QUIZ 1 Flashcards

1
Q
  • It is a type of literature that
    conveys a thought, describes a
    scene or tells a story in a
    concentrated, lyrical arrangement of
    words.
A

Poetry

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2
Q

Poems can be structured,
with RHYMING LINES and METER, the
rhythm and emphasis of a line
based on syllabic beats.

A

Poetry

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3
Q

Poems can also be FREEFORM, which follows no
formal structure.

A

Poetry

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4
Q

The basic building block of a poem
is a verse known as a ______.

A

Stanza

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5
Q

A stanza is a grouping of lines related
to the same thought or topic, similar
to a paragraph in prose. A stanza
can be subdivided based on the
number of lines it contains. For
example, a _______ is a stanza with
two lines.

A

couplet

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6
Q

the basic rhythmic
structure of a line within a
work of poetry. Meter consists of
two components: The number of
syllables. A pattern of emphasis
on those syllables

A

Meter

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7
Q

It is a unit of poetry
composed of lines that relate to a
similar thought or topic—like a
paragraph in PROSE or a VERSE in a
song. Every stanza in a poem has its
own concept and serves a unique
purpose

A

Stanza

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8
Q

There are many different types of
rhymes that poets use in their work:
INTERNAL rhymes, SLANT rhymes, EYE
rhymes, IDENTICAL rhymes, and more.
One of the most common ways to
write a rhyming poem is to use a
rhyme scheme composed of shared
vowel sounds or consonants.

A

Rhyme Scheme

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9
Q

It is poetry written
with a precise meter—almost
always iambic pentameter—
that does not rhyme.

A

Blank Verse

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10
Q

This is poetry that is divided
into stanzas or verses
(groups of lines) in which all
or some of the lines have a
rhyme word at the end.

A

Rhymed Poetry

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11
Q

It is poetry
that lacks a consistent rhyme
scheme, metrical pattern, or
musical form.

A

Free Verse

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12
Q

It is a lengthy, narrative
work of poetry. These long poems
typically detail extraordinary feats
and adventures of characters from a
distant past.

A

Epics

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13
Q

Like an epic, a ________ tells
a story. Henry Wadsworth
Longfellow’s “The Midnight Ride of
Paul Revere” and Samuel Taylor
Coleridge’s “The Rime of the
Ancient Mariner” exemplify this
form.

A

Narrative poetry

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14
Q

It is a three-line poetic
form originating in Japan. The
first line has five syllables, the
second line has seven syllables,
and the third line again has five
syllables.

A

Haiku

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15
Q

It is one that
concerns the natural world, rural life,
and landscapes. These poems have
persevered from Ancient Greece (in
the poetry of Hesiod) to Ancient
Rome (Virgil) to the present day
(Gary Snyder).

A

Pastoral Poetry

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16
Q

It is a 14-line poem, typically
(but not exclusively) concerning the
topic of love. ______- contain
internal rhymes within their 14 lines;
the exact rhyme scheme depends
on the style of a _______.

A

Sonnet

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17
Q

It is a poem that reflects
upon death or loss. Traditionally,
it contains themes of mourning,
loss, and reflection. However, it
can also explore themes of
redemption and consolation.

A

Elegies

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18
Q

Much like an elegy, an _______ is a
tribute to its subject, although
the subject need not be dead—
or even sentient, as in John
Keats’ “Ode on a Grecian Urn”

A

Ode

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19
Q

Is a five-line poem
that consists of a single stanza,
an AABBA rhyme scheme, and
whose subject is a short, pithy
tale or description.

A

Limerick

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20
Q

refers to the broad
category of poetry that concerns
feelings and emotion. This
distinguishes it from two other
poetic categories: epic and
dramatic.

A

Lyric poetry

21
Q

is a form of
narrative verse that can be either
poetic or musical. It typically follows a
pattern of rhymed quatrains. From
John Keats to Samuel Taylor
Coleridge to Bob Dylan, it represents
a melodious form of storytelling.

A

Ballad

22
Q

is a monologue in which a
character speaks to him or herself,
expressing inner thoughts that an
audience might not otherwise know.
Soliloquies are not definitionally
poems, although they often can be—
most famously in the plays of William
Shakespeare.

A

Soliloquy

23
Q

A nineteen-line poem consisting of
five tercets and a quatrain, with a
highly specified internal rhyme
scheme. Originally a variation on a
pastoral, the villanelle has evolved
to describe obsessions and other
intense subject matters.

A

Villanelle

24
Q

is a mode of fictional
representation through dialogue
and performance. It is one of the
literary genres, which is an
imitation of some action. ______ is
also a type of a play written for
theater, television, radio, and film.

A

Drama

25
Q

Is a literary “super
genre,” which encompasses several
different genres of fiction, each with
speculative elements that are based on
conjecture and do not exist in the real
world.

A

Speculative Fiction

26
Q

Sometimes called “what-if” books,
speculative literature changes the laws of
what’s real or possible as we know them in
our current society, and then speculates
on the outcome.

A

Speculative Fiction

27
Q

stories with imagined
technologies that don’t
exist in the real world,
like time travel, aliens,
and robots.

A

SCIENCE
FICTION

28
Q

sci-fi stories inspired by mythology, folklore, and fairy
tales that combine imagined technologies with elements
of magical realism

A

SCI-FI
FANTASY
FICTION

29
Q

sci-fi stories about secret
knowledge or hidden abilities
including witchcraft, spiritualism,
and psychic abilities.

A

SUPERNATURAL FICTION

30
Q

a play on the term “soap
opera,” sci-fi stories that
take place in outer space
and center around conflict,
romance, and adventure.

A

SPACE OPERA
FICTION

31
Q

fantasy stories that take place in an
urban setting in the real world but
operate under magical rules

A

URBAN
FANTASY
FICTION

32
Q

stories about civilizations
the authors deem to be
perfect, ideal societies.

A

UTOPIAN
FICTION

33
Q

stories about societies
deemed problematic
within the world of the
novel, often satirizing
government rules,
poverty, and oppression.

A

DYSTOPIAN
FICTION

34
Q

stories that take place before and during a
huge disaster that wipes out a significant
portion of the world’s population.

A

APOCALYPTIC
FICTION

35
Q

The stories
center around characters doing everything
they can to stay alive—for example, running
from zombies or trying to avoid a deadly
plague.

A

APOCALYPTIC
FICTION

36
Q

stories that take place after an apocalyptic event and focus on the
survivors figuring out how to navigate their new circumstances—for
example, emerging after a global nuclear holocaust or surviving a
total breakdown of society.

A

POST-APOCALYPTIC FICTION

37
Q

stories that focus on true historical
events but are written as if they
unfolded with different outcomes.

A

ALTERNATE
HISTORY
FICTION

38
Q

stories about superheroes and
how they use their abilities to
fight supervillains.

A

SUPERHERO
FICTION

39
Q

Story that is written
about imaginary characters and events
and not based on real people and facts

A

FICTION

40
Q

Is a general term used to describe an
imaginative work of prose, either a novel,
short story, or novella

A

FICTION

41
Q

is a popular genre, boasting a huge
established audience. All mysteries focus on a crime,
usually murder. The action tends to center on the
attempts of a wily detective-type to solve the crime.
And the climax usually occurs near the end, in a
leisurely setting where all the elements of the mystery
are neatly assembled for the reader’s convenience.
The solution, complete with surprises, is then delivered
to the characters and the reader alike.

A

Mystery

42
Q

is a huge category aimed at
diverting and entertaining women. In
romance novels, you have elements of
fantasy, love, naïveté, extravagance,
adventure, and always the heroic lover
overcoming impossible odds to be with
his true love.

A

Romance

43
Q

Other subgenres include historical,
contemporary, fantasy romance,
and romantic suspense.

A

Romance

44
Q

It’s common knowledge in the publishing
industry that women constitute the biggest
book-buying segment. So, it’s certainly no
accident that most mainstream as well as
genre fiction is popular among women. For
that reason, publishers and booksellers have
identified a category within the mainstream
that they classify as ________.

A

Women’s Fiction

45
Q

________________ novels depict
distant worlds and futuristic technologies
that whirl readers far away from the here
and now and yet provoke contemplation
of contemporary issues. Imaginative,
thoughtful, and other-worldly, this robust
category is made even more popular by
the STAR WARS and STAR TREK series.

A

Science fiction/fantasy

46
Q

______________ are tense,
exciting, often sensational works with
ingenious plotting, swift action, and
continuous suspense. In this genre, a
writer’s objective is to deliver a story with
sustained tension, surprise, and a constant
sense of impending doom that propels the
reader forward.

A

Suspense/thrillers

47
Q

Unlike mysteries, thrillers are dominated
by action in which physical threat is a
constant companion and is pitted against
a nefarious villain.

A

Suspense/thrillers

48
Q

Known simply as _______, these novels
about life on America’s post Civil War
western frontier usually involve conflicts
between cowboys and outlaws, cowboys and
Native Americans, or Easterners and
Westerners. While this category still has a
mass-market audience and a thriving
regional market, it’s not the popular genre it
was 25 years ago.

A

Western

49
Q

Filled with gut-wrenching fear, this popular
genre keeps readers turning the blood-filled
pages. From a writer’s perspective, the
defining characteristic is the intention to
frighten readers by exploiting their fears,
both conscious and subconscious: fears of
supernatural forces, alien visitations,
madness, death, dismemberment, and other
terrifying notions.

A

Horror