Quiz 1 Flashcards

1
Q

Melodia

A

Addition to the liturgy. Adding a/many melisma/s to an existing chant

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2
Q

Prosula

A

Addition to the liturgy. Adding text to an existing chant.

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3
Q

Trope

A

Addition to the liturgy. Adding text and melody to an existing chant.

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4
Q

2+2 texture

A

The top two voices move at a faster speed than the lower two voices.

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5
Q

Stratification

A

All voices move at different speeds

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6
Q

Magnus Lieber Organi

A

A collection of polyphonic settings of responsorial chants. (Leonin)

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7
Q

Antiphonal

A

Alternating half the choir with the other half.

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8
Q

Intonation

A

The first line of a Gloria or Credo that stays in chant before the polyphony starts.

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9
Q

Substitute Clausula

A

Taking the original tenor (chant) and writing a new duplum

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10
Q

Antiphon

A

Short sentence meant to frame the psalm verse.

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11
Q

Organum

A
  1. an organ
    2.distinct style of early polyphony
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12
Q

Canso

A

Song about fin’amours

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13
Q

Syllabic

A

One note per syllable

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14
Q

Virelai

A

AbbaA

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15
Q

Strophic

A

Describes a song where all stanzas are sung to the same music (Comtessa De dia)

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16
Q

Responsorial

A

Alternating soloist and choir

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17
Q

Ballade

A

aabC

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18
Q

Hocket

A

One melody trading between two voices, Machaut

19
Q

Melismatic

A

many notes per syllable

20
Q

Pastourelle

A

Song about a knight and a maiden

21
Q

Troubadours and Troubairitz

A

1110-1220 in Southern France

22
Q

Talea

A

Long repeated rhythmic patterns in isorhythm

23
Q

Trouveres

A

1180-1300 in Northern France

24
Q

Discant Polyphony

A

Note against note. Rhythmic

25
Q

Neumatic

A

A few notes per syllable

26
Q

Alba

A

A “dawn song” of a knights noble companion who just wants to go to bed.

27
Q

Envoi

A

A half stanza at the end of a poem dedicated to a patron or romantic figure. (Bernart de Ventadorn, Can Vei la Lauzeta mover)

28
Q

Lesser Doxology

A

Gloria Patri. Ending of a psalm

29
Q

Voice Exchange

A

One voice sings a phrase and then a different voice sings the exact same phrase and so on.

30
Q

Jubilus

A

A long melisma at the end of the Alleluia

31
Q

Treatis

A

A written work dealing with a single subject. A “how to” manuel (De Vitry)

32
Q

Missale

A

Contains the texts for the mass

33
Q

VIda

A

Short biography found in a manuscript

34
Q

Florid Organum

A

Many notes in the duplum in comparison to the tenor. Arhythmic

35
Q

Rondeau

A

ABaAabAB

36
Q

Graduale

A

Contains the text and music for the mass

37
Q

6 rhythmic modes

A
  1. Short, Short
  2. Short, Long
  3. Very Long, Short, Long
  4. Short, Long, Very Long
  5. Very Long, Very Long
  6. Short, Short, Short
38
Q

2 Parts of a Responsorial Chant

A

Respond and Psalm Verse

39
Q

3 Parts of an Antiphonal Chant

A

Anitphon, Psalm Verse, and Lesser Doxology

40
Q

Which parts of the Mass are Antiphonal Chants

A

Introit and Communions

41
Q

Which parts of the Mass are Responsorial Chants

A

Graduale and Alleluia

42
Q

Ordinary

A

Text never change

43
Q

Proper

A

Texts change every day

44
Q

Name a composer who used Isorhythm

A

Machaut