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Renaissance and Baroque Art History > Exam I > Flashcards

Exam I Flashcards

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1
Q

Guilds

A
  • Rivalry between artist, merchants, cities and craftsmen
  • Emergence of guils (qualitiy control)
  • Supervised education of young artist
  • Provided competition for young artist
  • Entrance into a guild reuired the creation of a MASTERPIECE
  • Paintors belong to the Guild of Doctors because they mixed their own paints
    *
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2
Q

Fourteenth Century Europe Eco

A
  • Population growth, but not enough food
  • Bad harvest so Europe was in famine
  • There was also conflict between France and England (Hundred Years War)
  • Black Death- Bubonic plague, lost about 40% of european population
  • Basic societal structures fell
  • Despite the famine, Black Death, and the Hundred Years War, there was economic growth
  • Wealth promoted art patronage
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3
Q

Usury

A
  • To charge interest on loaned money (a sin)
  • In the Scrovegni situation he had inherited this wealth from his father’s sinful moneymaking ways
  • Scrovegni commisioned Giotto’s to paint frescos in the Scrovegni (Arena) Chapel as a way to show God he was sorry
  • Facial features of angels are generic, prophets are individualized, likely to be portraits
  • Grisaille
  • Human emotion and symbolism
    *
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4
Q

Florentine vs. Sienese Painting

A
  • Rivals
  • Sienese-Emphasis on DECORATION
    • Duccio di Buoninsegna
    • Jewel-like colors
    • Elegant posed figures
  • Florentino- Emphasis on EMOTION
    • Maesta Altarpiece-Mary and Child are focal point (larger and on center)
    • Maniera greca- Greek style
    • Giotto v
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5
Q

Illuminated Manuscripts

A
  • Book of Hours, used for private prayer
  • Worn like jewelry by the wealthy
  • Book of Hours of Jeanne D’Everoux
    • Prays for a boy
    • Contrapasto- curved relaxed posture
  • Architectural frames around scenes
    *
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6
Q

English Embroidery

A
  • (Opus Aglicanum)
  • English were wellknown for needle work
  • Lots of detail
  • Life of the Virgin
    • Red velvet with silk (expensive materials)
      *
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7
Q

Decorated Style of Architecture

A
  • Exeter Cathedral (England)
  • Decorative Syle- derived from gothic
    *
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8
Q

Andachtsbilder and Vesperbild

A
  • Vesper- evening prayer
  • Vesperbild - Pieta - Mary holding Christ
  • Andachtsbilder- German religious works, depict harsh reality
    *
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9
Q

Renaissance and Jules Michelet

A
  • Rebirth
  • Began in Italy (possibly in Florence) but developed in other parts of Europe as well
  • Wasn’t known as the Renaissance until Michelet called it that in 1855
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10
Q

Characteristic of the Nothernern Renaisance

A
  • Observe and record natural world
    • Birds and animals, lots of detail
      *
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11
Q

International Gothic Style and ‘Realism of Particulars’

A
  • International Gothic Style is known as Realism of Particulars
  • Excesive detail
  • Shows debth
  • Bright colors and gold leaf
  • Mini architecture
  • Unicorn Found at the Fountain, from the Hunt of the Unicorn Tapestry Series
    • Lots of floral
    • Used as insulation, portable
    • Expensive, expression of owners wealth
    • Dificult and complex to make (curves and shadows)
    • Crowded and busy compositions
    • Symbolism- unicorn can only be caught by virgin
      • Unicorn- love
      • Lion- Faith, mercy, courage
      • Stag- Ressurection, shags fall off and regrow
      • Rabbit- Fertility
      • Dogs- Loyalty, fidelity
      • Plant and Fruit- Fertility
    • *
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12
Q

Annunciation, Visitation, Presentation in the Temple, Flight into Egypt

A

12

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13
Q

Flemish Tapestries

A

pricy

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14
Q

The Flemish School

A
  • Oil was preffered medium, slow to dry transparent when applied in thin layers
  • Flemish panels are meant to be looked as windows into a scene
  • Evidence of ‘Realism of Particulars’
  • Attention to detail, architecture, symbolism, and drapery
  • Rise of the middle class, becoming patrons
  • Merode Altarpiece
    • Typical Flemish home
    • Symbolism- ceramic vessel with lilies-purity, virginity
    • Waterpot in back- vessel carrying Christ
    • Candle- God’s divinity
    • Small floating Christ
    • Sitting on footrest- obidience to God
  • Double Portrait of Giovanni Arnolfini and His Wife
    • Her face is idealized, his isn’t
    • May have been pregnant? Just married? Memorial to his first wife?
    • Highly espensive fabrics and carpets, wealthy
    • Mirror- all seeing eye of God
    • Dog- fidelity
    • Fruit tree- fertility
    • Shoes- Shes a homemaker, hes a bread winner
  • Ghent Altarpiece (Second Generation Artist)
    • Scene of ANNUNCIATION
    • Mary’s words are upsidedown
      *
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15
Q

‘Flamboyant’ Architecture

A

goth

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16
Q

Printmaking in Northern Europe

A
  • Larger quantities
  • Less expensive
  • Paper was more accesible
  • Made out of woodblocks, by woodworkers
  • Could be made in parchment or paper
  • German or latin
  • In color or black and white
    *
17
Q
A

Double Portrait of Giovanni Arnolfini and HIs Wife

Van Eyke

1434

18
Q
A

Annunciaton, Visitation, Presentation in the temple, Flight into Egypt

Melchior Broederlam

1400

19
Q
A

Well of Moses

Claus Slutter

1400

20
Q
A

February: LIfe in the Country, Tres Riches Heures

Paul Herman and Jean Limbourg

1400

21
Q
A

January duke of berry at Table, Tres Riches Heurx

Paul Herman, Jean Limbourg

1400

22
Q
A

Unicorn is Found at the Fountain: From the Hunt of the Unicorn

Tapestry Series

1500

23
Q
A

Merode Altarpiece

Triptych of the Annuciation

Robert Campin

1400

24
Q
A

Man in a Red Turban

Van Eyck

1400

25
Q
A

Ghent Altarpiece (Closed)

Annunciation with Donars

Jean and Hubbert Van Eyck

1400

26
Q
A

Ghent Altarpiece (Open)

Adoration of the Mystic Lamb

Jean and Hubbert Van Eyck

1400

27
Q
A

Saint Luke Drawing the Virgin and Child

Roger Van Der Weyden

1400

28
Q
A

Portinari Altarpiece

Hugo Van der Goes

1500

29
Q
A

Etienne Chevalier St Stephen and Virgin and Child

Jean Foquet

1450

30
Q
A

Church of St Maclau

Pierre Robin

1500

31
Q
A

St Wolfgang Altarpiece

Michael Pacher

1500

32
Q
A

Temptations of St Anthony

Martin Shongauer

1500

33
Q
A

City of Nouremberg, from the Nouremberg Chronicles

Michael Wolgemut and Weilhelm Pleydenwurff

1500

Renaissance and Baroque Art History (4 decks)

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