
Q

Give two (2) plays that are performed in the repertory philippines

A

Little Women (2010), The producer (2013)

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12
Q

Give two (2) plays that are performed in the repertory philippines

A

Little Women (2010), The producer (2013)

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13
Q

Current President and CEO of the Repertory Philippines

A

Mindy Barredo Perez-Rubio

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14
Q

began production of originally-written musicals with a slant towards goods values for children and the whole family. ​

​

A

trumpets (1990)

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15
Q

established in 1994 by Monique Wilson – also a Repertory Philippines’ protégée who went on to star on the international stage. ​

has earned a reputation for staging thought-provoking productions on daring and deep topics.

A

New Voice Company (1994)

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16
Q

Give two (2) plays that are performed in the New Voice Company

A

Aspects of Love (2006), The Male voice (2009)

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17
Q

was founded in 1999 by a group of dedicated classically-trained singers, led by soprano Karla Gutierrez as artistic directress. ​

seeks to develops performers as well as audiences for classical music performances both foreign and Filipino.

A

Philippine Opera Company

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18
Q

Give two (2) plays that are performed in the Philippine Opera Company

A

harana (2009), the mikado (2013)

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19
Q

was founded, with Philippine theater mainstay Michael Williams as artistic director.​

The vision of the company is to widen the reach of stage production traditional centers. ​

A

Theater Down South (2007)

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20
Q

Give two (2) plays that are performed in the Theater Down South

A

A Midsummer Nights Dream, The Princess and the red carp

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21
Q

are responsible for the main vision of the production. They must interpret the script and the characters relationships. They lead rehearsals and determine stage blocking. ​

A

Director

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22
Q

deliver the script, work with the director to determine relationships with the other characters, and strive to fulfill the pacing and tempo decisions of the director. ​

​

A

Actors

23
Q

He/She is the person who creates dance compositions and plans and arranges dance movements and patterns for dances and especially for ballets. ​

​

A

The choreographer

24
Q

They are responsible for running the stage during production. They are required to call for the cueing of lights, sounds, sets, props and actors during the show. ​

A

The stage managers

25
Q

in consultation with the Director, oversees the development of set, prop, costume, makeup, lights, and sound. He/She is responsible for assisting in the creation of a unified look throughout all the above areas ​

A

Production Manager

26
Q

works in consultation with the Director and the Production Manager to articulate the primary vision of the production through the design and creation of sets.

A

set designer

27
Q

can be realistic or implied, giving the audience a sense of where the action of the play is taking place.​

A

Sets

28
Q

is responsible for the servicing, hanging, color filtering and focusing lighting instruments to meet the design specifications developed​

A

Light Crew/Light Designer

29
Q

four elements that consist the performance arts

A

time, space, the performer’s body, and a relationship between audience and performer.

30
Q

involves using the body as an expressive instrument to communicate feelings and ideas in patterns of movement.

A

Gestures

31
Q

is the stage blocking or the movements of the actors on stage during the performance. It also refers to the action of the play as it moves from event to event. ​

A

Movement

32
Q

is a medium of expression rather than a work or play.

A

Dance Movement

33
Q

the domain of the Sound Crew. (2)

A

Music and sound effects, sound reinforcement

34
Q

They must fabricate the sound track for the production, collecting or creating the sounds necessary for the play. They are also responsible for designing and setting up the Public Address system and monitoring speakers for the production.​

A

Sound crew

35
Q

refers to clothing, mask and accessories worn by actor to portray character and period.​

A

Costume

36
Q

refer to costume short for properties, any article, except costume or scenery, and any moveable object that appears on stage during a performance used as part of a dramatic production.​

A

Props

37
Q

refers to costumes, wigs and body paint used to transform an actor into a character.​

​

A

Make up

38
Q

it covers the jewelry, handbag, footwear, eyewear, leather and watch of the actors used in a play.​

A

Accessories

39
Q

refers to the shaping of dramatic material, setting, or costumes in a specific manner. It involves all of the aspects of scenery, costumes, and special effects in a production. It is the visual elements of the play created for theatrical event. The qualities are determined by the playwright that create the world and atmosphere of the play for the audience’s eye.​

​

A

Spectacle

40
Q

are the visual relationships that occur when the elements come together into a work of art. They are not found in isolation. They most always work together and an artwork will usually use all the principles.​

A

The principles of art

41
Q

develop and execute aesthetic or functional designs in a production.

A

Process in the art

42
Q

is usually carried by the progression of overall chords in the piece; the harmonic motion is said to be fast or slow repeatedly or irregularly.

A

Movement in Music

43
Q

regular repetition

A

pattern

44
Q

depending upon the needed music in the play.

A

Irregular principles of art

45
Q

occurs when elements which have something in common are repeated.

A

Rhythm

46
Q

arrangement of the elements of design in space

A

Balance

47
Q

creates the center of interest which causes our eyes to return again and again

A

emphasis

48
Q

means oneness, consistency or integration.

A

unity

49
Q

exists in forms; the size of each section must relate to the size of other sections in order to maintain balance and unity

A

proportion

50
Q

stage that extends into the viewing area

A

thrust stage

51
Q

stage that is surrounded by an audience on all sides

A

round stage

52
Q

transforms a bare stage into the world of the play

A

scene design

53
Q

skillfully uses light to change the mood and appearance of the set

A

lighting director

54
Q

works with the actor’s design

A

costume director

55
Q

items that the character carry or handle

A

props

56
Q

the path formed by the character’s movement on the stage

A

character blocking

57
Q

the movement of the actors on stage during performance

A

movement stage blocking

58
Q

can be a dialogue, soliloquy, monologue, and remarks

A

character’s speech

59
Q

experience the performance, understand the story, responds to the characters of the play

A

the audience

MAPEH (3 decks)

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