Quiz 1 Flashcards
Life of St. John Baptist
Andrea Pisano
1330
The Baptism of the Multitude
Andrea Pisano
1330
Virgin and Child Enthroned
Cimabue
1330
Virgin and Child Enthroned
Giotto di Bondone
1330
Arena Chapel
Giotto di Bondone
1330
Marriage at Cana, Raising of Lazarus, Lamentation, and Resurrection
Giotto di Bondone
1330
Kiss of Judas
Giotto di Bondone
1330
Maesta Altarpiece
Duccio Di Bouninsegna
1330
Raising of Lazarus
Duccio di Buoninsegna
1330
Betrayal of Jesus
Duccio di Buoninsegna
1330
Annunciation
Simone Martini & Lippo Memmi
1330
The Effects of Good Government in the City and in the Country
Ambrogio Lorenzetti
1330
Virgin and Child
Unknown
1330
Life of the Virgin
Unknown
1330
Exeter Cathedral
Robert Lesyngham
1330
Vesperbild (Pieta)
Unknown
1330
St. Luke
Master Thodoric
1330
The Miracle of the Crib at Creccio
Unknown
1330
What image or idea has stuck out the most this far?
Quatrefoil- Around each image
landscapes and/or architecture to ground the figure
Buon Fresco
- Buon = True, Fresco = Fresh
- Water-based paintis applied on wet plaster
- Sometimes combined with fresco secco (dry)
- Durable, plaster bonds with pigment
- Must be done quickly without mistakes
- Giornata (day’s work) sections are done a day
- Arriccio=Bottom rough layer
- Sinopia drawing=Then assistants draw the artist compositions
- Artist worked in irregular sections (following major forms)
- Artist worked top to bottom, incase paint dripped
Cennino Cennini on Panel Painting
- The Book of Art, compendium of Florentine painting techniques from 1400 with step-by-step instructions for making panel paintings
- Wood should be fine-grained, free of blemishes, thoroughly seasoned by slow drying
- Cover wood with clean white linen strips soaked in gesso (9 layers)
- Burnish surface until it looks like ivory
- Sketch composition, leave it alone for a couple days
- Come back and improve where needed
- Rub feather over it until it is effaced
- Ink design with squirrel-hair brush
- Apply gold leaf with fine powdered clay and egg white
- Italian painters used powdered pigments mixed with egg yolks and water
- Apprentices ground pigments
The Hours of Jeanne d’Evereux
- Kiss of Judas and the Annunciation
- By Jean Pucelle
- Images of Infancy and Passion of Christ
- Joys (Annunciation) and sorrows (Kiss of Judas) of the Virgin
- S-shape of Christ is mirrored by Mary on the right
- Left scene takes place at night (lamp)
- Candle and rabbit symbolize fertility for the patron
